Here goes James Hadley Chase changing things up again. For a writer who made his reputation through lurid depictions of violence, this is a change of pace--although around this time JHC had retreated from the sort of graphic scenes of violence his first books contained. But with An Ear to the Ground, there are only two murders and one accidental death. The two murders are, so to speak, off stage, occurring as an ellipsis in the narrative. Otherwise, what you have are two sets of criminals on a collision course, although they never actually encounter one another. Instead, the very late in the book reappearance of Frank Terrell of the Paradise City police and Steve Harmas and Maddox, the insurance investigators, derails once again the best laid schemes and plots of vicious criminals, suave conmen, grouchy masterminds, and greedy bimbos.