I see this has been rated incredibly low overall on Goodreads, and for a David Sedaris book, that is pretty startling. Why? Sedaris is one of the great humorists of our time, maybe for me the top writer going, the one writer who has consistently made me laugh aloud. In earlier times, I can think of Dorothy Parker and James Thurber, in their era, Peter DeVries decades later, and there are plenty more satirists/humorists/comic writers, of course, but I am thinking of a particular tone: urbane, sophisticated, satirical. Sedaris is in that group.
And he's best known for his memoir work, such as Me Talk Pretty One Day and his work on Ira Glass on NPR, his annual reading (since 1992) of "The Santaland Diaries" (when he worked as an elf). I first heard Sedaris read Me Talk Pretty One Day driving to New Orleans from Chicago and I was crying, I was laughing so hard. Not all humorists are comedians, but Sedaris reading his own work is a treat not to be missed. He credits Glass with jump-starting his success here in Chicago. Google Sedaris reading anything right now if you are a little down; go ahead!
Sedaris won the Thurber Prize for Me Talk Pretty One Day in 2001, and it is Thurber who can best help us understand Squirrel Seeks Chipmunk. Thurber in 1940 published Fable for Our Time, a collection of 32 fables he had written in the thirties. Fables are typically shaped for children to be inspirational. Thurber turns these fantasies on their heads, hilariously. In his version of "the Tortoise and the Hare" Thurber has the hare winning, as any fool might expect, with the tortoise having proceeded no more than a quarter inch forward. Included is (and here I quote Wikipedia!) "an updated version of 'Little Red Riding Hood' which ends with the immortal lines, 'even in a nightcap a wolf does not look any more like your grandmother than the Metro-Goldwyn lion looks like Calvin Coolidge. So the little girl took an automatic out of her basket and shot the wolf dead.' All the fables have one-line morals. The moral of 'Little Red Riding Hood' is 'Young girls are not so easy to fool these days.'"
In Sedaris's own fables for his more contemporary time, this new century, he is equally sardonic. He doesn't update classic fables as Thurber did, but he is equally satirical about the high purposes of literature and society. I think compared to Thurber and his own memoir work, Sedaris is harsher and more sardonic here than is typical for him, and most of the tales end badly, violently. I think the writing is terrific, but I rarely laughed aloud as I do with his personal stories. The cute title and cover perhaps leads us to think these are going to be cute little children stories, or romantic tales about people who are different finding love together. Nope; couldn't be further from the truth. No happy endings here. Grimm's Fairytales were harsher than we've come to tolerate today, but they are definitely grim in their original versions. Maybe there's something here about our softening of those tales for contemporary ears that can help[ me understand why so many readers thought Sedaris was too dark here.
But the stories in Squirrel are often (though darkly) hilarious, and I think they are on the whole pretty great. I like so many of them: the title story, "The Motherless Bear," "The Mouse and the Snake" (which has a Thurberish ending, after a mouse adopts and raises a snake, loves him like her own child.. oops!), "The Parenting Storks," and "The Judicious Brown Chicken" (where the chicken also comes to a violent, Thurberish-Red Riding Hood ending). A kind of tribute by Sedaris to Thurber, I thought. But check out Fables for Our Time, too!