I said it afore and I'll say it again: I'M SO BIASED.
I don't really know what it's like to read a very personal book by someone you know. Actually wait, no, that's the point of this: this is a very personal book by someone I know, and it incorporates all of the witty, touching, thoughtful, dog-loving, word-loving, French-hating wonderful things I know about him, and I feel like I know him better now. The book immediately takes place in the years that I knew him best (and in flashback covers much more), in a strange, post-9/11, early-aughts place where we all kind of hated our national identity but didn't know what or how else to be (or: I was in college, so rather than engaging with the national dialogue, I focused on ME ME ME, but more on that later). It felt both familiar and nostalgic to read about that time in a voice I'm so familiar with. Also, because the author was my writing professor for three years, it made me think, "Is this why I write so many asides? Is Brian the reason I can't tell a story without throwing in all of the side stories that got me here?" but I think may he just fanned my existing instinct. It never occurred to me to write differently.
So here's the thing: if you're interested in Corsica, don't read this book. It's not ABOUT Corsica (Mom). And its Corsicanry, I think (SORRY BRIAN), is its only failing. At the beginning of the bibliography, he sort of apologizes that the book did not become AS historically- and travel-minded as originally intended. I, of course, wish it were even less so than it is. The unsuccessful parts are the parts about Corsica itself, I felt. Yes, it's important that our conflicted narrator is covering conflicted ground on conflicted ground, but, eh. The best parts are three sections called "Why I Walk," meanderings through personal history, etymology, and general life events that got the author where he is. The second best parts are the observations and interactions with other walkers, gite-keepers, and the like.
And I have to wonder, did I love the "Why I Walks" and the gite-keepers and the dog stories because I know Brian, because I knew snippets of his life and this filled in blanks, and because I can see him eyeballing the locals? And this, of course of course of course, made me self-conscious that because I feel like I write very similarly, only people I know find my writing engaging or entertaining, which are the only two things I'm ever trying to be. So I just don't know.
Either way, this book is a joy to read, and I know you don't have to know Brian to laugh out loud at some of his descriptions and preoccupations. I drew it out for months, read it between fluffy novels, always backing up a bit and then plowing forward, and I didn't really want it to end. But Corsica is an island, so it does.