“I like setting up a seemingly happy family and then planting a stick of dynamite in the corner of the room. Light the touch paper and watch what happens”. (Deborah Moggach)
Once again the inimitable Deborah Moggach succeeds in her declared aim to surprise the reader with every novel. Her plots are always character-based with unpredictable storylines which test the readers imagination as much as any detective novel, reflecting the arbitrary nature of fate as in real life. I admit that I can never tell how the story will end.
If there is any common pattern to be found in her fiction, it is the one displayed most obviously here in her eleventh novel, where the ups and downs of fortune, from hubris to nemesis is the underlying theme. (The seesaw motif was possibly overplayed a bit too literally, but at least the message wasn’t lost).
Seesaw was scripted originally as a TV drama with David Suchet and Geraldine James. Moggach even had walk-on parts in it, appearing about six times – as Woman Getting Into Mercedes, Woman driving expresso in Camden Lock, Woman Worshipper at Pentecostal Church in Harlesden and so on.
Now for the next one ...