Deeply disappointing, ngl. I’ve been waiting for this book ever since it was announced, and for it to come out like this - poorly written; badly characterized; inconsequential to (MCU) canon at best, contradictory at worst; “”diverse”” in such a weak, wishy-washy way that it might as well not have been “”diverse”” at all - is... yeah, deeply disappointing.
I may or may not write a longer review depending on what kind of angry this disappointment makes me.
[2 Hours Later]
Okay okay okay, if Mackenzi Lee is wanting to talk about choosing villainy as a last resort, then I'll play along and give a pissy monologue about why this book made me angry.
1. Lack of immersive writing!
Part One of the book takes place in Asgard, specifically in Odin's palace; Part Two takes place on Alfheim and in London circa 1850-1880 or so. As far as I'm concerned, all three locations are interchangeable. London is the most thoroughly realized location and, look, maybe it's me, because I hate Industrial Revolution-era London as a fictional setting with a passion almost as deadly as the mother-effing smog it helped to birth, but that feels wrong, in a story literally about Loki. I don't even know where Loki was most of the time, even in London. I was heavily skimming by page 150 or so, but still. I don't know where he was meeting the SHARP Society - I mean, logically, it must have been in the museum, but I don't know how he got there or what it looked like inside. I don't know what it felt like to be there.
This book is 408 pages long, btw, it's long enough that I should have felt SOMETHING for the setting. And Loki spends, like, a week or two there. And yet I could barely picture anything at all. Asgard and Alfheim suffer even more for it, which is cruel to me personally because I wanted to be there, not in smoggy awful London.
2. Poor characterization!
Mackenzi Lee is the Loki fan who gives Loki fans a bad name. Thor is stupid, cowardly, a stick-in-the-mud, a tattletale, thick, unwilling to learn, undiplomatic, obviously a disgrace to the kingship of Asgard... you know, everything that Loki stans said in fics and meta for years that made life hell for fans like myself. I don't want that Thor! I don't want that dynamic between Thor and Loki! I don't understand why they would love each other so much - which they do, canonically - if Thor was just a big dumb brute of a bully to poor shrinking-violet never-done-anything-bad-of-his-own-volition Loki.
Loki's characterization was beyond frustrating, anyway. He's set up to be someone who's detested by his own people and by Midgardians in the know because he's So Deceitful And Wicked, but in Part One of the book, which turns out to be only a few years before the bulk of the story, he can't even lie to a guard convincingly while shapeshifted to look like Odin. What?? What??? What????? He just stumbles around this tiny lie and nearly gets himself and Amora caught because he's so useless at subterfuge, and if I remember correctly, Amora has to step in and save them. What??????????
I'm going by Thor movie continuity, not Thor comics continuity, because there is a single MCU continuity that I'm deeply invested in as opposed to the comics, with its many branching and nigh impossible-to-penetrate-without-lots-of-money continuities. But by 2011, Loki and Thor have been around for about 1k years, probably a bit more, between 1-2 millennia, anyway. There are only 150 years between Where Mischief Lies-era Loki and the current MCU equivalent. So why, why, why does Loki read like a 16-year-old kid who's only just now starting to learn magic and get into mischief? There's some slipshod attempt at hand-waving away any problems with trying to make Loki a young adult so his book will fit into the YA category, but it's so flimsy and uncertain that it just feels stupid, like Lee (or her Disney overlords, more like) just tacked on the "oh time works differently between Asgard and Midgard!!" garbage to justify Loki being more of an innocent unfairly judged party than he was ever really supposed to be. (Even Agent of Asgard!Loki took more responsibility for his actions than WML Loki, and he wasn't even the original Loki who did the bad things.)
It's just so incredibly FRUSTRATING that woobie!Loki is "canon" in this way, that Thor gets shafted so blatantly to make Loki look less complicated and complicit in his own story. Even when he does really bad stuff in WML, it's so much less of a PROBLEM than it should be, but also more of one, because, oh no! 1865 is the first year Loki's ever done anything this morally unsound!!
The other characters are shallow, shell-like, just cardboard puppets. None of the dialogue sounded real or natural or important. Mrs. S should have been cool but had so little screentime with so few important things to say. Gem might as well not have been in the book at all. Theo should have stolen my heart but he didn't; he was just a bundle of misfortunes and cute hair and so very clearly there to be the third point in a love triangle to make sure we'd all cheer Mackenzi Lee for being diverse and sticking it to The Man without caring that all of Theo's potential was utterly wasted on sloppy writing and hollow, stilted, look-at-us-we're-Bantering(tm)-ship-us-now conversations with Loki. Amora was maybe the most consistently and compellingly characterized but her whole character arc is telegraphed by page 30, both by dint of who she is and by the sledgehammer nature of the book's narrative.
I cannot believe how little I was invested in Loki and Theo. I can't believe it. I wanted to be there for it. But there was nothing TO them. Lee just smushed them together, went "hey, it's gay! love it!" and expected that to be enough. But it's not! It's not enough! They had no chemistry, all their banter was probably recycled from Gentleman's Guide to Vice and Virtue, and, apparently, they spent a full week living together and we got NONE of it. Loki mentions that he put the pot of tea on for Theo every morning - and were we, the audience, the people who are supposed to care, privy to this bonding ritual? Of course not! OF COURSE NOT.
Whatever. I'm cool. Moving on.
3. Contradictory plot points!
Correct me if I'm wrong, but I'm pretty sure that, in the comics, Thor and Loki and other Asgardians do/access magic on Earth. They for sure do in the movies. But according to WML, Earth has so little magic that Asgardian magic-users can only access a fraction of their power; simple spells take way more energy, and eventually, all their magic will be sapped away, leaving them magic-less and "decaying."
okay??????????? what was Loki's plan in Avengers then?? (I know he was largely brainwashed at that point but still, what was THANOS'S plan?) What about Mjolnir, when Thor uses it on Earth? What about the other times Loki used magic in Midgard - the stuff he pulls in Thor 1, keeping control of the Destroyer, smaller magics in Ragnarok? For that matter, what about characters like Dr. Strange? None of it adds up, and the idea of being unable to use magic on Midgard is such an important part of the book, yet such a glaring contradiction from the rest of literally any part of the Marvel movie/comics universe I've gotten into, that it just pissed me off.
There's still the stuff about Loki barely knowing s#!% about magic in 18-fricking-60, and the idea that Frigga had only just begun teaching him about it a few years earlier. Loki is at least 900 years old by now!! What were they doing!!! I also don't like that they sidelined Frigga so hard to give Amora a bigger part of Loki's childhood. I don't know how that lies with any comics continuity, but it bugged my little "Renee Russo and Tom Hiddleston decided during Thor 1 filming that Frigga taught Loki about magic for most of his life" heart. And just, like, the sheer dumb obstinance of pretending that, by 1850, by the reign of Queen Victoria of England, Loki still barely knew how to control his magic, barely knew how it felt to even use it. It just boggles the mind that I'm expected to believe this.
4. Extra bits that piss me off more!
Theo's whole story is just... trashed. None of it makes any lick of difference. It doesn't matter. Theo doesn't. The SHARP Society doesn't. None of it matters. There was literally no point. Contrariwise, you could have just swapped Loki out for, like, Fantasy Sherlock Holmes, or Fantasy Auguste Dupin, or any Fantasy Period Detective, and, with some minor tweaks, it wouldn't have made a difference. None of it felt specifically geared to broaden our knowledge of Loki. It was just... some things happened, mostly in either summary or Banter(tm) mode. It feels like Disney went "hey you wrote a book in like, roughly Victorian times, right? it was gay and popular, right? Just do that for Loki, we'll be back for the rough draft in 2 months, oh of COURSE we'll edit it really good, we deffo care about the finished product and our IP's integrity and not just throwing his name on a book and saying it's diverse and waiting for the good reviews to roll in, here's a $40,000 check for your draft and your silence."
I literally don't know what the point of this story was.
I literally have no idea where 250 pages of this book went, because they definitely didn't go to helping me understand Loki better, or get involved in the murder mystery, or feel invested in the Theo/Loki potential romance (it was doomed from the start since Theo isn't in canon but I barely even felt sad over the dramatic irony!!), or get anything at all out of a pan genderfluid Loki being..............canon, I guess. Yeah, I feel like throwing representation laurels at Lee's feet because Loki's like "I exist as girl and boy simultaneously" one time and it never shows up again except for him being ashamed to paint his nails black or something.
Ugh.
Nothing in this book matters. Things happen, Loki's there, he's like "I hate Midgard and everything it stands for" but the narrative voice is like "ACTUALLY Loki was FOND of the cardboard cutouts he was hanging around, he didn't know WHY because he hadn't spent any QUALITY TIME with them and his conversations with them were BORING and TOO STIFF but actually he spent LOTS of time with them don't worry about it it was legit just pretend I've written a lot of actual bonding scenes so I don't have to put in the work for it."
5. Editing or lack thereof!
My reading updates have three or four of the book's worst-constructed sentences, but weird grammar choices, unclear phrases, and bad editing in general are par for the course. I don't necessarily blame Lee for this because what it reads like is a first draft that didn't get enough editing passes. I recognize that kind of wonky writing in my own first drafts; the problem is that, while I would never willingly allow such awkward, amateurish writing problems to make it into the final copy, Lee's editors or other Mousely overseers clearly had no such compunctions.
6. conclusion
It wasn't good. Actually it was hella dumb. I'm disappointed. The Loki D+ show has always had a pretty low bar to cross but I didn't realize it was THIS low.