This is sort of an alternate-world fairy tale--it's a Sleeping Beauty retelling with the caveat that the sleeping princess has a magically immune little sister. Being that it's a fairy tale motif that mixes in a bunch of other fairy tales, I guess I shouldn't be annoyed that it's very questy and has one-dimensional characters, but it did bother me that the premise of the story was so heavily inundated with "it happened this way, because . . . it has to happen this way." I didn't like that the younger princess's gift/curse was so crappy--Princess Annie was immune to magic, but that not only meant that magic couldn't harm OR help her; it also somehow meant that magic didn't work in her general vicinity, so people with magical enhancements forced her to stay away from them (including her family, even though their magical gifts would start working again as soon as she wasn't nearby). I didn't like that the fairy who cast this magic did so in such a way and there was no discussion of why it had to be that way, and I didn't like that her family members were such jackasses about it, acting like they thought they were superior to her because of having beauty and grace and all kinds of gifts that were literally given to them magically rather than earned.
I also didn't like that even though everyone knew a curse was supposed to come on the princess's birthday or before, they still allowed so many risks and loopholes for the curse to manifest. If you knew your daughter's curse would manifest if she got pricked by a spinning wheel, not only would you ban all the spinning wheels from the kingdom, but you wouldn't let her open any freaking birthday presents if you didn't know what they were.
Premise ridiculousness aside, Princess Annie's forced ordinariness was kinda refreshing, though it also made her seem like a contrived person too--of COURSE you would gather skills through practice instead of magic and throw yourself into that if you had nothing else and no one respected you. I liked that her immunity to magic made her uniquely qualified to do things like RESCUE PEOPLE (including, dare we say, herself, and A MAN!, more than once!), and I noticed that this book actually did something that fairy tales normally don't do--it acknowledged that people go to the bathroom! Wow!
But I think the thing that annoyed me the most was how contrived a prince's princess-finding contest was. Princess Annie's looking for a prince to kiss her sister Gwendolyn, but she enters the princess contest without telling him that she's doing so on her sister's behalf. Prince Andreas is portrayed as not being as much of an idiot as royalty usually is in these stories, caring more for finding a wife who can keep up with him on a horse, dance for fun, and eat what he likes to eat. So when Annie turns out to be his perfect match, there's an ISSUE because a) she was looking for someone for Gwen, and b) she's got a thing for her companion, Liam, and he for her. Good thing the story solved that problem and didn't bother to keep the interpersonal conflict going . . . Andreas turns into a slobbering fool at the mention of maybe marrying Gwendolyn and all his credibility as a halfway decent person is thrown out the window. It's exactly what the story needed to go forward and let Princess #1 get her kiss and Princess #2 get her guy, but it isn't interesting.
There seemed to be kind of a lot of plot holes too, as well as lots of plot elements that were super predictable. Princess Annie heard plotting scoundrels outside her castle immediately upon going on her prince-finding quest (who talked in a stereotypical thuggish way), and because of overhearing their intentions she knows her time is short. Regardless, her quest takes a really long time, and some of it is avoidable--the urgency to return to the castle doesn't seem to figure into the princess's thoughts very often. At first I was thinking "Okay, she's sending the princes back to her castle to try to kiss her sister, so she can keep questing." But then I remembered that they couldn't get inside without her, because magical roses kept them out and they would fall asleep because of the curse without her touching them. So that bothered me, and the princess's companion turning out to be a prince was obvious from the beginning as soon as she let it slip that she knew so little about his background (doing that is an obvious giveaway that the background is going to be significant), and I knew which fairy tale was going to get shoehorned in every time the scene was set. And Rapunzel's tower was deserted when Princess Annie got imprisoned there . . . why would the thugs put her in Rapunzel's tower, and where was Rapunzel? That was never explained.
There was a bit with Liam's brother receiving a handwritten note from his mother (enclosing a pin he supposedly needed), but there was no reason she needed to write him a note when she could have told him anything she needed to say in person. The reason, of course, why he had a note was so that he could accidentally drop it where Annie could find it and serendipitously match the handwriting and solve the big mystery of the book. And since one of the men who was recruited to kiss Princess Gwendolyn had to be both a prince and her "true love," of course it turned out to be the nicest one (even though Princess Gwen herself didn't seem very nice), and of course someone she's never met can somehow "be" her true love . . . because the story says so.
So much of it read like a series of plot bullet points with the fraying edges inexpertly stitched together like they'd been found during late stages of editing. It was frustrating, but I bet it would be kind of a fun story to read to very little kids (below age 8), because they probably wouldn't see everything coming a mile away. Maybe I was just reading it like too much of a grown-up? But I don't at all believe that books for kids should be dumbed down. The writing style itself was okay--nothing ever wowed me, but it was quite readable and not ornate or distracting--but the storytelling was very ham-fisted. I'm glad at least that the story explored both the advantages and the disadvantages of being unable to be affected by magic in a world that depends so heavily on it, and I'm glad that the author didn't decide to make Princess Annie get transformed into a more beautiful girl by magic at the end somehow.