In this 1898 by Havelock Ellis recounts the first time he took the drug MESCAL. He gives a clear picture of the visions he saw and the other physiological effects taking mescal had on his body. He adds to this reports of the effect of mescal on some of his friends. This article is worth reading for its lyric quality as well as a first person description of the experience of taking a hallucinogenic drug. It originally appeared in Contemporary Review, January, 1898.
Henry Havelock Ellis, known as Havelock Ellis, was a British physician, writer, and social reformer who studied human sexuality. He was co-author of the first medical textbook in English on homosexuality in 1897, and also published works on a variety of sexual practices and inclinations, including transgender psychology. He is credited with introducing the notions of narcissism and autoeroticism, later adopted by psychoanalysis. He served as president of the Galton Institute and, like many intellectuals of his era, supported eugenics.
'At first there was merely a vague play of light and shade which suggested pictures, but never made them. Then the pictures became more definite, but too confused and crowded to be described, beyond saying that they were of the same character as the images of the kaleidoscope, symmetrical groupings of spiked objects. Then, in the course of the evening, they became distinct, but still indescribable-mostly a vast field of golden jewels, studded with red and green stones, ever changing. This moment was, perhaps, the most delightful of the experience, for at the same time the air around me seemed to be flushed with vague perfume -- producing with the visions a delicious effect -- and all discomfort had vanished, except a slight faintness and tremor of the hands, which, later on, made it almost impossible to guide a pen as I made notes of the experiment; it was, however, with an effort, always possible to write with a pencil. The visions never resembled familiar objects; they were extremely definite, but yet always novel; they were constantly approaching, and yet constantly eluding, the semblance of known things. I would see thick, glorious fields of jewels, solitary or clustered, sometimes brilliant and sparkling, sometimes with a dull rich glow. Then they would spring up into flower-like shapes beneath my gaze, and then seem to turn into gorgeous butterfly forms or endless folds of glistening, iridescent, fibrous wings of wonderful insects; while sometimes I seemed to be gazing into a vast hollow revolving vessel, or whose polished concave mother-of-pearl surface the hues were swiftly changing. I was surprised, not only by the enormous profusion of the imagery presented to my gaze, but still more by its variety. Perpetually some totally new kind of effect would appear in the field of vision; sometimes there was swift movement, sometimes dull, somber richness of color, sometimes glitter and sparkle, once a startling rain of gold, which seemed to approach me. Most usually there was a combination of rich, sober color, with jewel-like points of brilliant hue. Every color and tone conceivable to me appeared at some time or another. Sometimes all the different varieties of one color, as of red, with scarlets, crimsons, pinks, would spring up together, or in quick succession. But in spite of this immense profusion, there was always a certain parsimony and æsthetic value in the colors presented. They were usually associated with form, and never appeared in large masses, or if so, the tone was very delicate. I was further impressed, not only by the brilliance, delicacy, and variety of the colors, but even more by their lovely and various textures -- fibrous, woven, polished, glowing, dull, veined, semi-transparent -- the glowing effects, as of jewels, and the fibrous, as of insects' wings, being perhaps the most prevalent.
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I can, indeed, say that ever since this experience I have been more æsthetically sensitive than I was before to the more delicate phenomena of light and shade and color.'
Thoroughly interesting read about the effects of mescaline on the author as well as his poet friends. Highly recommended for anyone interested in psychedelics, shamanic rituals, and otherworldly medicines.