Peter's troubles (or should we say just Spider-Man's?) continue as he doesnt back away from his break-up to Mary Jane - those scenes between those two is where Bendis keeps the emotional core so strong and harrowing it hurts - and has to contend with not only the Kingpin being in his way, but another goon-who-is-also-mutant(ish) named Hammerhead who, as bad luck would have it, Fisk wants Spider-Man to take down for him, AND the Black Cat, who may have a crush on the friendly neighborhood Spider-fella, and... Theres school too?! The problems just never end for Peter.
This is quality wise as consistent as it has been throughout the series: the humor is sharp and clever and occasionally, you know, on the level for teens involving things like raging hormones, but Bendis works well within that realm too (as in, how Parker is clearly attracted to Black Cat, what young man wouldn't be, but uh... Problems come of this, especially in the final moments of issue 85). It's also of a piece how (briefly) he sees Elektra. I also enjoyed seeing how Moon Knight (also called "Moonman" by Jameson because it's funnier) since, frankly, I haven't read much of that comic and don't know about his backstory, so there was enough here I could get the gist and roll with it. A little less assured is how Bendis works in Danny Rand as Iron Fist, which doesn't detract things completely, but it is noticeable that these scenes and moments with him just don't shine or hit the mark as well. Maybe though I'm not much of an Iron Fist fan anyway, so Im not one to ask about his character and how well or poorly it translates.
But what I keep reading this series for is what counts, and I feel such conflicted things for Peter at this stage: my softer emotional side says "no no just be with Mary Jane, you can protect her and be in love with her and all that jazz" while my logic side is like "yeah, no, you're doing the right thing." And all the while, it... Unfolds with psychological complexity and deep emotions.