“Dzur” is, surprisingly enough, an immediate sequel to “Issola”. At the end of that book, Vlad, having gone through a fairly harrowing experience that left him feeling somewhat contemptuous of the dangers of being hunted by the Jhereg — compared to the Jenoine, they are fairly small potatoes: plus, he has a Great Weapon now — decided to go eat at Valabar’s, in Adrilankha. And at the beginning of “Dzur”, he goes to eat at Valabar’s, where he is shortly joined by a Dzur, an apprentice Lavode. Part of the book is a description of the meal — I’m not super into this kind of food writing, but your mileage may vary — and of their conversation, which is a good example of the kind of odd couple dynamic — Dzur hero vs. human ex-assassin — that Brust likes to break out. The rest, however, has very little to do with the Dzur: instead, it’s mostly about the Left Hand of the Jhereg. It turns out that the old adage about the right hand not knowing what the left is up to is entirely applicable in this situation: the Left Hand is, it seems, largely independent of the Right. Certainly there is no central controlling authority directing them to operate together. In fact, we learn that while the House of the Jhereg is quite old, the Left Hand is a fairly recent (on Dragaeran timescales) development. Which leaves me wondering about the Jhereg, and how it works. In “Jhereg”, Aliera explains that the House, having started as a mishmash of rejections from the other proto-houses, is now its own House in truth, with its own recognizable genetic signature, just as the other houses have. But somehow we never meet any female Jhereg: the exceptions that prove the rule are Kiera, Norathar, and Cawti, who are female (in two cases former) Jhereg but were not born into that house. This is all the more confusing as Dragaeran society is noticeably not big on gender roles. Male and Female Dragons seem to serve in the army as soldiers in roughly equal numbers; ditto male and female Orca as sailors on ships; but if somebody is going to break your kneecaps because you’re behind on your payments to the local loan shark, they will, it seems, always be male. The Left Hand didn’t exactly solve this puzzle, but at least it explained what the female Jhereg were up to: apparently, they all signed up to be sorcerers instead of enforcers or assassins. But now we learn that’s not true either, so the mystery of the missing Jhereg women remains.
Regardless, the meat of the book arrives with the other person who drops in on Vlad at Valabar’s, none other than Mario Greymist. Luckily for Vlad, he is here in his private capacity (as Aliera's boyfriend) rather than his professional capacity (as an assassin looking for someone with a large price on his head). Mario explains that the Left Hand is making a move on South Adrilankha, which is still Cawti’s territory: they want to take over its criminal networks, the way that a boss in the Organization might. Why they are engaging in this kind of behavior, otherwise quite uncharacteristic for them, is unclear, but the risk is obvious: Norathar will defend Cawti if she is genuinely threatened, and that can’t end well. Under the right circumstances, there might even be another Dragon-Jhereg war. Since the whole mess is, arguably, Vlad’s fault, it falls to him to try to do something about it, in, given the title of the book, Dzur fashion: viz., he makes himself a target to draw out his enemies, and then takes care of them. In this case, non-violently, thanks to a bit of divine intervention: I imagine that Brust got a kick out of setting up a scenario in which a deus ex machina solution is reasonable. The fact that this particular method of solving problems is not unique to “Dzur” is not as surprising as it may seem: Vlad may not be a Dzur hero, but he is a hero, and there are bound to be some underlying similarities in approach. Nonetheless, it’s clear that the Left Hand has only been temporarily baulked, not permanently defanged: it turns out that an organization of sorceresses is an extremely dangerous opponent, arguably even more so than the Jhereg itself. Vlad has gained a Great Weapon — though not yet a fully operational one, it seems; at some point, Lady Teldra will wake up, but that hasn’t happened yet — but to balance the scales, he’s also gained a powerful new enemy. Which seems to me to be a slightly questionable move — we’re about halfway through the series at this point, it seems like we should know all the important players by now — but Brust has earned the benefit of the doubt, and Dzur is a nice bounce-back after the slight misstep of Issola.