UGGGGGGHHHHHHHHHHHHHHH!! *flops head onto desk*
This is going to be a rant. If you enjoy this book or have an above-normal loyalty to Tamora Pierce, I suggest you sit this one out. Spoilers, naughty words and general attitude lie ahead. You have been warned.
One of my goals for the last couple years has been to finish reading the series of my childhood that for whatever reason, I abandoned. Rereading some of these series has been fun and nostalgic, others not so much. The Tortall series in particular has been really tough for me to get into. Despite the fact that I like her Circle of Magic series alot, I have never developed the same fondness for the Tortall books. Her earlier books in the Tortall series were enjoyable in a short finish-this-in a day sorta way, but the latter books in her series (with the notable exception of Protector of the Small) have been really slow-moving clunky books with messages that are a bit confused. For me, this trilogy is easily the weakest series Pierce has ever written (most annoying character still goes to Daine though). This book should have taken me a few days to finish up, but it took almost a month just because it was so tedious!
I've complained about several things before when reviewing the previous two books, but they have gotten noticeably worse in this book.
1. The Titles: I HATE the titles of these series. Yes, I'm aware this is quite nitpicky, but it's a really bad to start to the books. I get the idea that Tamora Pierce came up with these titles before she wrote the books. She probably wants to work them in with the "dog" theme, but they are SO forced. Beka gets each nickname towards the end of the book. They are all different types of dogs and they get bigger as the series goes on (because that's how you show character growth). Beka gets called these nicknames maybe once or twice in a book, and it never seems like something you would naturally call someone. Also, no one ever calls her by the nickname in the next book. For example, did anyone call her 'bloodhound' in this novel? Not really. This one is the most ridiculous. I don't think many people even know what type of dog a Mastiff is. This nickname is thrown in at the end because apparently all the dogs need to start chanting it. Do they start chanting one of her previous nicknames (which would at least make sense in terms of the story)? No, they all randomly start chanting (in unison) the name of a somewhat obscure type of dog that has no connection to the story whatsoever.
2. Tone: One of my biggest issues with this series is that the tone is really inconsistent. Pierce is trying to write a gritty, more adult story, but the sad fact is she is really not good at it. I liked her books so much better when she stuck to lighthearted adventure stories. If I want something ferocious and intense, I will pick up Game of Thrones because at least it is done well. I feel like Pierce is trying to have it both ways and it really doesn't work. I can't take a book seriously that has the character using juvenile words like peaches, gems, and, most recently, coin (a term for the vagina which I can only imagine is a reference to a coin purse?) to describe various parts of the anatomy in one scene and then jump to naked dead children on piles of garbage in the next. The way that Pierce writes is just not believeable, and it feels very much like she's throwing in graphic details to make her book more "adult" while the overall themes of the book are still pretty simple and juvenile. The best example for this, and the scene that almost made me say "Fuck it! I don't need to know how this book ends", is when Farmer and Beka are imprisoned and he pulls emergency magical supplies out of his ass... literally! No, seriously. That is exactly what he does. And he does this while casually discussing the foolishness of the guards for not conducting full cavity searches. This is so ridiculous and uncomfortable to read! Yes, this is done in modern prisons, but that doesn't mean you have to force it into a fantasy novel that is marketed to young adults. Not to mention the fact, that doing what Farmer did with an object of that size and leaving it in there for an extended period of time is incredibly medically dangerous, and the odds of him getting it out are not good. In case this wasn't bad enough, after he "passes" his supplies, Pounce kindly volunteers to magically wash it. UGH!! I don't know why I found his offer so disgusting (magically washing it is certainly better than the alternative), but the fact that Pierce had to include this moment in order to make this moment easier to bear shows that it never should have been in this book in the first place. I've never claimed to be an avid fan of Pierce, but at this point I was practically screaming at her "You're better than this!!"
The Diary Format: Another decision that truly doesn't work with the story. I don't believe that Beka's memory is good enough to retain the amount of detail and conversations that she records. This could have easily been a first person narrative without the diary set up. Also, it clashes against the framing device of George and his mother. Pierce could have easily removed the prequel from the first book and just added an epilogue that mentioned George paying homage to his ancestress and working Pounce into the mix to foreshadow his future relationship with Alanna.
In addition to my usual gripes, I had more complaints about this particular story than I usually do.
Holborn: This was a stupid, pointless character. I feel like he was only added to give Beka something to angst about. It was never "productive" angst either. His relationship with Beka never seemed to have a significant impact on Beka's views on relationships or life. If anything, it made Beka look dumb. Because Holborn is never presented as anything other than emotionally abusive jerk, it looks like Beka deliberately sought out an abuser for no reason and with no context to explain her actions. Pierce could have used this as an opportunity to show that sometimes even strong, confident women can find themselves trapped in abusive relationships. But in order to do that she would have to present Holborn as a fully fleshed out character and show that he was at least charming or friendly enough to get Beka to like him enough to become engaged. At this point the only real purpose he serves is to make the reader say "oh poor Beka!" and make the blunt statement that emotional abuse is bad without offering any further commentary on the subject.
Tunstall and Goodwin: If you've read more than three reviews for this book, you'll know that the "big twist" pissed off most of the fans of this series. I'm not a fan of this series, but I'm right there with them. Admittedly, I'm annoyed for different reasons. I didn't see this coming, but I think that's mostly because it was a stupid twist designed for shock not a good one. Tunstall's motivation for betraying them is so flimsy and goes against his established character so much that it is not remotely believable. If this was actually well done and there had been a bit more groundwork laid in the previous novels to make the reader believe that this was within Tunstall's character, this could have been a really shocking moment. But it just seems like Tunstall lost his damn mind and did something that he would never do. This felt like it was done purely to shock the reader and didn't have a good enough story built up to that moment to make something like this believable. Also, where the hell was Goodwin for all this?! Beka goes through a lot in this novel (losing a fiance, losing a partner, gaining a new fiance). I realize that Goodwin has taken a desk job, but it seems remarkably odd that even though she is one of the main role models in Beka's life she never shows up to lend support when these things happen. Also, Tunstall was her partner for years and we never see how she reacts to the aftermath of his death. It almost seems like she was replaced with Sabine.
Rosto: I won't pretend to care much about who Beka wound up with, but I will admit. I thought that he was going to play a much bigger role in this series. I felt like the author was teasing their romance a lot in the first book and even a bit in the second book too. It seemed like a bit of a let down after all that.
Pacing: God this book was slow! I was not invested in the plot at all (as you can see by how long it took me to finish the book). The same actions seemed to take place over and over again. Achoo smells something (usually disgusting soiled undergarments). Achoo finds the scent. Beka follows her. Something bad happens. Achoo finds the scent again. They follow her again. Another bad thing happens. Occasionally, a confused message about relationships or magic or police work is thrown in, but that's about it for large chunks of time. I caught myself zoning out quite a bit while I read this book. I just kept waiting for something to happen.... and then the Tunstall betrayal happened and I changed my mind.
Despite ALL that, there were a few things that I actually liked about this book. I liked Farmer. I really liked that he had what are typically considered feminine interests while still being presented as a masculine character. You don't see that too often in books period, let alone the young adult genre. I liked Sabine. I still find her to be a strong, admirable character. I especially liked the way that she was able to use charm (and to a certain extent clever manipulation) to get what she needed. I also liked the fact that there was no possible way for Daine to have a cameo in this book (given the fact that I still hate her and she's managed to pop into every other series after she appears, this was refreshing).
I am so glad this is the last Tamora Pierce that I had left to read. It's painful to admit, especially after spending so much time reading her books, but I like the Tortall series better in theory than in practice. I support her messages about feminism and I admire the fact that she does include a lot of feminist messages that other authors tend to avoid (it's okay for girls to want a sex life, it's okay for girls to choose to have sex before marriage, the importance of birth control etc.). Despite this, it feels like she reuses the same heroine over and over again and talks at the reader through other characters instead of showing through example. Unfortunately, my initial response to Pierce's Tortall books has not really changed. Her early books are enjoyable enough in small doses, but they get more convoluted and dull as you go on. Personally, I will stick to her Circle of Magic books.