Mildred Milagros Kaufman was born in the little country and left at the door of an orphanage, small, sickly, and with nothing aside from a beautiful mahogany box and a slip of paper that reads MILAGROS. After being adopted by her Jewish father and Mormon mother, both Peace Corps volunteers, Milly, as she is known, grows up in Vermont choosing to forget about the country of her birth. One day Pablo, a refugee from the little country, arrives in her school, and suddenly Milly can't, and maybe doesn't want to, ignore her connection to her place of birth. Will her interest break the family she loves? Add to that her fears around what she will learn about her past in a country fresh out of a revolution to remove a dictator, and Milly has a lot to deal with.
This novel does a good job of exploring the conflict that many adoptees feel around learning about their birth families and the impact of that on their adoptive family. Adding the layer of culture to this piece is also managed deftly in Alvarez's skilled hands. The characters are believable and relatable. The reason that I could not give this book five stars is twofold. First, Alvarez chose to root the story in an unknown little country. The reader knows that it is a Spanish speaking country, likely in Latin America, and since much of Alvarez's work reflects her connection to the Dominican Republic, my mind kept going there. But to be clear, Alvarez never mentions the country by name. I went back and forth about whether or not I liked this choice of hers, and, ultimately, it bothers me. I believe that she chose that path so that the story was more universal and representative of the many countries living under dictatorships, but being, ultimately, a story of identity, I felt that it removed an important aspect of the main characters sense of self. Second, the ending was wrapped up so neatly and beautifully that It felt like much of the work Alvarez had done throughout the novel to make things feel real was undone. I am not saying that an ending with happiness is an issue, but, rather, an ending where everything is better and everyone is happy.
While I have these criticisms, I still feel that this book is high quality and worthy of a space in classrooms. I listened to the audio book and the reading was beautifully done. The narrator was not only able to capture Milly's voice, but was, in sections of dialogue, able to vary the voices of other characters in a way that immerses the listener in the story.