Brave and beautiful Tiana, enemy of the evil and powerful wizard Ekron, embarks on the most perilous of all her adventures at the helm of the Vixen.
Armed with a black casket and its mysterious contents, as eyes track her from a distant storm-tossed island and fireballs roar from a crimson sky, Tiana, Highrider of Reme, journeys to an alien land where she will play out her awesom part in the deadly climax of the War of the Wizards!
Andrew Jefferson Offutt was an American science fiction and fantasy author. He wrote as Andrew J. Offutt, A.J. Offutt, and Andy Offut. His normal byline, andrew j. offutt, had his name in all lower-case letters. His son is the author Chris Offutt.
Offutt began publishing in 1954 with the story And Gone Tomorrow in If. Despite this early sale, he didn't consider his professional life to have begun until he sold the story Blacksword to Galaxy in 1959. His first novel was Evil Is Live Spelled Backwards in 1970.
Offutt published numerous novels and short stories, including many in the Thieves World series edited by Robert Lynn Asprin and Lynn Abbey, which featured his best known character, the thief Hanse, also known as Shadowspawn (and, later, Chance). His Iron Lords series likewise was popular. He also wrote two series of books based on characters by Robert E. Howard, one on Howard's best known character, Conan, and one on a lesser known character, Cormac mac Art.
As an editor Offutt produced a series of five anthologies entitled Swords Against Darkness, which included the first professional sale by Charles de Lint.
Offutt also wrote a large number of pornographic works under twelve different pseudonyms, not all of them identified. Those known include John Cleve, J.X. Williams, and Jeff Douglas. His main works in this area are the science fiction Spaceways series, most of whose volumes were written in collaboration, and the historical Crusader series.
This is the final volume in the trilogy in which offutt and Lyon chronicled the magical and swashbuckling adventures of a brash young pirate woman named Tiana. She's a very good character, if perhaps just a little dated now, like a young Conan or Red Sonja, with a cocky attitude and, of course, the skills with which to back it up. There's a bit of an abrupt shift about halfway through the book where the focus seems to change, probably where the writers realized they had to get back on track and wrap up the trilogy. They accomplished that task well, and Tiana stands as one of the best female characters of her time. There's a glossary appended, which serves as a good reference for the whole series. The cover by Rowena is quite striking and attractive, but unfortunately makes the book appear something like a lingerie catalog, which is an inaccurate perception.
Towards the end, reading this trilogy seemed like a chore. All the wit and charm of the first volume had vanished. Thrilling episodes had got replaced by endless machinations and uninteresting people. And the cover... Lesser said, the better. There were redeeming aspects, primarily our feisty protagonist, who is exceptional by the standards of those times. But the rest... 'Nuff said.
Some great death traps for a thief to escape and a wizard's master plan that is so multilayered and complex that it goes off perfectly. It even has a dragon...
It changes gears about halfway through. It begins with the same tone and material as the previous two books. Tiana Highrider switches between egotistical, vain, and insecure, all according to a certain stereotype. Its success as comic relief is a matter of the reader's tastes. I found it grating. The plot would advance for a time and I'd forget my irritation, and out of the blue she'd think something disappointingly cliche--that her breasts are inconveniently large or that she's much prettier than the other women in the room, or something--and then I'd be back to being annoyed. And like the previous books, the dangers she faces are laced with sexual menace or sexual violence, usually involving nakedness or exposure or physical restraint (most often all three) and then some thug mentions wanting to rape her.
It later turns serious in a way that the series hadn't until now, revealing a side to Offutt's writing that I never knew existed. Tiana gets to keep her clothes (for the most part) and calms down, while the story starts to hinge on mechanical aspects of the world's magic: the limitations of prescience, the way that expectations and perceptions feed into illusions, and the paradox of non-beings and anti-light and anti-sound, and the cosmology of the ultimate Good or ultimate Right. I finished wondering where these things were earlier in the series.
Good God is this dated. Tiana is not on-page with any man for more than a few paragraphs without him implying he wants to fuck her, trying to assault her, or actually assaulting her. Her foster father is a black man constantly referred to as a reformed cannibal, there are other brown skinned people referred to as savages. All the bad guys happen to be fat and/or ugly to perpetuate our "beauty is good good is beautiful" bullshit, the works. However the idea that Good and Evil are both fundamentally destructive forces to humanity and they must be kept at an eternal stalemate for the survival of the human race is pretty interesting, and I really like the conceptualization of wizards here. The book also excels in creating fun fight/adventure setups... I had a lot of fun with the hungry apples fight scene in particular. Prose can easily be described as "excitable" w frequent exclamation points and dramatic ellipses... which can be fun or feel melodramatic, mileage may vary. Mainly the thing that distracted me was the number of characters who say things "blandly". There are so many beautiful synonyms and epithets in this text that I was surprised the adverb cropped up as often as it did. Anyways I really wish that I could enjoy this more but the bigotry really fucking kills the vibe.
The final installment of a series that started with "Demon in the Mirror" and continued with "Eyes of Sarsis", it's.... OK. There is an ending, which is quite abrupt and the Big Reveal is also quite sudden.
Having bought this at Amazon as an E-book a few years ago, it wasn't the easist of reads. Unlike the first book, which was more in an episodal format. The perspective shifts continuously between Tiana and the unknown "Gray knight" (whose real identity is the Big Reveal). There's also quite a lot of names due to the traveling-around of Tiana.
In the end: a mixed bag of things. I'm glad I finished it; not sure if I will read it again.
Re-read the whole series over the last week in honor of Mr. Offut's recent passing on into Drood's arms and am relieved to find that I still enjoy the series despite its slightly dated themes. Tiana can be an aggravation, of course, but I've always felt that that was intentional on Offut's part. I doubt his tongue was very far from his cheek when he worked on this series.
All in all, I'd recommend the series with the caveat that he was writing in a time period when the sort of over-the-top heroic fantasy was popular and often problematic, and that the work (to my mind) is a sneaky way of poking fun at those problematic aspects.
I really liked this. I enjoyed the first two books in the series, but I felt that this one was the best of the bunch and brings things together in a fairly satisfying read. Good none too serious hack and slash.
This is a hard book to rate, but despite some great scenes, and a satisfying ending, it suffers from the problem of having a really annoying main character.