Hemingway's real life women were often more interesting than their fictional counterparts. This begins with his mother, who was, no surprise, an impressive woman, and continues through most of his 4 wives. But he increasingly embraced his own mythology of larger than life manliness, and they often indulged him, partly to keep the peace as he drank and grew more temperamental, and partly as part of the tenor of the times. Some sublimated promising careers of their own to facilitate his. Hemingway, to his credit, was attracted to strong women, but his demons tended to make accommodation difficult, if not impossible.
Kert, writing during the peak years of second wave feminism, describes this tragic life without rancor. Hemingway was after all, an alcoholic, and may have suffered from CTE after numerous head injuries. her measured narrative, and insistence on focussing on the women, ironically helps us to understand Hemingway's career, beginning with his gem like short stories, then bursting into the realm of myth in the booze drenched The Sun Also Rises, a story of social and sexual displacement and moral rootlessness. Significantly, Hemingway wrote his then wife, Hadley, out of the book, a brilliant literary decision, but maritally, not so much. They separated by the time the book was released to great acclaim.
The star of the show here is Martha Gellhorn, whose wonderful journalism can be found in Granta and other magazines. I haven't read her fiction, and intend to correct that. She badgered Hemingway into going to Spain during the Civil War, leading to some of his later Romantic masterpieces, but clearly, the mental fragmentation that plagued him as his life went on is expressed in For Whom the Bell Tolls with his two main heroines, the squishy Maria, and the tough as nails Pilar. Had they been one character, they might still have fallen short of the admirable Gellhorn, who left him a couple of years later to pursue her own career. Hemingway with a new wife, Mary, as nurse, witness and victim, dissolved into mental troubles and wasted talent.
Kert helps us to understand how misogynism saps creative energies, both in individuals, and in society as a whole.