The Book of Mara

by Ada Negri, Maria A. Costantini (Translator)

Ada Negri, the author of ten volumes of poetry who enjoyed an international reputation for her frank and passionate writing, had a tormented love affair with a man whose life was cut short by premature death. She translated this experience into "The Book of Mara," in essence one long poem arising from a woman’s most intimate place as if in a visceral scream — a most passionate expression of love, loss and redemption. Written with unusual frankness, especially in view of Italian society of the time, "The Book of Mara," along with "Songs of the Island," is considered the high point of Negri’s poetic work. Through metrical and formal execution, "The Book of Mara" demonstrates the originality of her verse, which opens up to a more personal dimension — almost prose-like. Her verse is impressionistic, almost mystical, spanned with bristling lyrics, sudden igniting bursts and visionary flashes. Negri’s poetry was made by going deep inside herself, into the travail of her childhood, into the solitude and the sleeplessness around an uncertain future, into the wounds of sorrow and the misfortune that befalls each one of us. Her poems express an ardent though fruitless hope, in wait of a great love; made light by those rare moments of abandon and happiness. First English translation, by Maria A Costantini. Dual-language edition. Introduction, bibliography. 118 pages.

118 pages, Paperback

First published December 1, 2010

About the author

Ada Negri was born in Lodi, Italy into an artisan family to Giuseppe Negri alongside his wife Vittoria Cornalba. She attended Lodi’s Normal School for Girls and earned an elementary teacher’s diploma. At eighteen, she took a position as schoolteacher in the village of Motta Visconti, on the Ticino, near Pavia. Her first volume of lyrics, Fatalità, (1892) confirmed her reputation as a poet, and led to her appointment to the normal school at Milan. Her second book of poems, Tempeste (1896), tells the helpless tragedy of the forsaken poor.

On 28 March 1896, she married industrialist Giovanni Garlanda of Biella, who had fallen in love with her from reading her poetry. By 1904 they had daughters, Bianca and Vittoria. The latter died in infancy. In 1913, Negri separated from her husband and moved to Switzerland with Bianca. Afterwards, she constantly moved. She was a frequent visitor to Laglio on Lake Como, where she wrote her only novel, an autobiographical work, Stella Mattutina (Morning Star), published in 1921, and in English in 1930. During an extended stay on Capri that began in March 1923, she wrote I canti dell'isola.

She became the first woman member of the Italian Academy in 1940. That achievement, however, also stained her later reputation since members of the Academy had to swear loyalty to the Fascist regime and were rewarded by it with various material benefits. On 11 January 1945, her daughter Bianca found Negri dead in her studio in Milan. She was 74 years old.

Her work was widely translated during her lifetime, with individual poems published in newspaper in the U.S. and elsewhere.

The actress Pola Negri (born Barbara Apolonia Chałupec), adopted the stage surname "Negri" in emulation of the poet. The actress Paola Pezzaglia was the ideal interpreter of her poetry on stage.