Although I always find Anita Shreve's novels somewhat depressing, there's no denying that she produces extremely well-written and, in this and many other instances, mesmerizing stories. The year is 1929 as Honora and Sexton Beecher begin their life together as husband and wife. The home Sexton sets out to buy is somewhat beyond his means, but through a clever deception, he manages to secure a mortgage for the home, which is situated directly on the beach of a small New England town. In the town itself, Ely Falls, most of the residents work at the town's clothing mills and live very menial, hard-working lives. Initially, Sexton sees himself above these people and, as a typewriter and business-machines salesman, he does, indeed, earn a better living than the mill workers. It is not long before Honora senses her husband's deceit and by Christmas of that year, all their dreams come crashing down on them. As the entire country is falling on bad times, the bank calls in the Beecher's home loan and Sexton loses his job. His deceit is discovered and, suddenly, he is relegated to taking a job at the mill, something upon which he'd looked down his nose only 6 short months ago.
The author focuses on 5 main characters, each of their stories told in separate chapters, all of their lives gradually coming to intertwine: Honora, a homemaker; Sexton; Vivien, a high-society neighbor who becomes Honora's friend; McDermott, a mill-worker and a leader of the strike that would soon come to pass; and Alfonse, a young, mill-working 12-year old who McDermott befriends and quickly grows to love and watch over.
Outside strike organizer, Louis M, enlists McDermott's help in gathering the unionized mill workers and attempting to expand their support-- to non-union workers -- for a strike calling for fairer wages. Sexton becomes a central figure in the organizing movement, when he offers his copy machine for the printing of daily newsletters. The beach house soon becomes a refuge and a great organizing venue, being that it is in an isolated location where they are not likely to be found. As the lives of the main characters come together in very interesting fashion and as the true historical depiction of the times unfolds, I found I couldn't wait to pick up reading where I left off each day. As with other Shreve novels, however, there is a haunting quality, from the very beginning, that transcends the tenor of the book. I find this somewhat off-putting each time I consider whether I want to read another Anita Shreve novel. So long as the reader recognizes that these novels are not light-hearted, fluffy reads, he/she will find that they are, most certainly, well worth reading.