Attempts To Draw Jesus is the first novel by award-winning South Australian author, Stephen Orr. In a dodgy second-hand ute bought with the assistance of his mum’s lodger, dedicated dole bludger Clive (Rolly) Rollins arrives in Alice Springs from Adelaide. At the Del Rae hotel, booked for him by the Rural Employment Agency, Rolly meets up with Jack Alber: they’re both headed northwest, towards Hall’s Creek, for Ningunna Station, to become jackaroos, no experience required. To Jack, ex BP servo in Jamestown, it sounded better than anything else on offer at the CES.
Their journey to Ningunna is not quite trouble-free (carby spat the dummy), and when they arrive, they realise their expectations of the cattle station were more than a little lofty. Sid Smith (the boss) is disappointed by their lack of experience and delegates their training to his son, Egg. While Rolly has instantly attracted the attention of the boss’s seventeen-year-old daughter, Elly, it seems Jack has found extreme, if inexplicable, disfavour with Egg.
They learn some stuff: post-hole digging, fencing, servicing bores, but before the muster even begins, they’ve earned themselves isolation at two outstations. Boredom leads to extreme dissatisfaction and a realisation that proving oneself need not involve quite so much discomfort and poor treatment. They make new grand plans.
As with several of Orr’s later novels, the story is loosely based on fact, in this case the disappearance of two young jackaroos (Simon Amos and James Annetts) from remote stations in Western Australia in 1986. Before they meet, he alternates the narrative between Jack and Rolly; thereafter, the narrative is switches between characters as convenient for the story. Many of the characters, (and as an aspiring writer, Rolly in particular) are given to the imagination of elaborate scenarios that are quite often (and sometimes, darkly) comical. Dreams and reminiscences also contribute to the story.
As Orr paints it, Jamestown is the quintessentially Australian small country town of the 1990s, while Rolly’s corner of Adelaide has some small-town qualities of its own. His descriptions of Ningunna station are evocative: the pervasive red dust and the heat are palpable. While Jack and Rolly are fully explored, even the most minor characters get vignettes that evoke something more than a bare sketch. His take on events is a plausible rendering of this tragedy. A powerful debut novel.