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らんま½ [Ranma ½] #23
Ranma ½, #35
Edición argentina. Corresponde al tomo #23 japonés.
Salvo la portada, el contenido es exactamente igual a "Ranma Más Allá de la TV #1".
Un chico con una enfermedad desconocida odia los remedios pero si no los toma se va a morir. Su cara no lo aparenta pero es un pajero que pretende que Ranma mujer le de el remedio con la boca. También Ranma y Ryoga comen un hongo raro que los transforma en pendejitos. Ahora los dos buscan la manera de volver a su edad original. Eso y mucho más!!
Salvo la portada, el contenido es exactamente igual a "Ranma Más Allá de la TV #1".
Un chico con una enfermedad desconocida odia los remedios pero si no los toma se va a morir. Su cara no lo aparenta pero es un pajero que pretende que Ranma mujer le de el remedio con la boca. También Ranma y Ryoga comen un hongo raro que los transforma en pendejitos. Ahora los dos buscan la manera de volver a su edad original. Eso y mucho más!!
198 pages, Paperback
First published December 12, 1992
34 people want to read
About the author
Rumiko Takahashi
1,563 books2,142 followersRumiko Takahashi (高橋留美子) was born in Niigata, Japan. She is not only one of the richest women in Japan but also one of the top paid manga artists. She is also the most successful female comic artist in history. She has been writing manga non-stop for 31 years.
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Rumiko Takahashi is one of the wealthiest women in Japan. The manga she creates (and its anime adaptations) are very popular in the United States and Europe where they have been released as both manga and anime in English translation. Her works are relatively famous worldwide, and many of her series were some of the forerunners of early English language manga to be released in the nineties. Takahashi is also the best selling female comics artist in history; well over 100 million copies of her various works have been sold.
Though she was said to occasionally doodle in the margins of her papers while attending Niigata Chūō High School, Takahashi's interest in manga did not come until later. During her college years, she enrolled in Gekiga Sonjuku, a manga school founded by Kazuo Koike, mangaka of Crying Freeman and Lone Wolf and Cub. Under his guidance Rumiko Takahashi began to publish her first doujinshi creations in 1975, such as Bye-Bye Road and Star of Futile Dust. Kozue Koike often urged his students to create well-thought out, interesting characters, and this influence would greatly impact Rumiko Takahashi's works throughout her career.
Career and major works:
Takahashi's professional career began in 1978. Her first published story was Those Selfish Aliens, a comedic science fiction story. During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shōnen Sunday, which would remain the home to most of her major works for the next twenty years. Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In 1980, Rumiko Takahashi found her niche and began to publish with regularity. At this time she started her second major series, Maison Ikkoku, in Big Comic Spirits. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga. Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in 1987, with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being 15.
During the 1980s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works. Her stories The Laughing Target, Maris the Chojo, and Fire Tripper all were adapted into original video animations (OVAs). In 1984, after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga. This series of short segments was published sporadically until 1994, with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The last story to be drawn was published in 2001, however just recently she wrote one final chapter concluding the series
Later in 1987, Takahashi began her third major series, Ranma ½. Following the late 80s and early 90s trend of shōnen martial arts manga, Ranma ½ features a gender-bending twist. The series continued for nearly a decade until 1996, when it ended at 38 volumes. Ranma ½ is one of Rumiko Takahashi's most popular series with the Western world.
During the later half of the 1990s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha. While Ran
Ratings & Reviews
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Displaying 1 - 17 of 17 reviews
April 12, 2022
Die Geschichte mit der Liebesangel war super! 🤣
August 15, 2022
Este ha estado bueno... Entre el regreso de Pantimedias Taro y la mamá de Ranma... AH y el amor de Ranma por Ryoga no he parado de reír.
February 3, 2019
En este número viene un capítulo con tintes homosexuales que no recuerdo hubiera salido en tv abierta.
August 28, 2016
Tomo publicado en octubre de 2001 como Ranma ½ Más allá de la tv #1 y reentapado en 2006 como Ranma ½ #35 (Ranma 1/2, tomo 23 japonés).
March 29, 2025
良かった。これはギャグ漫画は良かった。今日すごく悲しくて恐ろしい本読んだ。パレスティナの女の人の話。すごく怖い話だった。私の精神を崩れたの話。幸いらんまもあった。らんまを読んで、笑って、回復した。
今回のらんまは本当に面白かった。今回はらんまがりょがを好きになって面白かった。：D
今回のらんまは本当に面白かった。今回はらんまがりょがを好きになって面白かった。：D
November 7, 2019
Pantimedias Taro está de regreso y sigue deseando que el viejo le cambie su nombre, sin embargo ambos son muy obstinados y ninguno dará su brazo a torcer.
Una clase de cocina nada usual, Akane vs. Ranma dirigida por la mamá de Ranma.
Lo mejor fue la caña de pescar de Ryoga, sin querer nos da una historia BL, Ranma se ve chistoso al ir tras Ryoga
Una clase de cocina nada usual, Akane vs. Ranma dirigida por la mamá de Ranma.
Lo mejor fue la caña de pescar de Ryoga, sin querer nos da una historia BL, Ranma se ve chistoso al ir tras Ryoga
June 14, 2019
I'm weak for Ranma/Ryoga
This entire review has been hidden because of spoilers.
July 7, 2022
Cambio de formato, tomo luego retapado como tomo 35 de la edición cronológica.
August 10, 2016
Ranma ½ #35 (Ranma 1/2, tomo 23 japonés), es el único tomo de la edición argentina en ser publicado dos veces. Además de esta edición de 2006, también fue publicado años antes (en octubre de 2001) como Ranma ½ Más allá de la tv #1, único tomo que terminó llevando tal subtítulo. Tras la reestructuración forzosa de títulos que se llevó a cabo debido a la crisis argentina de diciembre de 2001, "Más allá de la tv" sería cancelado y los tomos que habrían sido editados con ese nombre terminaron publicados como Ranma ½ #36 en adelante.
March 8, 2010
Cómo olvidar el añorado y trunco "Más allá de la Tv" de nuestra querida edición vernácula de Ranma. Ni bien tenga a mano el tomo, voy a tratar de transcribir la explicación de cómo Ranma se iba a dividir en dos series para terminar de editarla más pronto. Once años después del anuncio (y trece desde que arrancó la serie), todavía falta un tramo para ver el final... ñ_ñU
August 15, 2024
Lo de la aventura de Pantimedias Taro es divertida, era un buen plan.
El del chico de las aguas termales esta ok.
El retorno de la mama de Ranma, divertido, pobre Akane.
Pero el que más risa causa es el de Ryoga y la cañ{a de pescar del amor, y lo que ocasiona cuando le da a Ranma en lugar de Akane.
4star
El del chico de las aguas termales esta ok.
El retorno de la mama de Ranma, divertido, pobre Akane.
Pero el que más risa causa es el de Ryoga y la cañ{a de pescar del amor, y lo que ocasiona cuando le da a Ranma en lugar de Akane.
4star
November 5, 2014
Enjoyable volume, great stories especially the 3rd & 4th chapter.
January 28, 2018
Edición "repetida" con otra tapa que algún idiota separó al pedo.
Read
February 7, 2018Primera edición, luego retapado como tomo 35
May 3, 2022
Tomo en el que, si mal no recuerdo, "volvía" Taro Pantyhose, que para el momento de publicación de este tomo todavía no había aparecido.
April 19, 2021
¿Qué pedul con Ryoga gente? Me asquea su intensidad y mal rollo.
Ranma es un amor, tan super él.
Ranma es un amor, tan super él.
This entire review has been hidden because of spoilers.
Displaying 1 - 17 of 17 reviews