I bought Ian Kharitonov's THE RUSSIAN RENAISSANCE back in 2013. As I am in the bad habit of doing, I put it on my "will read eventually" list, which moves notoriously slow. Finally, as the year wound down and I was running out of books to read to meet my 50-book goal for 2019, I decided to proverbially dust off my copy and give it a spin.
I find myself wishing I had done so much earlier.
THE RUSSIAN RENAISSANCE deals with a pair of brothers, Eugene and Constantine Sokolov, who are ethnic Cossacks and the son of a man who died rebelling against the Russian government in the early post-Soviet days. Eugene works for EMERCOM, a Russian agency that comes off as one part National Guard, one part Coast Guard, and one part FEMA, as a search and rescue specialist. On the other hand, Constantine had aspirations for the Russian Orthodox seminary but was banished from Russia by powerful elements. Together with the mysterious Asiyah Kasymova, daughter of Kazakh president Timur Kasymov, the Sokolovs are embroiled in a conspiracy that involve international intrigue and dark portions of Soviet history.
The pros:
-Kharitonov is extremely well-read on Russian history, and is an excellent researcher in general. You'll certainly learn from this book while being entertained and intrigued by the plot.
-I found myself caring for the characters early on, and that was satisfying, a testament to Kharitonov's skill as a writer.
-The plot takes several threads and manages to weave them all together by the end of the novel.
-The action is unique, as neither Sokolov is the stock action hero. They're not out-and-out everymen a la Nate Granzow's work, but they're certainly not full-on operators, either. This reflects in the action scenes, all but one unique takes for the genre.
Now, the cons:
-I felt there were portions where Kharitonov told the reader what was happening rather than showed them. These bits happened intermittently, as most of the scenes where the scene was painted masterfully, but there were enough that the summarized bits were a bit jarring.
-I fully admit that I may have missed this while reading (and if that's the case, I'm more than willing to amend my rating, at least on Goodreads, not sure I can alter it on Amazon) but I don't recall ever seeing in full why Constantine had to leave Russia. If it was mentioned, then it was drowned out by the other fast-moving plot elements and I recall myself thinking we'd see it prior to the final action scene...only to not see it revealed (or provided as a reminder to the reader if it was previously revealed).
Still, these cons do not outweigh the pros and THE RUSSIAN RENAISSANCE is a compelling and unique page-turner. I'd definitely recommend it.