Charlie Poole has a serious case of ennui. Stuck tending bar at his gangster uncle's Brooklyn saloon, he awakens from his slumber only when two hit men threaten to kill him. While on the lam, Charlie has to handle his Mafia uncle, stand up for himself, and come to terms with the beautiful woman who saves his life.
Donald E. Westlake (1933-2008) was one of the most prolific and talented authors of American crime fiction. He began his career in the late 1950's, churning out novels for pulp houses—often writing as many as four novels a year under various pseudonyms such as Richard Stark—but soon began publishing under his own name. His most well-known characters were John Dortmunder, an unlucky thief, and Parker, a ruthless criminal. His writing earned him three Edgar Awards: the 1968 Best Novel award for God Save the Mark; the 1990 Best Short Story award for "Too Many Crooks"; and the 1991 Best Motion Picture Screenplay award for The Grifters. In addition, Westlake also earned a Grand Master Award from the Mystery Writers of America in 1993.
Westlake's cinematic prose and brisk dialogue made his novels attractive to Hollywood, and several motion pictures were made from his books, with stars such as Lee Marvin and Mel Gibson. Westlake wrote several screenplays himself, receiving an Academy Award nomination for his adaptation of The Grifters, Jim Thompson's noir classic.
This 1965 semi-comic crime thriller/whodunit contains numerous cultural references, mostly entertainers, from the 1950's thru the early 60's. Maybe even some from the 1940's. This is fine if you know a lot of trivia from that era or if you just don't care about the meaning of the references. Unfortunately I didn't recognize most of them and it isn't in my nature to ignore them. So I did a lot of web searches. Fortunately I read this novel on my Kindle which made the searches fairly quick and painless.
The main protagonist, Charlie Poole, a self described, no ambition bum, did not appeal to me as I began the book. However, as the story progressed, he discovered hitherto unsuspected depths of character, competence and courage. Desperation can do that and all's well that ends well.
Not one of Donald Westlake's better books but still diverting. A good read for those times that you want a dependable book that ends "right." Three and a half stars.
I read this comic mystery when I was a teenager, and I was utterly charmed by the language and attitude of New Yorker Donald E. Westlake, who died on New Year's Eve, on his way out to dinner while on vacation in Mexico.
I'm giving it 5 stars not because it is truly one of the most amazing books I've ever read, but because I instantly hungered for more, and today there are more books by Westlake (7) on my shelf than any author except P. G. Wodehouse. These are fun books, quick reads, but Westlake certainly qualifies as one of my favorite authors, and the five-star rating is for the sum of his oeuvre.
A simple short book on old-style East Coast crime featuring a young man who starts as a patsy and ends up growing some necessary skills if he wanted to stay alive. Not hilarious, but brings a smile here and there.
Early Westlake, 1965. A ne'er-do-well tending bar in a mob joint in Canarsie is shocked when he realizes that the job referred to by two hit men who come in at closing time is him; escaping them by a miracle, he goes on the run to find out why he has been given the black spot. The quest takes him all over the five boroughs in some very odd company and forces him to use resources he didn't know he had. Not every Westlake is a masterpiece, but any of them will reliably spring you from your quotidian prison cell for a few hours, which is all we need sometimes. He wrote dozens of these, good solid workmanlike thrillers with a simple plot, quirky people and a few twists, recounted in competent and occasionally eloquent prose.
Scored at the local library's fundraiser rack. An early Westlake, amusing but not up to the Dortmunders, Smoke, etc. Pigeon exhibits the fascination with New York City navigation that eventually reaches comic delight in Stan Murch, but here getting from Canarsie to the Village is just description. The dialogue has not yet reached that deftness that yields a laugh with almost every line. I prefer the Westlake who doesn't worry too much about the mystery but just delights in the absurdity of what he's doing.
This is an artfully constructed mystery-crime novel. It is told in the first person, and we readers take the reliability of the narrator as a given, in part because he humbly under-estimates his own abilities. The author’s abilities are not to be under-estimated, though. I humbly suggest that it would be a crime to give this fast-paced novel anything under four stars. To avoid criminality — I have few criminal tendencies — I give it five. The brief switch to third person narration near the end warrants the extra star.
If you've finished all the Dortmunder books and wonder what other funny books Donald Westlake wrote this is a pretty good one to start with. The hero is someone with no ambition greater than to keep running his mob-connected uncle's bar and watch movies on the late show, but one day he finds himself on the wrong side of that mob and running for his life for no reason he can see. Very funny stuff. Not as good as a Dortmunder book, but what is?
This is a very early book of Donald Westlake which shows a lot of his quick wit developing before he established his signature style. Which not as good as some of his later classics which is still a pretty good read. A good mystery if somewhat straight ahead.
I loved this comedic take on organized crime and the related fallout. The offhand manner of the narrator and his sometimes straight forward, sometimes meandering descriptions and tellings were delightful! I will be reading more by this author.
Donald Westlake is a writer I enjoy from time to time because of his unique sense of humor. In this offering the humor is a bit understated but Westlake sneaks in an occasional simile that tickles the reader.
Characterization in this novel is a bit week. Charlie runs a bar that is owned by the mob. It suits hin because it does not matter to the mob if the bar makes money or not as it is used as a "drop" for dirty money. They don't even care if Charlie dips into the till. So lazy, good-for-nothing Charlie has an ideal slacker's job where he serves drinks and watches late night television. One night two hoods come in and give him a card marked with a black ink spot. The organization has marked him for execution.
The rest of the book is a chaotic chase/adventure as Charlie tries to prove his loyalty to the mob and call off the hit.
Along the way he rubs into hoods that remind him of the three stooges, a dead mobster who was pretending to be a farmer, and an adventuress named Chloe, who decides it will be fun to help him.
This was a fun book, but not on par with Westlake's "Dortmunder" novels. The verbal play offers an occasional grin. Sadly, the story never gets a balance between comedic romp or serious adventure. Because of this imbalance I didn't care for it as much as I wanted to. However I got in a stack of seven books for a dollar so I definitely got my money's worth.
The Fugitive Pigeon is a comic crime caper. Written in a very assured, confident manner, it trots along a nice, quick pace, with a gentle humour. The plotting is well worked, although relatively predictable, the characters are quite thin and stereotypical, and the story lacks any depth. In a sense, the narrative is all surface and style, with little substance. As such, it provides a mildly entertaining diversion but little more. Which I suspect is precisely what it was intended to do. So on that level, the book works fine. I just wanted a little more – an unpredictable twist, a surprising character, some emotional depth, a bit of backstory and contextualisation. Overall, a nice piece of entertaining fluff.
It is easier to be bored by a book than to explain why you found a book boring. The Fugitive Pigeon is a gentle crime novel of the sort where you never worry that anything seriously bad will happen to the protagonist, in this case a young man who is in danger of being killed (in theory, at least) because the mob mistakenly believes that he has informed against them. Westlake novels of this lighter sort are sometimes described as humorous novels rather than crime novels, but The Fugitive Pigeon is intermittently cutesy rather than funny, which can carry you only so far. What remains, then, is a sort of whodunit—i.e., who among the characters is the real informant?—and I just didn't care.
Starting tonight. First book by this author for me.
Moving along last night. This plot both is both silly and standard but the telling of it is pretty entertaining. I wouldn't say it was laugh out loud funny(as advertised) but pretty good.
- The role of Mr. Gross in a movie version would have perfect for the late Brando: reminds me of his Missouri Breaks weirdo and Dr. Moreau... effete blimps.
Finished after a bit of a late stay-up. Doofus Charlie wins in the end and gets the/a girl too. Seems to be a bit overrated to me...
- 5 typos noticed
- Entertaining but slight and also a bit dated. Plenty of pop culture references, particularly TV and movies: 2.75* rounds up to 3*...
Westlake wrotea number of books much like this in the mid-60's. This is about typical of the quality, and that quality is pretty high.
Some schmuck is working in a mob owned bar, and is fingered as a snitch. He goes all over New York City to try to clear his name, only to find himself in ever deeper trouble.
A real quick, fun read. Westlake has yet to let me down. I actually like his later "humor added" works better than the early stuff, but it's all good. This one is a page turner, action from beginning to end.
I like Charlie Poole. Book on tape. Another example of Westlake humor... I like it... either you do or you don't. Canarsie bartender whose uncle is a putz. Charlie's main motivation in life is watching the late late black and white movie on tv.
Quick light diversion. Basically the perfect palate cleanser after a dense serious novel. There are a lot of Westlake touches that enhance the book and make it easy to ignore the more straightforward elements.
I love DEW. This is one of my least favorites. I wanted to like the main character more. His female sidekick was cooler. Had the “whodunnit” guessed early on and was disappointed to find I was correct. Not his cleanest writing either. As a fan, I’d skip it.