The Book of Night

by Charles Vess

Dark Horse Comics

Genres: Graphic Novels, Fantasy, Comics

117 pages, Paperback

First published September 10, 1991

About the author

Charles was born in 1951 in Lynchburg, Virginia and has been drawing since he could hold a crayon. He drew his first full-length comic when he was 10 and called it "Atomic Man." Minimalist in nature, it required no drawing of hands, feet or heads ("they just glowed"). Since then, he has painstakingly drawn thousands of hands, feet, and heads in great detail. Charles graduated with a BFA from Virginia Commonwealth University, and worked in commercial animation for Candy Apple Productions in Richmond, Va., before moving to New York City in 1976. It was there that he became a freelance illustrator, working for many publications including Heavy Metal, Klutz Press, and National Lampoon. His award-winning work has graced the pages of numerous comic book, publishers such as Marvel, DC, Darkhorse and Epic. He has been featured in several gallery and museum exhibitions across the nation, including the first major exhibition of Science Fiction and Fantasy Art (New Britain Museum of American Art, 1980) and "Dreamweavers" (William King Regional Arts Center, 1994-95). In 1991, Charles shared the prestigious World Fantasy Award for Best Short Story with Neil Gaiman for their collaboration on Sandman #19 (DC Comics) --- the first and only time a comic book has held this honor. In the summer of 1997, Charles won the Will Eisner Comic Industry Award for Best Penciler/Inker for his work on The Book of Ballads and Sagas (which he self-publishes through his own Green Man Press) as well as Sandman #75. Soon after Charles finished the last of 175 paintings for Stardust, a novel written by Neil Gaiman, for which he was given the 1999 World Fantasy Award as Best Artist.

In 2002 Charles won a second Will Eisner award, this time as Best Painter for his work on Rose, a 130-page epic fantasy saga written by Cartoon Books' Jeff Smith. The year continued to be busy for Charles with the publication of Seven Wild Sisters (Subterranean Press) and The Green Man, Tales from the Mythic Forest (Viking), both utilizing cover art and interior b/w illustrations by the artist, and both making the 2003 American Library Association's list for Best Books for Young Adults! By the end of the year he had completed 28 paintings for his first children's picture book, A Circle of Cats, done in collaboration with writer Charles de Lint (Viking). This cover art won the Gold Award for Best Book Art in the 10th annual "Spectrum: The Best in Contemporary Fantastic Art" even before it was officially published. A new edition of Peter Pan (Tor/Starscape) featuringa cover as well as over 30 b/w interior illustrations by Vess was released this past Fall. Another collaboration with de Lint, Medicine Road (Subterranean Press) and the YA anthology,The Faery Reel (Viking ) will be arriving this Spring and he is currently hard at work producing drawings for several new books, including, A Storm of Swords (MeishaMerlin), the 25th anniversary edition of Moonheart (Subterranean Press) and a graphic novel collection of his ballads material for Tor.

Reviews

[Paul · Rating 5 out of 5]

This is a beautiful hardcover slipcased book and is proudly displayed in my favorites shelf in the living room. Add to that that I met Vess a while back and that he autographed and "doodled" a nice cat jumping in stars just for me :-) and you have what might just be my very favorite book ever.

[Anne · Rating 3 out of 5]

This is mainly worthwhile if one loves Vess's art as the stories here are all short and kind of thin. The art varies a bit in style from story to story, and I found it interesting to connect the differences in style to the differences in the stories.

[Alessandro · Rating 5 out of 5]

A splendid collection of fairy tales illustrated splendidly by Charles Vess, of the very acknowledged masters of fantasy illustration. The stories are very simple and almost childish, but the illustration is what has value in this book, like the panels at the end, that by itself justify the beauty of this book. Highly suggested in order to see how works a master.