This story constantly pulls you in, and even though the narrative pace is slow you always have the feeling of movement. I don’t want to put the book down when I am reading, and when I am not reading I am thinking about it and wanting to pick it up. We don’t get any new characters in this story, which makes sense given how the previous book ended, but we do go deeper into our experiences of many of the characters as they continue to grow and transform on this journey. Hobb’s use of multiple POVs is really skillful and it makes this small group feel expansive and diverse. This book alleviates one of my complaints about the previous book, and about Fitz in the Tawny Man trilogy, to be honest, which was that their character development was stretched out and constantly falling in on itself just to stretch the story out without feeling like genuine responses or actions by the characters. All of the character secrets find their way to daylight in this story, and even when things feel a little stretched out it doesn’t feel like narrative convenience in the ways it has in the past (or, at least, not as much). In addition to the characters’ growth and evolutions the narrative plotting is great, too. There is a major action set piece that goes far beyond simply being a breathtaking bit of spectacle and it also serves a major narrative function, and the way we build to that and then navigate its after-effects is wonderful. I don’t know if it is because this is the 11th book in a series so I know Hobb’s narrative tendencies, or if I just read enough to see how the pieces fit together in a traditional epic fantasy story, but there isn’t a lot of surprise in this story. It seemed pretty obvious from the start what emotional arc the characters would eventually find themselves completing, and there were a handful of large moments of resolution that all were pretty obvious and easy to see far before they land in the narrative… And yet, none of that bothered me. The writing was so immersive that I felt myself standing on the barge, watching the ever changing river and marshy swamplands around it, witness to the transformation the majestic creatures are undergoing as they labor. The characters are emotionally resonant and I wanted to spend time with all of them, and as the narrative spread itself like wings just building up the strength to fly instead of either surprise or disappointment I felt like the story was opening a warm embrace and lovingly guiding me where to go. The world building and characters are engaging enough that the plot, even though it doesn’t really offer a lot of surprise, still feels original and captivating. Also, Hobb continued with the framing device of the missives between the birders at the end of every chapter and it added a wonderful whimsy, as well as its own secondary plot, to the story, while also giving us a taste of how things are going back home.
The ideas that Hobb is addressing in this novel are continuation of the first, and aren’t new. They are especially prominent in coming-of-age stories, which in some ways this is. None of the themes are particularly subtle: survive together, die alone; pride brings only the appearance of happiness; rules are created by those in power who intend to preserve their power, so they should not be just blindly accepted without intelligent investigation, but at the same time some rules exist to help protect individuals as well as the community as a whole and just giving in to every emotional instinct and disregarding all rules and precedence is just as foolish as blindly following; groupthink is dangerous, but we still need to rely on others; the value of independence, as well as the value of knowing yourself in order to be more present for others; and so on. Does it maybe lean a little hard into exotifying the trope of the noble savage, how these hard working river workers don’t have the culture or education of the city but have something better? Yeah, a little, but it feels appropriate for our characters. Again, none of these themes are unique, and Hobb is pretty heavy-handed in exploring them, but they all make sense in this world and they fuel actual character and narrative development, so everything feels like it fits together well.
This novel actually feels like a much more natural ending point than the previous one, and it sets up a whole wonderful bunch of potential complications and evolutions for the next two books. This really felt like the second half of the first book, and while there is definitely more story to tell it is a climactic and exciting place to rest. I enjoyed this much more than the previous book, and I find myself even more invested in what happens next, as it seems like the next two books have the potential for bridging the (narrative) worlds of the Rains Wild series and the Fitz-focused series.
(And if you read my review of the previous book and you noted my minor complaint at the end of that review, Hobb did do exactly what I had anticipated with the characters I mentioned in that complaint, and I am happy with their journey and representation in this novel, but that doesn’t entirely eliminate the sting of the way they were introduced in the previous book.)