One of the most respected poets of the Beat and San Francisco Renaissance periods, David Meltzer has kept alive interest in the interface between jazz and poetry that exploded in the 1950s. This new edition of selected poems includes previously unpublished material and serves as a map to this very prolific and interesting poet.
David Meltzer was a poet associated with both the Beat Generation and the San Francisco Renaissance. A pioneer of jazz poetry readings, Meltzer also formed a psychedelic folk-rock group. He performed with the music and poetry review, "Rockpile." He edited many anthologies, including San Francisco Beat: Talking with the Poets (City Lights, 2001), and published 11 erotic novels. He taught for many years in the poetics program at New College of California.
Now for instance the idiot who watches through the slit eye and tilted head
a mouth that smiles without a sense of humour watch him watching you and know that he sees you
without smiling
* * *
Vision
The heart sees what the mind sees what the eyes see
differently
* * *
Revelation
It comes to this: my teacup filled with steaming green tea. Basho sits beside me with ohashi, waiting for Reiko to bring out the Nikku Nabe, the sake, some Kirin Beer.
The haiku will come later. After dinner & a Havatampa cigar.
At the first month I go to the Rental Agency. - Listen, I tell her, - I can't pay this month's rent because I quit my job because I have a great work that I'm working on that demands a great deal of all my time. My job was a rock in my heart, a black cloud in my head, & I'm a poet who needs time to be alone, so wander, study, loaf & drink, think, read, love my wife, learn about my kids, & work day & night on the great work. I gave this month's rent to my wife for food, diapers & wine. Won't you just forget about rent until my great work is done? - Sure, she says, writing out a check for $229 (the exact amount to tide us thru a month) - & come back at the first of next month for your next check & turned back to her ledger.
* * *
New Year's Poem: 1967
Why it's my old friend the piper back from last year's dying, blind in one eye, one lung lost hard of hearing, toothless, drinking blackberry wine from a paperbag
leans on a car to watch the people go by.
* * *
fromEden Book
Oh but that's easy, she says. He says it too. It's easy. Apocalypse is poetry's easiest song. We're not scared, they sing together, arms around each other. We're not scared. Let it roar.
* * *
Nature Poem
Absurd. We talk of progress.
My hair falls out all over the place. Into a bowl of mushrooms. What a mess. How much of it have I swallowed? Yet I let my hair fall. Ha. See how man copes with nature.
My teeth stink. Rot into nerve-end threads. The enamel turns upon itself. I allow my teeth to disappear.
My face falls into place. Wrinkles work into folds, crack & sag over my bent jaw. I allow mu face.
My tongue dries like a prune. Too much air. I let my tongue evolve.
Soon I'll be an old man. Many years ago I was a baby.
Absurd. We talk of progress.
* * *
It's Simple
It's simple. One morning Wake up ready For new work. Pet the dog, Dog's not there. Rise & shine Sun's not there. Take a deep breath. No air. Look for the sun. No sun.
It's simple. Wake up one morning Ready for new work & the animals are on strike With the air, the sea, the Earth quits us. Casts us off Like a sickness in her fiery core.
* * *
fromBark, a Polemic
I ran one down. Now car-chasing dogs Cower from my car.
He was a rear-wheel barker Chased me halfway into town Day after day Barking.
For what? Dreamer. No matter how or why you do it You'll get run down.
* * *
fromThe Art
Once each piece of paper on the desk, on the dresser even on the floor could be accounted for there for a reason
I highly recommend seeking out one of David's readings for anyone in the Bay Area. He's a charmer. I've always been pulled to writers with an affinity for music. I've found none with a greater affinity than Meltzer, raised by a harpist and a 'cellist and a musician himself in the hazy 70's. The excerpt here from No Eyes, a book-length piece for tenorman Lester Young, is a personal favorite.