I'm not sure how I initially became aware of Somerville, but I know he wrote for the TV series, "The Leftovers," which I thought was fantastic. After reading "Trouble," I'd say the author's pairing with the show makes sense. The stories are somewhat uneven, to be expected with a first collection. There are multiple laugh-out-loud moments. In general, there's some playfulness here, even some wackiness (like "The Leftovers"). The best thing about Somerville's writing is that he takes surprising turns. He is worth following even when the stories sometimes go off the rails. One example would be "Trouble and the Shadowy Deathblow," where an unemployed food scientist attends a conference in San Francisco and learns a deathblow from a shadowy figure he meets in a drugstore; he later uses the deathblow to commit several murders. My personal favorite story was "English Cousin," stuffed in the middle of the book because of its absolute ridiculousness. But it's a super fun, entertaining story. The teen protagonist meets his teen cousin, who is visiting from England, and for some reason he's particularly hostile to this relative, at first locking him in his room and later convincing him to climb onto the roof of the protagonist's girlfriend's house and jump down the chimney, where he gets stuck. "The Cold War" is another story that could've gone one way but went another. An older doctor, unmoored by the death of his wife, meets a young homeless woman at the library and begins an affair with her. He then takes a drunken road trip that results in him stealing a man's hat and a boy's sled (to flee the man), ending up breaking into a college building and briefly being arrested by campus security. Much here is unexpected. This is why we read fiction, to find out what will happen next. Somerville is consistently warm, funny, and surprising but also writes effectively about injuries, pain, and betrayal. After reading "Trouble," I'm anxious to explore the author's other books.