What do you think?
Rate this book


159 pages, Kindle Edition
First published January 1, 1899
For of all the strange and frantic and incomprehensible and uninterpretable books which the imagination of man has created, surely this one is the prize sample. It is written with a limitless confidence and complacency, and with a dash and stir and earnestness which often compel the effects of eloquence, even when the words do not seem to have any traceable meaning. There are plenty of people who imagine they understand the book; I know this, for I have talked with them; but in all cases they were people who also imagined that there were no such things as pain, sickness, and death, and no realities in the world; nothing actually existent but Mind. It seems to me to modify the value of their testimony. When these people talk about Christian Science they do as Mrs. Fuller did: they do not use their own language, but the book's; they pour out the book's showy incoherences, and leave you to find out later that they were not originating, but merely quoting; they seem to know the volume by heart, and to revere it as they would a Bible—another Bible, perhaps I ought to say.
Largely speaking, I have read acres of what purported to be Mrs. Eddy's writings, in the past two months. I cannot know, but I am convinced, that the circumstantial evidence shows that her actual share in the work of composing and phrasing these things was so slight as to be inconsequential. Where she puts her literary foot down, her trail across her paid polisher's page is as plain as the elephant's in a Sunday-school procession. Her verbal output, when left undoctored by her clerks, is quite unmistakable It always exhibits the strongly distinctive features observable in the virgin passages from her pen already quoted by me:
Desert vacancy, as regards thought. Self-complacency. Puerility. Sentimentality. Affectations of scholarly learning. Lust after eloquent and flowery expression. Repetition of pet poetic picturesquenesses. Confused and wandering statement. Metaphor gone insane. Meaningless words, used because they are pretty, or showy, or unusual. Sorrowful attempts at the epigrammatic. Destitution of originality.