ODIO (HATE): 1991 HARVEY WINNER Best Cartoonist, Best New Series The bestselling alternative comic of the 1990’s, Odio (Hate) chronicles the misadventures, life experiences and repugnant habits of Buddy Bradley, oldest son of America’s most dysfunctional suburban family. Buddy’s moved to Seattle, which Bagge portrays as the grunge capital of the U.S.; a place of cheap apartments, cheaper drugs and plenty of lowlife, with rocker deadbeats working in used bookstores and organizing bands. “American satirical cartooning at its most inventively hilarious.” –Publishers Weekly “I Love Hate.” –Matt Groening, creator of the Simpsons
Peter Bagge is an American cartoonist known for his irreverent, kinetic style and his incisive, black-humored portrayals of middle-class American youth. He first gained recognition with Neat Stuff, which introduced characters such as Buddy Bradley, Girly-Girl, and The Bradleys, and followed it with Hate, his best-known work, which ran through the 1990s and later as annuals. Bagge’s comics often exaggerate the frustrations, absurdities, and reduced expectations of ordinary life, combining influences from Warner Brothers cartoons, underground comix, and classic cartoonists like Bob Clampett, Tex Avery, and Robert Crumb. Beyond satire and fiction, Bagge has produced fact-based comics journalism, biographies, and historical comics, contributing to outlets such as suck.com, MAD Magazine, toonlet, Discover, and Reason. His biographical works include Woman Rebel, about Margaret Sanger, Fire!!, on Zora Neale Hurston, and Credo, on Rose Wilder Lane. Bagge has collaborated with major publishers including Fantagraphics, DC Comics, Dark Horse, and Marvel, producing works such as Yeah!, Sweatshop, Apocalypse Nerd, Other Lives, and Reset. He has also worked in animation, creating Flash cartoons and animated commercials, and has been active as a musician in bands such as The Action Suits and Can You Imagine. Bagge’s signature art style is elastic, energetic, and exaggerated, capturing movement and comic expression in a way that amplifies both humor and social commentary. His personal politics are libertarian, frequently reflected in his comics and essays, and he has been a longtime contributor to Reason magazine. Bagge’s work combines biting satire, historical insight, and a relentless visual inventiveness, making him a central figure in American alternative comics for over four decades.
Hace más de 20 años que lo leí. Al revisarlo a mis 40 me parecía que ya estaba desfasado, pero después de 3 volúmenes he vuelto al grunge y a desayunar cerveza. Quiero más! Budy eres mi antiídolo