Catherine Carter's first volume of poetry exudes a genuinely classical quality-cool-eyed and clear-eyed, intelligent, unsentimental, self-aware, and witty in the fullest and best sense. Carter takes our evolutionary development in the womb as a departure point for remembering or imagining our links with nonhuman animals, which make us feel both alien and alive. She writes of being "raised by wolves," that "everyone marries into another species," and of "hearing things" in the voices of the rattlesnake plantain or the apple core. With an offbeat, sometimes-gallows humor-the poems' subjects range from roadkill to stingray-human sex to a traffic ticket for avoiding toads on the road-that looks at our connections of blood, home, and exile, The Memory of Gills nonetheless speaks of hope that we belong where we are.Last night or rather this morning she called on the telephone in my dream. She thought it was Thanksgiving, and she didn't know she was dead. I didn't want to tell her she was dead, or going to die this May, which in the dream was still next May. I told her about the job I still had last Thanksgiving, tried to remember. My mother was there and spoke to her; no one knew quite what to say except love -- and before that I woke up. She called, across six months, six feet; she called us, and we didn't know how to go or what to say. Dead was too heavy, we couldn't say that; we couldn't say anything really. Except love, which this one time ought to have been enough, but, as it always is, was nothing like enough. -- "The Telephone in My Dream"
A beautiful work of art. My favorites were "Leaving Love" and "Meditation on Lettuce." The simile in "Leaving Love" is so beautiful and relatable. I live a little over an hour from the beach, and I still say goodbye to it every time as if I'll never see it again. I get home "tired and cross" and the "unpacking" of the towels and the umbrella and the shoes and cooler is "worse than the packing". It does remind me of leaving behind a relationship. The first section reminded me of Florida and made me feel at home. I'm not sure if Dr. Carter has ever lived or visited Florida, the "real" Florida, the straight-down-the-center-where-you-can't-smell-the-beach-but-you-can-smell-the-swamp Florida. Yet, that's what the first section is like. The buzzards and the spring and the oysters and the skunk cabbages. It was a comforting sink into poetry of home.
These are some of the most gorgeously intelligent, unflinchingly alive poems I know. You have to love a woman who writes about how the hawk's feet came to hang from her rear-view mirror...