Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven

by William E. Caplin

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function , that is, the specific role a given formal unit plays in the structural organization of a classical work.

Genres: Music, Nonfiction, Classical Music, 18th Century, Reference

320 pages, Paperback

First published January 1, 1998

Reviews

[Sean]

Great Book on completely transforming how to think about how melodies work, but read the classroom edition. This version is very dense and can be a slog at times

[Dan Bogosian]

This book is what they should teach in Theory 1 but don't. I miss music majoring.

[Dustin]

Incredibly dense and verbose! If you need a crash course for composition I really don't recommend it. It's definitely a book one would have to read from genuine interest at a comfortable pace. Full of great examples.

[Ryan]

One of the best books on music I've ever read.

[Fauré]

I've learned more about musical form from Caplin than from anyone else. Can't wait for "Analyzing Classical Form: A Text"!

[Rana Gediz Iren]

You can use it like an encyclopedia, it covers every possible alternative of the form...

[Jessica L Grant]

Read this book during my Graduate Analytical Techniques course. Very thorough, well organized and written for understanding without having too much in the way.