HEADS UP READERS: For a 3 star rating, this rant review contain's a higher concentration of I'm so pissed than you might expect. The reason: there's a 250 to 300 page 5 star gem in here just begging on its paper knees to sparkle but it’s being rooster-blocked big time by another 250 pages of mind- anesthetizing:
(i) rehash and rehash and rehash of the first two books,
(ii) pace-murdering plot set ups,
(iii) loooooooooooooong-winded expositions leading to cries of “show don’t tell,” and
(iv) clunky, ham-fisted info dumps.
All of the above turn this potential "it's amazing" read into a long game of “Where’s Waldo” that's made all the more frustrating by the fact that the good parts are really spectacular.
Now, because of my respect for this series and Brian Lumley as an author, I am going to put the rage on simmer and begin by focusing on the good aspects of the story as well as provide a brief plot summary.(DID YOU HEAR THAT LUMLEY?…BRIEF SUMMARY…OPPOSITE OF EPOCH-WINDED!!). Sorry, that got away from me, sort of LIKE LUMLEY’S STORY CONTINUALLY GETTING AWAY FROM HIM AND MEANDERING INTO FILLERVILLE).
Okay, I’ll stop for now, but I do have issues to deal with…
PLOT SUMMARY AND THE WALDO
The Source is the 3rd installment of the Necroscope series which is a unique blend of cold war spy thriller with a paranormal component and an excellent take on vampires (of the nasty, nasty "non emo" variety). Taking place in the 1980’s when the U.S. and U.S.S.R. were still playing their global game of “who has the biggest johnson” with one another, you have your typical collection cold war spy characters, except that most of the players belong to a specialized department and possess paranormal skills (telepathy, prognostication, telekinesis, etc.).
Over the course of the first two novels, the main enemy (besides the customary spy vs. spy antics) has been some very nasty fang-bangers. The vampires in this series are basically a large parasite/symbiote that enters into a host and grows until it fuses the two personalities into one nasty MoFo. When the host is a human (which it doesn’t have to be), the result is a Wamphyri.
The main character of the series is the most powerful of the paranormals, Harry Keogh, the titular Necroscope. Harry head's the British “E-branch" and is your basic paranormal Superman, including the unique ability to speak to the dead. By using this ability, Harry can learn and absorb the knowledge of any of the formerly living, thus enhancing his own physical or mental skills (e.g., learning quantum physics from Einstein or martial arts from Bruce Lee). Harry never forgets what he learns and becomes a badder and badder ass as the series progresses.
Anyway, after defeating the bloodoholics in the first two installments, the source of the fang-bangers is finally discovered…another world. Whoa, whoa, whoa…before you go all “jumping the shark” on me, let me say that this plot/series development is not one of my gripes because the basis/science/explanation behind it is well laid out and doesn’t cause unnecessary eye-rolling. I am someone who will let an author take me where he wants as long as he doesn’t insult my intelligence in the process.
I won’t go into details from here other than to say that the “source” world is truly impressive, the societal structure of the vamps and the non-vamps is excellent and well laid out and Lumley gets an "A" for taking the vampire mythos into a unique and well thought out direction.
I told you there was a 5 star read in here.
THE LONG AND WINDING ROAD OF RANT
All the above in 250 to 300 pages and I would have been swaying with a lighter above my head begging Lumley for an encore. But NOOOOOOOOOO, that would be too easy. Instead, Brian decides to write over 500 pages and include the following:
** The first 3 chapters (almost 60 pages) describing the secret Soviet base where the “source” will be discovered and giving background information on the project. All of this, and I mean all of this, could have been condensed (without loss of any pertinent detail) into probably 15 pages. Note to Brian: find your point and get the fuck there. PLEEEEEEAASEE.
** Approximately 50 to 75 pages TOO MANY dealing with useless background and ancillary information about new character, British spy Jazz Simmons. Worst part is, the useless info isn’t even interesting. I just wanted to drop Lumley’s nuts in a blender and chop ice for plodding up the story with this.
** Once on the source world, WAY, WAY too much walking, ass scratching and finger twirling. It was like Lord of the Rings walking and I half expected Gollum to show up looking for his precious. Wake up the editor and tell him to put on some coffee...there's work to do.
** The story of the source world history and society structure is told in a series of conversations between a character named Zek and Jazz Simmons. This covers about 4 chapters (80 to 100 pages). The history is awesome and fascinating and I had no issue with the amount of detail. What I did develop major “hurry the fuckupitis” about was that at least half of those 80 to 100 pages are preambles and segues between the various parts of the history narrative. For example, Zek tells part of her story. It gets late and they go to sleep. Then we have 20 pages of get up, wash, eat, walk, walk, walk before she continues her story. C’mon Brain, let’s move this thing along. This isn’t the 1950’s and I can’t imagine you are being paid by the word.
** MAJOR CRIME ALERT After the slow, plodding pace and extensive set up, the climactic battle takes place over a single 20 page chapter. So we get 60 pages of Soviet base intro and then less than 20 pages of “settle all scores once and for all for the fate of the planet” battle. Lumley’s priorities here made me want to send him out on the lake "fredo style" so I could watch from the window as Rocko put a bullet in the back of his head…HE BROKE MY HEART!!
So cut away all the fat and hose away the chum and you have an intelligent, original, well-imagined story that adds something unique to the crowded vampire genre. Alas, all of the superfluous flotsam left me unable to give the book higher than 3.0 stars despite how tasty the meat was.
P.S. The covers for this series are among the worst ever created in the history of literature. I am convinced they were created without Lumley’s knowledge by someone with a vendetta against him. DO NOT LET THEM KEEP YOU FROM TRYING OUT THE SERIES…at least the first two.