A MARVELOUS COLLECTION OF FEMINIST ESSAYS AGAINST PORNOGRAPHY
Editor Laura Lederer wrote in the Introduction to this 1980 book, “women are claiming pornography as a feminist issue. In the last few decades women have been bombarded with ever-increasing numbers of pornographic images in liquor stores, bookstores, and drugstores; in supermarkets; in the hands of fathers, uncles, brothers, sons, husbands, lovers, and boyfriends; in movies, in films, and on street-corner newsstands; on the covers of record albums, on the walls of poster stores, and in shop windows. The media have subjected women to dramatized rapings, stabbings, burnings, beatings, gaggings, bindings, tortures, dismemberments, mutilations, and deaths in the name of male sexual pleasure or sheer entertainment. In the meantime, women have been increasingly and ever-more gruesomely raped and brutalized on the streets and in homes.” (Pg. 15-16)
She continues, “At first, women viewed each violent crime as a separate but crucial problem. Rape-crisis centers were set up… battered wives shelters, and … child-abuse councils. But slowly we came to see that these crisis-care organizations were not enough… Feminists … began to realize that we … must also remove the images which promote a climate in which these crimes are possible. We noted the inconsistency in allowing (and even encouraging) women and young girls to be set up as sexual objects and willing victims in all forms of mass media, while at the same time protesting the victimization of females in real life. We began to make the connections between media violence to women and real-life violence to them, to recognize the threat which pornography poses to our lives and livelihood, and to speak out against it.” (Pg. 16)
She goes on, “The title of this book, ‘Take Back the Night,’ reflects this growing realization of the links among crimes against women. The pollution of our media with sexist articles, programming, and advertisements, and the increasing amounts of pornography readily available, are hardly questioned. Rapes, muggings, and sexual harassment of women at all times, but especially at night are the norm. That we have been unable to walk the streets after dark without a male to protect us from all the rest of the men has been assumed in this society for so long that people can hardly imagine a culture in which this would not be the case. The slogan ‘Take Back the Night’ was first used… as a theme for a national protest march down San Francisco’s pornography strip. The march took place at night… [It] was a profound symbolic statement of our commitment to stopping the tide of violence against women in all arenas, and our demand that the perpetrators of such violence---from rapists to batterers to pornographers---be held responsible for their actions and made to change.” (Pg. 19)
She adds, “Until recently there have been only two sides to the pornography issue: the conservative approach, which argues that pornography is immoral because it exposes the human body; and the liberal approach, which presents pornography as just one more aspect of our ever-expanding human sexuality. This book present a third and feminist perspective: That pornography is the ideology of a culture which promotes and condones rape, woman battering, and other crimes of violence against women. It is a concrete tribute to what we have done and where we intend to go. We pass on this body of knowledge... ideas, and expertise in the hope that it will be helpful in the fight against pornography and other violent crimes against women.” (Pg. 19-20)
Helen Longino observes, “Today federal law states that the definition of pornography is to be left up to the individual communities to decide. This, of course, has totally confused the country. What seems to be acceptable in San Francisco may be appalling in a small town, and communities themselves are having trouble deciding what they think is … without ‘serious literary, artistic, political or scientific value.’ Feminists have a further objection to this definition: If pornography does not offend local community standards, then something is wrong because it should!” (Pg. 40)
She summarizes, “Pornography is not just the explicit representation or depiction of sexual behavior... which is degrading and/or abusive to women. Rather, it is material that explicitly represents or describes degrading and abusive sexual behavior so as to endorse and/or recommend the behavior as described.” (Pg. 44)
Judith Bat-Ada stated in an interview, “Getting readers used to the forbidden requires subtle but clever devices. Playboy uses what I call ‘groundbreakers’ for the construction of new attitudes. These groundbreakers include cartoons, skillfully contrived photographs, and an extensive use of symbols… Another favorite technique is the use of fairy tales in cartoons… Common themes in Playboy-genre fairy tales [include] the wolf molesting Little Red Riding Hood… Fairy tales are exploited by pornographers in order to block out objections to rape, molestation, and violence by defining the imagery as ‘fantasy.’ Many men, if confronted directly with a violent sexual image would reject it---and the magazine! The idea is to put these vicious crimes into a context which infers that it is ‘just a joke’ or ‘all in good fun.’ After all, who can object to that---except a woman without a sense of humor?” (Pg. 125)
Beverly LaBelle observes, “famous people are often featured in the more serious articles in soft-core magazines, implicitly expressing their support for the ‘liberating joys’ of pornography. The Playboy Interview has played a major role in this appeal to authority. Simply featuring United States Presidents [example: Jimmy Carter], stars, great authors, artists, and major sports figures describing the beneficial effects of pornography are often cited … as ‘proof’ that such publications are not harmful.” (Pg. 178)
Diana E.H. Russell states, “I am very critical of Nancy Friday’s publication of women’s masochistic fantasies in ‘My Secret Garden.’ It is true that many women have masochistic fantasies and can be sexually aroused by pornography… according to the study just cited. That does not make it harmless. It does not mean it is healthy. It does not mean that women’s and men’s responses to pornography are equitable. Nor does it mean that women like or want to be raped.” (Pg. 231)
Wendy Kaminer points out, “Every single book, magazine, or film must be proven to be obscene in an individualized judicial proceeding before it may be enjoined. This makes it almost impossible for the government to take any generalized action against businesses that regularly deal in pornography.” (Pg. 243)
This book will be “must reading” for anyone interested in the feminist anti-pornography effort.