Liberator picks up in the months after the first book in the series, Worldshaker, ends. The ‘filthies,’ the (for all intents and purposes) serf class that operates the mammoth ship has taken over, and the politics of their endeavor are immediately snarled. They’ve renamed their ship the Liberator, but their former rulers are living in ghettos on the ship, even though they helped in the revolt and encouraged the uprising. The action is certainly tenser than in Worldshaker, and the story begins with a murder that threatens everything Col and Riff have worked to establish. This murder allows for a power struggle that leaves Col adrift, and Riff in a precarious position within the new council. Personal relationships also suffer, as Col finds himself increasingly cut off from Riff as they both try to navigate a new reality and peace for the citizens of the ship.
The first time I read Worldshaker I liked it, but was a little underwhelmed by what I thought was too simple a story, and Liberator also suffers from this to a smaller degree. This series is rated for 10-13 year-olds, and the vocabulary and chapter length of these books has been modified to accommodate this young audience. As a result, Col seems a little too naïve, and in places both texts feel ideologically heavy handed to me. By the time I read Harland’s Worldshaker I had already read Scott Westerfeld’s Leviathan (a work of YA literature that has been very well received by adults) and Cherie Priest’s Boneshaker (an adult work that could easily be read by teens), and I felt that Worldshaker suffered in comparison.
I will argue that Liberator is also somewhat lacking the maturity level of other YA authors in this genre; I think adults will enjoy this book if they understand the concerns I have pointed out and read the text with a little patience. Steampunk literature is well-known for exploring concerns about class, the mass-produced and non-unique nature of modern technology, and the environment, and Richard Harland’s book wastes no time establishing itself within the genre in an approachable manner that should be enjoyable for both children and adults.
In a lot of ways, I enjoyed Liberator far more than Worldshaker because the world Richard Harland has created is much bigger, and the reader gets so see the other imperial vessels for the first time and to understand that the behavior demonstrated in the first book of the series is not unique to these massive ships. The young leaders of the Liberator are presented with a fairly large mystery, and although I knew the identity of the saboteur long before they did, it does demonstrate the precarious nature of a democratic society. I like the romance between Col and Riff, but thought it was complicated enough without throwing the distraction of *spoiler* in. This character is used as a simple plot device and then discarded when convenient to the HEA, and it illustrates the simplicity of the overall narrative.
My final analysis is that it is a worthy addition to Steampunk literature, and it is good to have books that a wide age-range can read and discuss. There are many large important themes central to Steampunk literature, and Harland’s books are a great way to expose new/young readers to the genre. Although I have given it three stars, this is a 3.5 star review.