Book annotation not available for this title. Title: The Understudy Author: Rebeck, Theresa Publisher: Dramatist's Play Service Publication Date: 2010/12/31 Number of Pages: 52 Binding Type: PAPERBACK Library of Congress:
Theresa Rebeck is a playwright. She also works as a television writer. Her input went into popular shows such as Dream On, Brooklyn Bridge, L.A. Law, American Dreamer, Maximum Bob, First Wave, and Third Watch. She also wrote and produced Canterbury’s Law, Smith, Law and Order: Criminal Intent and NYPD Blue. Ms. Rebeck has an MFA in Playwrighting and a PhD. in Victorian Melodrama, from Brandeis University. She is a board member of the Dramatists Guild and has taught at Brandeis and Columbia Universities. She currently resides in Brooklyn with her husband Jess Lynn and two children, Cooper and Cleo.
Weak tea. Theresa Rebeck has skill, so the dialogue moves along nicely. And yet. There’s nothing even remotely realistic in this play’s portrayal of either the mechanics of theater production or the inner life of its practitioners. My most charitable assessment is that this play was written as pure dalliance; a product meant to divert audiences in communities with little or no interest in professional artistry. It’s piffle.
This play was funny, but it lacked the emotional depth that other plays can achieve with less on-page character interaction and less dialogue. The excerpts from the play within the play dragged on, and the play's theme of the arbitrary nature of showbusiness managed to be nonexistent at the beginning and way too heavy-handed during the play's conclusion.
Reading this after reading Stephen Adly Guirgis' Jesus Hopped the A Train was a letdown, to say the least. I will always be a Stephen Adly girl, what can I say? 🤷🏻♀️
What a curious play that wants to be a lot of different things--showbiz parody. theatrical farce, romantic comedy, and Kafka-esque fable--all at once. It ultimately won me over with it's sweet and melancholy final moments, but it is probaly too much of a theatrical hippogriph to ever really work.
I didn’t like that it was all one continuous thing and the addition of the extra tech person in the booth was kinda odd but like idk I like Theresa rebeck but not my fav
Okay, I'll admit...I haven't actually read the script. But I saw the play produced at Otterbein University and it was AMAZING. It was so incredible! Maybe the writing quality isn't great, but it produces a great show in the end.