Amid the hand-wringing over the death of "true journalism" in the Internet Age-the din of bloggers, the echo chamber of Twitter, the predominance of Wikipedia-veteran journalists and media critics Bill Kovach and Tom Rosenstiel have written a pragmatic guide to navigating the twenty-first century media terrain.
Yes, old authorities are being dismantled, new ones created, and the very nature of knowledge has changed. But seeking the truth remains the purpose of journalism. How do we discern what is reliable? Blur provides a road map, or more specifically, reveals the craft that has been used in newsrooms by the very best journalists for getting at the truth.
In an age when the line between citizen and journalist is becoming increasingly unclear, Blur is a crucial guide for those who want to know what's true.
Probably the best book (other than Elements) that I have ever read to teach journalism students what they need to know about what it really means to be a journalist, even though the book is also aimed at a broader audience of news consumers.
Although I'm biased since I used to work for Bill and Tom, I think that what they have done here is tremendous, because it is an artful marriage of the core values of journalism and how to keep them alive with a keen understanding of how journalism is changing in the digital age. That is far too rare; most writing on the subject end up as a polemic of one or the other.
The majority of old-school journalism academics I know, for example, expound lustily about the importance of accuracy and verification, but they don't acknowledge how the gatekeeping role has changed, how we can look beyond the narrative as a unit to present journalism, how digital tools make journalism BETTER and how we need to think about journalism as a function we provide for communities, not a product.
This book also takes a concept that, while critical, can seem kind of abstract to most people - getting it right is key, but exactly how can I be sure I'm doing that - and gives it some precision and clarity.
It's not quite a fit for the classes I'm teaching right now, but I'd highly recommend it to journalism professors in lieu of a traditional textbook.
Semua hal di dunia ini pada dasarnya bergerak, tidak statis, tidak ajeg, tidak melulu itu-itu saja. Dunia jurnalisme juga begitu, ternyata. Yang tadinya kita hanya mengenal "jurnalisme sejati" melalui media-media cetak, seiring waktu, kita lalu diperkenalkan dengan yang namanya era baru jurnalisme, yaitu jurnalisme di media siber.
Buku ini dari awal sudah mempertanyakan, siapa itu wartawan? Apakah para penulis berita online di internet, blogger, Tuips (pengguna Twitter yang kadang-kadang juga tidak kalah serius menyampaikan informasi di Twitland), dan sebangsanya?
Bill Kovach dan Tom Rosenstiel datang dengan (bagi saya) pencerahan tentang hal-hal seputar media baru atau jurnalisme baru ini. Lepas dari apakah media di internet bisa disebut jurnalisme ataukah para pelakunya bisa disebut jurnalis, pada dasarnya kita tetap tidak bisa lepas dari 10 elemen jurnalisme ala Kovach dan Rosenstiel, yang disampaikan dalam buku mereka sebelumnya The Elements of Journalism. Di antara belantara informasi yang sangat lebat seperti sekarang, kita mestinya punya saringan tersendiri untuk bisa mempercayai suatu berita. Butuh verifikasi, butuh menguji kelengkapan fakta, butuh melihat bukti, dan apakah kebenaran yang ada di dalam suatu tulisan berpihak pada rakyat, serta bisa dianggap netral juga independen?
Blur mengupas hal-hal ini, mulai dari memahami apa itu verifikasi dalam jurnalisme, berusaha skeptis (tidak asal menerima) segala informasi yang datang, sampai akhirnya mengetahui sumber pasti serta bukti jelas tentang fakta-fakta yang tertera dalam sebuah tulisan. Pada dasarnya, kita memang tidak akan bisa lepas dari 10 elemen jurnalisme sepanjang hidup kita. Itulah yang akan menyelamatkan kita dari kebimbangan karena derasnya arus informasi kini.
Lalu, di akhir buku, Blur menguraikan apa yang sebetulnya kita butuhkan dari jurnalisme era baru, agar kita tidak tenggelam atau tersesat di dalamnya. Jurnalisme sejati ternyata tidak mati. Ia masih ada di situ, hanya butuh dibangunkan lagi.
This was a sensationalised pop version of the books on the media industry I've been reading lately. The writing style is designed to sex up the information and make it more captivating to an audience who has grown used to infotainment. The unfortunate irony was enough to make this a dnf.
I got to Chapter 2 before giving up. It's well written, and the points and advice would have sounded good eight to 10 years ago (this was published in 2010). The issue is the views are just too rose-tinted. Part of it is the authors started compiling this book more than a decade ago, and so much as changed the media landscape in the past six years that what sounded reasonable 10 years ago just sounds like it came straight from the mouth of a Pollyanna today. This is not the fault of the authors, just this book did not age well.
Sekarang, informasi datang berlimpah ruah. Tak hanya dari media arus utama, seperti TV, koran, majalah, dan semacamnya. Arus informasi itu justru datang dari banyak media yang diproduksi sendiri oleh warga, jejaring sosial.
Maka, tantangan baru pun muncul. Jika sebelumnya susah mengakses, saat ini konsumen informasi justru kebingungan menentukan, manakah informasi yang bisa dipercaya dan mana yang tidak.
Buku ini memberikan panduan bagaimana konsumen informasi bisa mencari informasi mana yang layak dipercaya. Panduan tersebut dilengkapi analisis dan contoh-contoh dalam menguji informasi. Pengujian bisa tidaknya informasi tersebut antara lain dengan (1) mengetahui informasi apa yang sedang kita baca, (2) menguji sumber informasi, (3) menilai bukti yang diberitakan, dan (4) memeriksa ulang apakah kita sudah mendapatkan informasi yang kita butuhkan.
Mereka juga memberikan tawaran bagaimana jurnalisme di masa mendatang sebaiknya dibentuk.
Penulis buku ini Bill Kovach dan Tom Rosenstiel, dua begawan jurnalisme dari Amerika Serikat. Keduanya mengelola Committee of Concerned Journalist yang bertujuan meningkatkan kualitas jurnalisme saat ini. Dengan pengalaman puluhan tahun, mereka memberikan analisis dan contoh-contoh relevan dalam khazanah jurnalisme saat ini meski hampir semua contoh tersebut dari Amerika.
Buku ini lebih tepat dibaca oleh konsumen informasi, terutama mereka yang saat ini lebih banyak menggantungkan diri pada internet sebagai sumber informasi utama. Meski demikian, jurnalis, blogger, mahasiswa, atau siapa pun yang berminat dengan kajian jurnalisme saat ini.
Ketika informasi kian berlimpah, kita butuh alat untuk memilahnya. Buku ini memberikan panduan bagaimana pemilahan itu sebaiknya kita lakukan.
The matarial is certainly thought-provoking, especially their examination of the "Journalism of Affirmation" which made me realize how much I, as well as most others, select my sources of information based on the ones with which I agree the most. Whether MSNBC or Fox, such journalists WANT to create an atmosphere of argument rather than the validation of evidence required for the "Journalism of Verification".
The strongest point for me is the idea of our OWN responsibility in choosing our sources of information. Gone are the days when a Walter Cronkite would verify the news FOR us. Ever since the advent of 24/7 news coverage, the "blur" of information overload has become increasingly overwhelming.
I really like the last chapter, which stressed that we should first decide WHAT we want to have information about--and suddenly I was liberated from having to think of news as mainly political. The authors suggest that we should have a list of interests and hone in on deepening our knowledge about and appreciation of THOSE interests--rather than letting the bombardment of media choose for us.
The only reason I gave this a 3 star is that the writing was repetitive and poorly organized--I actually had to outline the book to keep it straight in my mind!
A really relevant and useful read. It had a good mix of theoretical ideas and concrete, practical applications. It was painful to read only because it is so utterly applicable right now. It made me think about the consumption of news in new ways, and I really enjoyed the parts on confirmation bias, a topic I have been thinking a lot about lately. I also found the idea that something could be simultaneously true and irrelevant very surprising. I think of truth-finding as the central goal of journalism (ideally) but there is an argument to be made that it should be a quest for relevant truth, and that as consumers we also have the responsibility to find not just accurate news, but accurate news that matters. The book also has this nice literary turn at the end, "If we always arrive exactly where we began, we will not have traveled at all." (169)
This book comes off as a text book at times. At others, it takes us on an adventure into the type of journalism it is describing. I hope that all that want to see thru today's media "Blur", educate themselves. This is a good start. Creating a checklist from the text becomes useful, due to the fact that the ways we are being manipulated are numerous. Knowing what we are being told and how is now more important than ever. Also, knowing how to participate in the new ways are huge. Givie it a shot, I am glad I did.
Basically the same book as Kovach and Rossnstiel's previous book "The Elements of Journalism: What Newspeople Should Know and the Public Should Expect." Whole sections, such as well, basically all of them, seemed to be taken from "Elements" and just rephrased slightly with different example stories. The content of the material covered in "Blur" is essentially the same as "Elements." If I had read this book before reading the previous one, I may have given it more stars since the content is informative, hence why I still gave it 3 stars, despite being a total rip-off of "Elements."
I was hoping this would address digital media more than it does. The focus of the book is on journalism so the book probably would appeal to journalists and journalism students moreso than other readers. There is some interesting information here but I had hoped for more impact and more readability.
"When information is in greater supply, knowledge becomes harder to create, because we have to sift through more data to arrive at it. Confusion and uncertainty are more likely." Bill Kovach and Tom Rosentiel illuminate much about the paradox of an "information age" (or perhaps a Disinformation Age) in which misconceptions and bold-faced lies are more abundant than ever, despite the labors of dedicated fact-checkers. Kovach and Rosentiel's impartial analysis of the problem and its possible solution finds matter to blame on both sides of the political shouting match, and offers solutions that don't require you to approve one party or the other. It's worth reading regardless of your political views. Although it's not new (2010), I think their analysis has only become more relevant in the wake of the 2016 election.
Rather than simply blaming the usual suspects (internet culture, too much partisanship, too much pretense of objectivity, or individual "bad apples" in the media), the authors particularly note two trends in the news business (both driven by economics rather than policy) that gave free rein to hyper-partisanship, mushy false-objectivity, and outright lies, well before the internet put all of it on steroids.
First, cable TV brought the 24-hour news day, promising constant "breaking news!" in place of a nightly news broadcast. It created financial incentives for journalists to immediately report every least suspicion and rumor before they get "scooped" by the competition--a stark contrast to the classic journalistic method of verifying facts, discarding unprovable rumors, and creating a polished, reasoned story that not only revealed news but made sense of it. Fact checkers who call out hoaxes after they've spread can never make up for the lack of restraint before publication or broadcast.
Second, cable news stations turned to live interviews rather than recording interviews and embedding them into researched, edited broadcasts that incorporated corroborating (or conflicting) evidence from other sources. Live interviews enable partisans or outright liars to air their talking points unchallenged and unchecked. Efforts to "balance" the effect by pairing interviewees from two opposing viewpoints only leave the viewers with the false sense that all claims are equal, and truth is either subjective or unattainable. Unsure who to believe, many of us (I plead guilty, alas!) turn to the "journalism of affirmation" and select stories that affirm our preconceived views. The rise of internet news makes it easier than ever to read news all day without encountering anything genuinely new or expanding our knowledge in the slightest.
The authors' solution isn't easy: in the absence of editing at the production end, every reader/viewer/consumer of news must take on some of the editor's role in order to make sense of an ever-expanding array of information, misinformation, and disinformation. We have to be aware what type of material we're seeing, who it's coming from, how it's verified (and if it's verified), why we should believe it, what patterns it might suggest in the context of other news, what alternative explanation there might be for the data points we see, whether we're getting a complete picture, and what else we might need to find out to get the full picture.
I think everybody should read this. I hope the authors will issue a new edition that reflects on more recent trends and events.
So for this book, I basically wrote my thoughts down as I finished each chapter. Which probably explains why the review is longer than usual...
Chapter 1 reminds me a lot of SS. Basically, there are six steps in "the way of skeptical knowing". They are:
1. Identify the kind of content 2. Determine if the news is complete 3. Assess sources 4. Assess evidence 5. How do new news models interact with evidence? (Is there an alternative explanation or understanding?) 6. Are we getting what we need?
Ok, so only the first three are like SS. But I guess this is like the summary of the book before we even dive in.
Chapter 2 is a brief history of how we obtained news, and the summary is: this is not new. With every advancement in technology, we gained more access to more types of news. Now, we can get the information we want when we want it, not only when the newspaper comes or when it's the 6pm/9pm/10pm news.
Today, as more and more of our news comes second or third hand, as journalists increasingly are kept at a distance from original sources by communications "managers", and consumers become our own editors and sometimes their own journalists, how do we decide for ourselves whether something is true?
Chapter three starts with the different types of content - "news, propaganda, advertising, publicity, entertainment or raw information." The fact that all these can be mixed reminds me of the Gushcloud hooha, where advertising was made to look like opinion. That's why we have to learn how to discern what is what.
The book also talks about four types of journalism:
1. Verification - the traditional model, focusing on accuracy and context. 2. Assertion - a model that values immediacy and volume. 3. Affirmation - a media based on affirming the beliefs of its audience 4. Interest-group - groups with a vested interest in something (like lobby groups, companies, etc) putting out something that looks and sounds like news, but probably just furthers their own agenda.
By the way, social networks and the likes are forms of communication, not models of content.
How to tell what is what? For verification, look for stories that have multiple sources, that will admit what they do or do not know. Assertion is more or less based on the flow of information. The affirmation model reminds me a lot of what The Filter Bubble says, and well, I think we all know what special interest journalism is. It's just hard to identify it.
Chapter 4 opens with Crewdson, who sounds like an awesome journalist, I kinda want to read some of his stuff now.
So, how do we know if the story is complete?
Well, the basic news story is to have the facts which raise questions.
And since we're talking about facts, if you see fragments of facts but not the whole picture, that's the assertion model. If you see cherry picked facts plus lots of speculation and opinion, it's probably the affirmation model. The affirmation model also tends to use rhetorical questions.
The word news implies things are me and from all around - North, East, West, South; the points on a compass spell out the word news.
This chapter also talks about the types of stories there are - explanatory, authentication, etc.
Chapter 5 is on sources. The central question here is "what are the sources and why should I believe them?" The types of sources mentioned are:
- sourceless: perhaps a public event that everyone can see. This doesn't need special sourcing - the journalist as witness - the journalist as credentialed expert - firsthand accounts
There is, however, the problem of time. Memory can be manipulated, even when the witness doesn't recognise it. That's why corroboration is important.
Other sources include participants (who are not witnesses), expert sources (who may or may not be biased) and of course, the anonymous source.
By the way, beware buzzwords, which can indicate a story is biased in someway, and is basically used to subtly try and persuade you to think a certain way.
Chapter 6 is on "Evidence and the Journalism of Verification". The question here is "What evidence is present, and how was it tested or vetted?" I guess this is when we start using our SS skills.
The chapter uses the Sago case and the alleged John McCain affair to talk about why we need to verify evidence. And how do we check? We should expect a few things:
1. Enough evidence 2. Disproved evidence to have had a fair hearing 3. Acknowledgement of the unknown 4. Coverage to continue
Chapter 7 can be summed as "you really need to make sure the facts are verified and in context". It's basically an elaboration of Chapter 6, with a lot more examples and methods on how you can try to verify the evidence presented.
Chapter 8 asks, "do I know what I need to know?". The first half of the chapter talks more about the different methods that journalists use to discover a story, and the second half is on what we can do to "fulfil our larger responsibilities as news consumers"
Methods include: can I explain this to someone, using questions to test if you have the whole picture, making a list, and others.
But again, I'm reminded of The Filter Bubble. If news is increasing personalised to us, there's an excellent chance that we don't even know what we're missing, and if we don't know that we're ignorant, how can we evaluate the extent of our ignorance?
The last chapter, chapter 9, is titled "What we need from the 'Next Journalism' " It's more for journalists, and talks about the role of the press and what they need to change. Some of the stuff seems to conflict with what I read in The Filter Bubble, so I will have to check that out. (Note to self: check out State of the Media)
And then it's the epilogue and appendix, which doesn't seem to over anything new. It's more of a summary of the book.
Overall, this was an excellent read. And if you read this, I totally suggest reading The Filter Bubble before or after, because both books cover the question of what and how we know, but from two totally different angles.
This book is about media in the 21st Century, and was quite fascinating. He discusses how we, as ordinary citizens, can be judicious and wise consumers of media in the internet age. Many of the challenges that he addresses with the rise of new forms of media have gotten even more complex since 2007, so I found it to be extremely applicable. I recommend this book to anyone and everyone. One of the most interesting things was his description of different forms of media, and how to spot them. This resonated with me and put language to what I've seen and felt for years. His treatment of CNN was spot on (I catch a glimpse of CNN every day as I walk by the cafeterias at work, and I've been bothered by the way they cover the news). Nonetheless, he has a great deal of respect for journalists, which is also a welcome perspective in this age, because, as he says at the end of the book, it has become fashionable to make fun of mainstream media. The book is thoughtful, weighty, purposeful, and readable.
Blur oferece uma perspetiva única sobre o jornalismo, o seu estado moderno e o seu importante papel na luta contra a desinformação e falta de profissionalismo jornalístico moderno.
Semelhando-se a um pequeno curso de jornalismo, o autor resume incrivelmente a evolução dos media e a forma como é usada na manipulação das massas, com potencial assustador. Através da menção dos diferentes tipos de jornalismo, ficamos a saber que este é muito mais que palavras num jornal, pois é o motor de uma democracia em pleno funcionamento, se for bem manuseado.
Livro essencial para os interessados em jornalismo, comunicação, desinformação ou curiosos sobre o assunto que marca a atualidade: Como gerir toda a informação disponível? Livro que se desdobra em outras leitura, tornando-nos em aficionados desta arte, numa escrita fluida e pouco maçadora. Recomendo sem hesitação.
This is a very challenging book and requires a considerable amount of thought and challenges one to the commitment of being a responsible and discerning citizen which requires knowledge, balance, and a desire to explore all facets of an issue and to be aware of one’s virus so as to have a balanced opinion that is not dependent on one point of you.
Recommended and necessary reading for everyone in this digital age. Much of what is discussed in this book is a mix of journalism and information literacy (from the field of library and information science). As a result, the book serves as a field guide to improving our information diets through selecting the best (most credible, complete, and non-partisan) information sources and resources. Everyone can benefit from reading this book.
2010 (the date of issue and two "traditional" journalists rail against the the storm that with hindsight swamps their boats and find their leaders transformed (ala la Animal Farm in the animals that sleep on beds, but with no sheets) ideologues whining on their virtual street corners. One can only assume if they believed what is served in BLUR, that they tremble at the hypocrisy, but more likely they are just parroting the next line being handed out.
Excellent reading. The authors write a good thesis on the evolution of news gathering and reporting, explaining well our current climate and how we ended up here. They also give good lessons on how to interpret what get from the news and what makes ‘good’ reporting. They also have suggestions for how current news organizations could improve their product offerings.
This book is nicely balanced between real-life events and definitions/analysis of these events. It is both thought-provoking and practical, especially in spelling out what our responsibilities as a news consumer are. Worthwhile as a textbook and a personal reference.
Such an important read. Explores such important topics regarding how we process information and the role of journalism today. And written pre-Trump. Can't wait to see what they have to say next.
[library mini-review] A consumer manual for news consumption, this 2010 title feels timely and necessary. Learn about “The Journalism of Verification” vs. “The Journalism of Affirmation” and what to look for in the news.
“Some people observing the media landscape today have wondered whether truth even matters anymore. Perhaps, they speculate, in the new information age reality is simply a matter of belief, not anything objective or verified; now there is red truth and blue truth, red media and blue media. . . .[R]ather than trying to find out what is going on, they have already decided. Perhaps, in a sense, we have already moved from the age of information to the age of affirmation.”
If this is a scary thought for you, then I encourage you to read Blur, which is both clear and engaging. It offers the reader some tools for understanding ‘news’ today, for being able to dissect stories on blogs, social media, and news feeds, and pull out the kernels of truth.
The book opens with an interesting scenario—the nuclear crisis at Three Mile Island is happening today instead of in 1979. The reactor core of the Three Mile Island nuclear power plant in Pennsylvania overheated. How this would be reported today—minute by minute updates with contradictory information from radio talk shows, and completely different spins on different partisan channels (Government cover-up? Political wedge issue on the environment?)—shows you how very different your information world is than that of previous generations.
So that you understand what news used to look and sound like, Blur has a quick history of communication—speech, writing, print, telegraph, radio, TV, cable, and Internet. The authors show why you must be skeptical of many (most?) sources of information, and they outline six steps of ‘skeptical knowing.’ This effort to parse information reminds me of one of the important missions of teacher librarians—to teach you how to evaluate sources of information.
In addition to skeptical knowing, people must engage in verification because many news sources no longer do so. The authors describe this as ‘clerkism’—passing along what others have told them is true. Since news is now a 24/7 cycle, a lot more time is taken in arranging the information and a lot less in fact checking. The authors also point out that sometimes it takes a while to discover the whole truth, and media sources quit following the story before that happens. (If you’d like a great example of how a story can change over time, read the book Columbine by David Cullen.)
By calling our current state ‘the age of affirmation,’ the authors mean that many news sources only seek to affirm the prejudices that their audiences already have. They may present actual facts, but those facts are ‘cherry picked’—they leave out any truths that would cause their audiences to question their own beliefs. Kovach and Rosensthiel show you how you can determine if a news source is doing this cherry picking.
There is a lot of good information here as well for students who are thinking of careers in journalism. Though much has changed in the last thirty years, there are journalistic values that will always be important. By including snapshots of journalists famous for their brilliant work (e.g., David Burnham), the reader sees how truly valuable research-minded journalists are to society and why this role must continue in the information age. Here again, the authors are helpful, showing how this can be managed and what news sources now and in the future should look like.
High school housekeeping: This is a quick read of about 200 pages, and while it’s not particularly difficult, it’s very informative. High school students should absorb the text. The examples of journalists who have worked to find the truth are compelling. (Check out the story of the many brilliant exposes by Seymour Hersh. Just—wow.) As this book tells you how to dig for facts and truths—how to evaluate information—it’s great for any student. But as it also discusses what news sources should look like and how new journalists can help create sources of information that are reliable as well as ever-changing (on the web), Blur is a great book for journalism students. “The history of learning is the story of human ingenuity reacting to technology, and it occurs differently depending on how cultures respond.”
The author Bill Kovach and Tom Rosenstiel attempt to resurrect good journalism with their book Blur. Both being authors of The Elements of Journalism, this book also has the failing of being as dry as a textbook. However, most of the book has interesting examples of how the government, corporations, and media manipulate the public, and it is our job to be able to identify what is happening. There are different kinds of ways to report a story and if the public can identify what that is, we can better decipher the information or identify manipulation. It’s critical with so much information and disinformation being thrown at us to be able to separate the wheat from the chaff. This book can help us do that, but the book can also address concerns directly at journalists rather than the general public.
I’ve read other accounts of media manipulation from the Net Delusion to The Filter Bubble. Where those two fail, is where Blur succeeds. It’s the ability to provide tools to decipher the lies and manipulation in a story. Furthermore, it doesn't have quite the dire and cynical perspective about the manipulation, there is something that can be done about it.
When it is not attempting to get journalists to go back to their roots, the authors provide examples of key journalists and their investigative techniques. I found these histories fascinating from Homer Bigart’s reporting that changed the way journalists reported on Vietnam (not taking the government’s word for anything) to Seymour Hersh’s reporting (journalism by verification). The authors go on further to identify types of journalism to look for in order to determine if someone is simply stating facts or attempting a journalism of assertion, where facts are picked selectively to prove a point.
We have to be vigilant and have “Skeptical Knowing” so that we use our analytical and skeptical mind to find what’s being attempted information or disinformation. In todays rush the facts find the truth later type of news as well as the change the information to suit the political points kind of news it's important to understand the distinctions. It’s also a great analysis of what the news should be, and while much of that is directed at journalists in attempt to turn the ship to best serve the public, it’s a great lesson everyone needs to learn.
Favorite parts/passages:
“Our understanding of the news must be built on a foundation of facts—an accurate understanding of what has occurred. And this process of moving from understanding to assigning meaning is one that should be arrived at through a sequence.” P. 31
"When everything is unchecked, all assertions become equal--those that are accurate and those that are not. The news, and journalism, becomes more of an argument than a depiction of accurate events that argument, debate, and compromise can build upon." p. 126
"In the new world of information and self-editing, we should be just as wary. Anecdotes illustrate; they do not prove. Single statistics hint, but they do not establish. Examples or stray numbers offered as proof are a red flag. When you see them, take care. They are a sign of cherry-picking, a hallmark of the journalism of affirmation." p. 136
"This bring us to the checklist we introduced for becoming a more conscious and careful consumer (a skeptical knowing) of news about the world:
1. What kind of content am I encountering?
2. Is the information complete; and if not, what is missing?
3. Who or what are the sources, and why should I believe them?
4. What evidence is presented, and how was it tested or vetted?
5. What might be an alternative explanation or understanding?
One semester of high school journalism (tedious beyond the telling) was enough to drive me away from the admittedly meager interest I had in entering the field myself, though I've remained an avid consumer of the news. In recent years, however, I've been increasingly frustrated and dismayed by what passes as news on cable television and the tenor of the political "discussion" that this news intersects with.
So with this layman's interest in the topic, I jumped at the opportunity to read Bill Kovach and Tom Rosenstiel's Blur: How to Know What's True in the Age of Information Overload. I wanted to take back my news, return to the time I felt secure in the news I was reading, hearing, viewing. In reading Blur, I didn't exactly find security, but what I did find was even better: tools for reading, analyzing, and understanding. This book, written by two experienced and thoughtful journalists, is a dynamic and practical primer on critical thinking and critical interacting. Over the course of the book, Kovach and Rosenstiel demonstrate many approaches to reading, writing, and interacting with news stories, and the book give readers space to figure out what they, personally, need from the news, as well as the tools to develop one's own approach to the news. Despite the hard work this text does, I found it far from dry, and it was not a lecture-type read for me: my copy is well marked-up from my first readthrough, and I'm sure in subsequent rereads, I'll find more to underline and comment on. It encourages thinking, and, like the most useful journalism Blur highlights, "[i]t makes understanding a process, not a product" (179). This attitude is the book's strongest asset: Kovach and Rosenstiel steer clear of telling anyone want to think or even how to think; instead, they provide tools for classifying and understanding the news, examples to illustrate what they mean and how to recognize the techniques being dissected, and they prompt readers to determine, develop, and apply their own critical thinking skills.
This is a level, civil, sane read, written outside the framework of political mudslinging. It's not a treatise for preserving the way news has worked (or not worked) in recent years, either; Kovach and Rosenstiel remain firmly convinced of the role of journalism in American life (and I can't argue with that: the information citizens have is critical to the health of our democracy), but the institution is changing, and they see that as both natural and exciting. There's no pearl-clutching "BUT WHAT ABOUT THE GATEKEEPERS???" moments in this book, thank goodness. (My least favorite part was the very beginning, in which they reimagined how the public and media reaction to the Three Mile Island disaster would have played out if there had been today's communication technologies available; I personally don't find "Here's an imagined scenario" openings very engaging because I mentally argue with them.)
So, yes. One of the most empowering reads of the year for me. It's a book both comforting (did you know, those paradigm-shaking information revolutions, including our contemporary one, share similar patterns, and the world has never ended due to tension between fact and faith!?) and challenging (my interaction with the news will be less passive from now on, and a lot more personal), and definitely useful.
Note: I received a review copy of this book from the publisher via the First Reads program here at Goodreads.
Blur is a great read for anyone who is a journalist, has in interest in journalism, or would like to know more about how news is relayed by the media. We see stories reported minutes after something happens and social media makes it possible to share them in an instant. It’s the responsibility of the public to read past the headlines, and to be able to process and fully understand what we’re reading.
“In an age when we are our own editors, in the ‘show me’ versus ‘trust me’ age of information, the act of evaluating evidence falls more directly on us as consumers.” (p. 98)
The book includes a history of journalism and gives many accounts of top new stories, dissecting each one to reveal how the media broke the story, who was involved, and how the community was impacted.
You’ll read about the pressures journalists face to keep up with the competition and get the stories out as soon as possible, unlike news of the past where you might have several hours to research a topic. It stresses the importance of finding reliable sources, checking facts, and cross-referencing information. How can we keep up with the changing times without sacrificing the integrity of what is being published or shown on TV? And what do we, as consumers, need to ask ourselves when watching the nightly news or reading the newspaper as we drink our morning coffee?
An important part of the book is their discussion of the blurring of media and the importance of knowing the difference between forms of communication and models of content. The authors discuss four models of content: Journalism of Verification, Journalism of Assertion, Journalism of Affirmation, and Interest-group Journalism – and how blogging and social media fit within those models.
Reading the book helped me view local news broadcasts and newspapers in a new light. As a person who usually sticks to their “favorite” news station, I find myself wanting to change the channel each night to see how other are reporting the news. What stories are they covering, how are they relaying information, do they appear to be telling the whole story or only what they think we want to hear? I have a new curiosity that makes me want to analyze everything I read or view. Others have described this book as thought-provoking, and I completely agree.
“To detect a good work of reporting, we as consumers now must learn some of the tradecraft of journalism for ourselves…and we must know how to distinguish good tradecraft from bad, portable ignorance from clerkism, reporting from cant.” (p. 30)
The most common criticism of late-20th and early 21st century journalism seems to be that it's not "real journalism" anymore. Kovach and Rosenstiel offer a model which considers that the thing we call "journalism" might not be a monolith. They find historical precedents for 4 different models - a "journalism of verification" which matches that "real journalism" category, a "journalism of assertion" which values immediacy over analysis, a "journalism of affirmation" which presents news in a way most likely to reinforce the beliefs of its audience, and an "interest-group journalism" in which special interests create content which looks like news to an uninformed viewer. They also recognize a "journalism of aggregation", in which organizations and individuals curate the "news feed" that is interesting to them.
While the bulk of the book talks about the first 3 models, and how to recognize and analyze them, the real theme of the book might be the last category. Individuals have increasingly accepted more of the responsibility for collecting their own varied sources of news, and the broad journalism industry has responded in logical ways to stay in business. If we are all becoming "aggregators" in one sense or another, we need to understand the different kinds of journalism, and know how to evaluate them (as what they are, not what we wish they were).
I didn't find the last section, on the future of news, as satisfying as the rest of the book. As good journalists, Kovach and Rosenstiel are measured in their language and conservative in their predictions. Unfortunately, that style which works so well for the rest of the book doesn't match the job of forecasting. (This is also the section where I felt too many sentences began or ended with "as we discuss in our other book...")
This book should be taught in high school, as part of preparation for informed citizenship. (Sadly, it probably will mostly be taught in college journalism classes.)