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272 pages, Paperback
First published January 1, 1979

For my academically trained peeps out there: we are talking about an extremely dated perspective on the subject, one that honestly does not stand the test of time and aged like milk out in the sun. That Times’ quote right there under the book’s title is laughable at best.
So, History of Underclothes – or, as I like to call it, The History of how sex is the only engine of anything and everything what concerns female body – is permeated by the authors’ stern conviction that female fashion changed only according to what men found attractive: “[…] the male interest – and consequently the female fashion – has oscillated […] between those […] regions [breasts and hips].” After an interesting introduction enumerating the multiple purposes of underclothes, the Cunningtons seem to kinda forget most points but the erotic one. This idea alone is… reductive at best. Over the course of 700 years, people – yes, women too – engaged in a variety of jobs and activities, each demanding a different degree of mobility and flexibility that could be facilitated or hindered by said clothes. One such example is the discourse around female skirts becoming more flowing at the beginning of the XVIIth century (p. 52): although the very first thing that comes to mind concerns mobility and freedom of movement, the authors once again read this with male gaze-y eyes. While sure, clothing pieces could have erotic connotations, one could argue that getting laid was hardly the only thing that went through people’s minds while getting dressed, not even for those upper classes this book talks about.
Moreover, as mean as this might sound, critical thinking seems to be unknown to both authors, especially considering they take every source at face value, something every decent historian will tell you not to do for several reasons. Which implies that no, anecdotes about girls and women with waists the size of my ankle should not be taken as the norm, nor as 100% certified facts® (see p.197). Nor should a single slightly out of context snarky comment made by Elizabeth Haywood – by then an elderly woman – on younger women be taken as ultimate measure of what “was the fashion” (p.68). You either exhibit more proof of that or you are jumping to conclusions, which seems probable.
Although this certainly cannot be blamed on the authors, socio-cultural elements and perspectives lack. The Cunningtons simply wrote the book 40 years before social sciences came to be, which means they missed vital theories borrowed from anthropologists, sociologists, art historians and the likes. What gets provided here is a superficial description of shapes and appearance, without addressing why, how, by whom and for whom, barely skimming the surface. There are Material Culture researchers out there who did wonders just by focussing on a single piece of clothing studying cut, clothing construction, sewing and darning techniques, dye etc..
Their badly redacted bibliography reads like a joke, and even regular BA level students would know better than to cite A number of old newspapers as primary source. The bottom line here is, most of the quotes so nicely enmeshed in the text – with citations oftentimes making up entire subchapters - are simply not verifiable, unless one felt prone to go through 500 years of poetry, drama, fiction and diaries […] portraits and prints (at which point one could write a better book). The pool of secondary sources is rather small – while maybe not ideal, it might be a necessity from time to time – and is absolutely not enough for a book covering almost 700 hundred years of human history. While I personally do not enjoy scholarly books that try to cover a large timespan, I completely understand the appeal!
It might be that the book was first published in 1939, which could explain the authors’ (very) loose scientific approach to the matter or might be that the Cunningtons’ field of choice was not that of History (and it shows) but rather that of Medicine, it might be all these aspects tied together. What I know is that only rarely can perspectives and research stay relevant for long period of times, as knowledge broadens, and older pieces might need an update or two - or to simply be discarded. This book falls under the latter category.
