Luke's mum is dead. He finds himself in a small, scruffy northern hill town, with a near silent father, who he fears might be trying to drink himself to death. Then he meets Jon.Jon is massively strange. He wears 1950s clothes, has a side-parting and a twitch. The kids at school call him 'Slackjaw'. When Luke discovers his secret, Jon changes his life in more ways than he can imagine.Luke and Jon is a coming of age novel about family, bereavement and how lives can change forever in a single second. Written with great power, warmth and humour, it signals a hugely engaging and original new voice. Compelling and emotionally acute, it is a unique debut.
Robert Williams grew up in Clitheroe, Lancashire and currently lives in Manchester. His first novel, Luke and Jon, won a Betty Trask Award, was translated into seven languages and called 'a hugely impressive debut' in the Daily Telegraph. He has worked in a secondary school library, as a bookseller for Waterstones, and has written and released music under the name The Library Trust.
So this was one I picked up in my school years, and it pops into my head every now and then. I decided to give it a re-read and it's just as I remembered. Fantastic. This is the story of a normal boy forced into a lonely life, and a lonely boy who gets the chance to live a better life.
I really like that throughout the book, there is very little that is remarkable – the story is very character driven. Luke is matter-of-fact and likeable, especially for a thirteen year old boy. Jon is not the usual energetic supporting character, and that's what makes them 'Luke and Jon'.
Luke and Jon are drawn to each other for their own survival, and the result is a lovely coming-of-age story that has bits that resonate with everyone.
Let them shout it down every Manchester street, let them shout it loud enough to disturb the author behind the counter at Waterstones: Robert Williams (no relation) has a talent to be envied. Who is he, and how does he know so much about grief, the slow burn of it, and of male comradeship, and how does he get it down so well? With a style as neat and unfussy as the cubes of colour in a child's paintbox, and in under two hundred pages, he involves us in real, lived lives, with humour and pathos held in careful balance. My only dissapointment was how, if not for the NYP prize, this short novel might have been kept from the public.
A sweet story written in an unusual style - kind of lyrical and poetic. Melancholy, but not as depressing as you might think given the subject. To me the book felt like a throwback, as if it had been written maybe fifty years ago. While I was reading, every so often I was startled by a mention of a cell phone or the internet reminding me the book is actually contemporary.
Ce livre prenait la poussière dans ma pile à lire depuis 7-8 ans et c'est grâce au challenge annuel organisé par Céline du compte @au_boudoir_de_candyshy que je l'ai enfin lu, merci aux copains du Touiche de l'avoir choisi pour moi !
C'est un court roman qui m'a fait penser au cinéma social de Ken Loach, en nous plongeant dans une petite ville britannique qui n'a rien de spécial, où la misère sociale et la solitude sont la réalité et le quotidien de nombreuses personnes.
Luke et Jon donnent leur titre au roman, ce sont deux ados à la marge, qui vont faire connaissance et devenir peu à peu très amis, même s'ils ont l'un et l'autre des raisons de rester sur leurs gardes et de se méfier.
Luke a perdu sa maman dans des circonstances tragiques et avec son père, ils viennent s'installer à Duerdale, petite ville anglaise grise et paumée. Ils n'ont pas les moyens d'acheter autre chose qu'une maison délabrée, et Luke doit traverser son deuil avec un père qui se noie dans le whisky et les pensées tristes, en se préparant à intégrer un nouveau collège une fois que l'été sera passé.
Jon a un look très singulier, il s'habille comme un grand-père, il apparaît et disparaît presque comme un fantôme, est doté d'une mémoire phénoménale et s'intéresse à des sujets qui contrastent avec le fait qu'il soit un ado. On s'en doute, avec une telle dégaine et de tels centres d'intérêts, Jon est une cible toute trouvée pour les harceleurs du coin ...
Si la première partie est longue, lente et suinte la tristesse, ce roman "tranche de vie" va peu à peu vers la lumière, avec ce père qui remonte la pente, et ces trois individus esseulés qui vont former une unité hétéroclite mais finalement très soudée. Il y a des moments très poétiques, notamment tout ce qui est lié au projet artistique complètement fou du père, qui viennent apporter une touche de légèreté et d'absurdité au récit.
Une lecture qui tranche donc radicalement avec mes habitudes, mais j'ai découvert une très belle plume, pleine de sensibilité et de poésie !
Jolie histoire, sans pour autant être un coup de cœur. Robert Williams aborde le sujet délicat du deuil, d'une manière douce mais jamais gnangnan. Il raconte l'histoire d'un père et de son fils, qui se reconstruisent ensemble, et de ce petit voisin un peu bizarre, avec qui ils semblent s'être vraiment bien trouvés.
A mostanság népszerű ifjúsági regények hajlamosak messzire rugaszkodni a realitástól. Csupán ezért is üdítő kivétel az elsőkönyves Robert Williams regénye, mely vállaltan a szürke hétköznapok és a józan ész határain belül ragadja magával az olvasóit korosztálytól függetlenül.
A történetbe egy szörnyű balesettel kapcsolódunk be: a 13 éves Luke elveszíti az anyukáját, és kissé szórakozott apjával kénytelen lesz új városba és kisebb házba költözni. Az apuka egyedi, fából készült játékokból próbálja fenntartani magukat, Luke pedig a tájképfestésnek hódol. Művészi beállítottságú kiscsalád ők ketten, de persze épp olyanok, mint bárki más, az ő házukra is keletről süt (már ha süt) a reggeli napfény. A kényszerű környezetváltozás azonban nehéz. Az apa inni kezd, Luke pedig új iskolába kerül.
A másik címszereplő mégsem az apa, hanem egy Luke-kal egyidős fura kisfiú. Gyakorlatilag a semmiből bukkan fel kettejük életében, és hamar a mindennapjaik részévé válik. Jon sovány, ódivatúan öltözködik, ódzkodik a tévétől és még sosem evett sült krumplit. Ellenben mindent tud az angol történelemről vagy épp Anglia földrajzáról. Bogaras egy srác, de ahogy Luke is mondja, ők mindig is az a család voltak, amelyik szeretettel fogadta a kívülállókat. A könyv három magának való figura kívülállóságát és szokatlan barátságát meséli el.
Jóllehet, a Luke és Jon oldott hangvételű, könnyed olvasmány, vidámnak távolról sem nevezhetnénk. Az anya elvesztése utáni tompa fájdalmat, céltalan dühöt és tétova spekulációt megejtő egyszerűséggel és kíméletlen őszinteséggel kapjuk a gyomrunkba. S ha ez nem lenne elég, Jon magánélete sem leányálom: beteg, paranoiás nagyszüleivel él súlyos, sötét függönyök mögött, gyakorlatilag teljes izolációban. Kemény, már-már kilátástalan élethelyzeteket ismerünk meg a könyv 280 oldalából, melyeket viszont furcsamód még a legdeprimáltabb pillanatában is különös derű hat át.
Robert Williams jó érzékkel váltogatja a különféle idősíkokat és a különféle elbeszélői módokat, ami által – főleg a könyv elején – a lassú, “talpra állás előtti” eseményszövés anélkül válik dinamikussá, hogy a középpontban álló trauma, valamint apa és fia cselekvésképtelensége bagatellizálódna. Külön érdekes megfigyelni, ahogyan a kezdő fejezetek szikár, tényközlő tőmondatai a történet előrehaladtával szép lassan átadják a helyüket egy nyíltabb, színesebb beszédstílusnak. Simonyi Ágnes fordítása kiválóan tükrözi a regény szereplőinek lelki fejlődését – a letargiából való kilábalást.
Takeshi Kitano Fiúja, Janne Teller Semmije és Wolfgang Herrndorf Csikkje után a Scolar ismét olyan kiadvánnyal gazdagította a kortárs ifjúsági regények sorát, amelyik nem a fantázia és a mágia szabályrendszerében játszódik, hanem az egyszerű hétköznapokban. Elődjeihez hasonlóan a Luke és Jon is olyan eseményekről és gondolatokról mesél, amelyekkel valószínűleg már valamennyiünk kénytelen volt szembesülni. Ez a szembesülés viszont a legtöbb esetben magánügy, melyet kevés emberrel osztunk meg. Robert Williams szerethető figurái köntös nélkül, teljes sebezhetőségükkel lépnek az olvasó elé, és megengedik, hogy végigkövessük, amint gyakran esetlenül, mégis kitartóan próbálnak új életet kezdeni.
To be honest, I did not expect an interesting story from this book which has a fairly simple and not interesting book cover. However, it was contrary to my expectation; a person who hates to read books like me could manage reading it. One of the biggest reasons why I hate reading is that usually the first part of the books are so boring that I cannot continue reading them until I get to the exciting part. In this story, it was exciting from the beginning. The basic information of the main character, Luke and his dad are presented in the first part and the situation they are under is already something. The story is written in a simple yet thought-provoking style which let audiences share the feelings of the characters in the story. I was impressed by the innate strength of Luke who silently accepts the reality and lives his life strongly. The way author decided to write such as making the narrator Luke, successfully worked to me in terms of letting readers sympathize with him and absorb them into the story. This book deals with rather serious issues such as death of mum and bullying, but it does not sound too heavy, so I'd recommend it for people who are interested to read those kinds of themes without feeling too bad.
This entire review has been hidden because of spoilers.
Luke has just moved to a remote wreck of a house with his father following the death of his mother in a motor accident. Both thirteen year old Luke and his young father are having difficulty coming to terms with the loss. Shortly after settling into their new home Jon turns up at their door, a neighbour and the same age as Luke he has come to say hello. Luke and Jon soon become good friends despite Jon's odd manner and strange outdated dress, and Luke learns they have more in common than living on Bowland Fell, they have both lost a parent.
However, when they start school together at the end of the summer holidays Luke sees the reality of Jon's odd ways. But is Luke, a sensitive boy and an able budding artist, strong enough to do what he knows is right? And will Luke's father get himself back together after the loss of his wife?
Luke and Jon is a touching story of the power of friendship. While Luke relates the story of his growing relationship with Jon he frequently looks back to his recent loss, and tires to come to terms with it. It is touching, heart-warming and positive; a well written and very accessible story that should appeal to all ages.
I bought this paperback second-hand from Arkadia International Bookshop in Helsinki on 28 February 2013 because it looked nice. I put it on my shelf, did something else for five years and then picked it up.
What an understated, beautiful little book! Flawless. It made me happy and sad, ultimately happy.
Luke and Jon must be adults now. I'd like to meet them, hear Jon lecture about anything, see Luke's paintings and his dad's masterpiece (I'm sure it's still standing).
I want to read all the books Robert Williams has written and will write in the future. In the meantime, I will listen to the music he has made as The Library Trust.
What did I think of this book? Well, it is a small story, it has no earth-shattering, heart breaking, jaw dropping event. It seems that has already taken place, and this book is more about the fallout from losing your mother at a young age, and having your whole world forever changed.
I was drawn in from the start, sympathizing with the narrator and rooting for a happy ending.
I really enjoyed the writing in this book, the straight-forward, yet eloquent narration, the description of the setting, making you feel you are there.
Good read, I will definitely go back for more by this author.
Sometimes the simplest stories , well told , are the best companions. Lancashire mill town , two lads , a single fellside and a great big wooden horse . I'm going to see if I can find it . There's a wood near Nelson I think it's hidden in .
On the 11th April, at 4.27pm, thirteen-year-old Luke’s mother is killed in a car crash and his life changes in an instant. Immersed in grief and a whisky bottle, his now near-silent father stops paying the household bills and, by the early summer, their home has been repossessed. After all the debts have been paid, the only house they can afford is a remote, neglected cottage on a fellside above a scruffy northern town; it is here, away from everything familiar, that they must try to create a future for themselves. Soon after moving in Luke meets Jon, a boy of the same age who lives close by, in an even more ramshackle house, with his frail, elderly grandparents. Wearing clothes more suited to the 1950s, with a side-parting in his hair and an almost obsessional habit of amassing facts and figures, Jon appears quite eccentric but, both outsiders, the two boys soon strike up a friendship. Luke becomes aware that Jon is keeping a secret and, when he discovers what it is, their friendship becomes pivotal in changing their lives. I found this a beautifully written and very moving story about bereavement, mourning, the power of family and friendship, bullying and the struggles faced by characters who are trying to rebuild lives shattered by loss. The author’s acute observations of the many, and changing, faces of grief felt entirely credible and I soon found myself drawn into the lives of the characters as they each found ways to deal with their feelings of pain and grief. I liked the fact that rather than dividing the story into formal chapters, the author used frequent headings (sometimes a couple per page, sometimes one every two or three pages) to move the story forward in a convincing fashion. As the story is told in Luke’s voice, the narrative was given an immediacy which effectively captured not only his emotional journey, but also those of his father and of Jon. I loved the fact that each of the characters found a different way of dealing with his demons: Luke through his paintings, his father through sculpting with wood and Jon through immersing himself in books. I think that the author effectively showed how these activities were used, initially as defences and, ultimately, as ways of being able to move forward. There is absolutely nothing sentimental about this story; the pain described is raw and powerful but the holding out of hope, and the restorative nature of love are evoked in an equally powerful way. The writing is made more effective by the fact that it is so restrained, with barely a word feeling unnecessary. This was marketed as a novel for young adults, but its psychological integrity means that it is a story which will appeal to a much wider readership – it’s a remarkable debut novel.
Luke and his Dad are facing the loss of his mother, and his Dads' wife. She was fun to be around and had been diagnosed as being Bipolar, which caused her moods to swing.
They have to move towns because Luke's dad was not able to keep a budget. They owed a lot and selling their house was the only answer. Buying an old run-down place in a country town on a fell, which was a high hill beside the town, was the solution. The old Volvo screeched to a halt as they drove to their new home. They nearly ran over a nerdy-looking boy.
Luke worried about his silent father and his drinking, he was still moving through a grief-filled whisky-generated daze. Then one day the boy came to visit. It was the nerdy boy.
Luke would go up to the top of the fell and paint. He was a good painter. His Dad was a good toy maker and his wooden toys were their main source of income. The workroom had an empty spot where Luke knew his Dad used to do his creative projects. When his Dad started a project, he stopped drinking and started to be more himself.
Jon came daily to the house but the boys didn't speak much about themselves. Jon loved facts and would tell Luke random details. Luke would ask questions to keep the conversation going. Then Jon stopped coming to the house. Luke decided to go down the fell, to Jon's Grandparent's home and find out why. What he found was squalor and the two old people who were unwell and unable to look after Jon.
When school started, Luke would be dropped off by his dad and catch the bus home. Seeing Jon being bullied annoyed him. Why did he put up with being tripped, hit and punched?
This book deals with grief, death, bullying, and learning to move on. It's a brilliant story of friendship, of being true to your beliefs. Jon was very religious. Luke wasn't.
The last sentence is perfect. - And I think that is enough.
Luke and Jon is a debut novel by Robert Williams, first published in 2010. Luke and his father, struggling after the death of Luke’s mother, move to a remote run-down cottage on the fell overlooking the northern town of Duerdale. They soon meet Jon, the strange boy with a secret who lives in the next house on the fell, wears 1950s clothes, and goes to the same school as Luke.
The bleak rural setting reminds me of several novels I have read this year, including Devil’s Day and Pine, and this book stands strong beside them. Williams grew up in the same part of Northern England as myself, and his familiarity with life in East Lancashire comes across.
When I reflect on what I most enjoyed about this book, I have to say it’s the voice of the writer. The story is delivered with startling brevity and clarity, and while quiet, it still manages to fizz and resonate with emotion. The sense of place is strong, and all the characters are well drawn and believable.
There was nothing I disliked about it, which puts it among the top three novels I have read this year. At 50,000-60,000 words, it was short, which is unusual for a debut novel, but at the end I didn’t put it down feeling parts of the story were left untold.
I was completely taken by surprise by how brilliant this novel really is, and highly recommend it.
Tuto knihu mi darovala Barnajka a já děkuji za poslání této knihy. Kniha se četla dobře, přečetl jsem ji na jeden zátah. Kniha se mi líbila, knihu hodnotím na 5*. Knihu doporučuji nejen mladším čtenářům. :)
Je to kniha o přátelství mezi dvěma chlapci - Lukem a Jonem. Každý z nich si prochází těžkými chvílemi, pocházejí z různých sociálních prostředích. V knize se vyskytují různá závažná témata. Líbily se mi také retrospektivní pohledy. Kniha byla chvílemi smutná, ale zároveň dávala naději. U určité scény jsem se ztotožnil s hlavním hrdinou a pociťoval jsem, že se nezachoval správně a já jsem si v této souvislosti vzpomněl na jeden moment ze střední školy, kdy jsem se vůči jednomu "kamarádovi" také nezachoval tak, jak bych měl. Po letech jsem toho litoval a zpětně jsem si říkal, že jsem se mohl vůči němu zachovat lépe. Když o tom nyní uvažuji, tak možná jsme byli kamarádi ve škole, ale ve skutečnosti to nebylo opravdové kamarádství, které jsem měl s Jirkou. Bylo to jiné. Jenže u Jirky jsem udělal také plno hloupostí, kterých dodnes lituji, jenže bohužel už to nemůžu vrátit zpátky, i když bych si to z hloubi srdce přál.
I had this book standing in my bookcase for several years and finally got around to picking it up. No regrets for buying it then - a tight, well-written and emotional story. It’s written with some distance (no lyrical drama scenes) but that creates room for the reader to engage in more depth with the story and the three main characters: Luke, whose mother has recently died in a car accident; his father, a woodworking artist who can’t keep himself together after her death; and Jon, an odd boy who becomes tangled up in their lives. Would definitely recommend it.
It's a story for younger teenagers about how your life can dramatically change in a few minutes. The narrator's voice doesn't sound very 13-year-old though.
I don’t think I’m the exact audience for this, but it was so beautiful nonetheless. I hadn’t picked up a book and read it in one sitting for a long time, so I really enjoyed that :)