Dubbed by the Japanese as "the 21st Century's Dandy," Inagaki Taruho writes short and incredibly concentrated stories of his favorite machines, airplanes, modern fairies, Saturn, falling stars, the tin moon, geometrical shapes, boys, policemen, aromatic Turkish cigarettes, black cats who turn into smoke, crashing comets, gay bars, and numerous other subjects which run throughout his tales. Writing from the 1920s to the 1970s, Inagaki is a true original, seen by many Japanese as the equal in talent of Tanizaki, Kawabata, and Mishima, and as one of the great Japanese writers of the 20th century.
Taruho Inagaki was a Japanese writer. He was born in Osaka, moved to Akashi in Hyōgo Prefecture while he was in elementary school, and spent much of his childhood in Kōbe. He graduated from Kwansei Gakuin Junior High School. In 1968 he won the first annual Japan Literature Grand Prize for Shōnen'ai no Bigaku (少年愛の美学, The esthetics of boy-love), an essay on "aesthetic eroticism".
Inagaki's works often dealt with themes including flight, astronomical objects, and erotic and romantic relationships among beautiful adolescent boys. His stories on the later topic, and his essays in Shōnen'ai no Bigaku, were an influence on early writers of the yaoi genre such as Keiko Takemiya.
Inagaki Taruho was an experimental writer who wrote quirky, little nonsensical stories from the 1920s onward. Imagine a Georges Melies film in writing... Each of these delicious little stories is an object for contemplation.
Very interesting book. Avant-garde short stories (ranging from a few sentences to a page) about....well....crazy stuff. Lots of encounters with Mr. Moon, comets and stars.