Ο συλλογικός αυτός τόμος με δοκίμια διεθνώς διακεκριμένων συγγραφέων και μελετητών της τέχνης παρουσιάζει στο ευρύτερο κοινό τις βασικές έννοιες και εξελίξεις της τέχνης από το 1900 ως τις μέρες μας. Η αναφορά στη Μοντέρνα τέχνη αρχίζει με το κίνημα του Φωβισμού και κλείνει με τον Μεταμοντερνισμό και την Τέχνη της ιδιαίτερης Ταυτότητας. Η ιστορία της Μοντέρνας τέχνης που προτείνεται εδώ αφορά περισσότερο τα καλλιτεχνικά κινήματα, τη συμβατική χρονολογική διαδοχή τους, και λιγότερο τις έννοιες που βρίσκονται πίσω απ' αυτά ή τα διαποτίζουν. Ωστόσο, επειδή τα εν λόγω κινήματα αλληλοεπικαλύπτονται χρονικά και τα διακρίνει πληθωρικότητα, περιπλοκότητα και αυτοαναφορικότητα, μέριμνα του Ν. Στάγκου είναι να παρουσιαστεί σ' αυτή τη συλλογή δοκιμίων ακριβώς η πολυμορφία και η αυτονομία των αντιφατικών ιδεών που πυροδότησαν την τέχνη του 20ού αιώνα, όχι με έναν απολογισμό υπαγορευμένον από την ιστορικιστική αντίληψη αλλά με την πεποίθηση ότι δεν υπάρχει μία αλλά πολλές "ιστορίες" της δυτικής Μοντέρνας τέχνης, καθεμιά από τις οποίες μπορεί να γραφτεί από διαφορετική οπτική.
Born in Athens, Greece in 1936 to a well-to-do Greek family - his father attended MIT - Stangos was sent to the United States for much of his education, receiving a BA from Denison University, earning an MA from Wesleyan and doing graduate work in philosophy at Harvard. Nothing if not cosmopolitan, he finally settled in London, where he eventually became a poetry editor at Penguin and, later, a director for Thames & Hudson, with responsibility for many of that company's widely admired art books. In 1965 Stangos met the American-born In writer David Plante, and the two young men fell in love and remained partners for nearly 40 years. The Pure Lover: A Memoir of Grief is Plante's re-creation of their now-vanished life together. Stangos died of cancer in 2004. - adapted from Michael Dirda's Washington Post article, "Elegy to a Lost Love"
Πολυ καλό βιβλίο, έχει συγκεντρώσει δοκίμια των καλύτερων μελετητών διεθνώς και παρουσιάζει όλες τις έννοιες και την ιστορία του κάθε κινήματος και ρεύματος της μοντέρνας τέχνης. Δεν το θεωρώ βιβλίο βάση, πιστεύω οτι για να το κατανοήσει κανείς πρεπει να έχει ξεκινήσει απο πιο απλά βιβλία.
Very uneven, some essays are brilliant (i.e. John Golding on cubism) whereas others should be dismissed (like Aaron Scharf's). Selection of illustrations is disappointing - the fact that they are black and white is tolerable - but the choices could be more corresponding to the texts.
It was for me quite enlightening to read about, learning about, and see works from Kasimir Malevich. Quite the abstractionist indeed! And that all our "humanness" comes from the square. This elemental item which "does not occur in nature."
Again, this then is the enlightening part. That from the Vitruvian Man of Leonardo da Vinci, to this Russian abstractionist, the square is found to be unique. A mathematical identity, of origin and beginning.
Good book with clear concepts in particular with regards to the first Vanguards. Nevertheless, it's quite uneven as every style is written by a different author and some of them are not the most clear explaining the subject. Illustrations are good but black and white which in cases like the Fauvism don't really help to understand them well.
The Thames & Hudson 'World Of Art' series is provides an excellent overview of art movements from across the centuries. I found this edition, compiled via various expert essays, useful for providing historical context for the major modern art movements of the 20th Century.
A nice introduction to most Western art movement from 1900-1990. Each movement's section is written by different authors, and it makes the book somewhat uneven at times.
I read the chapter on Expressionism; it was good. I particularly liked it because the author briefly mentioned the social and political context of the schools.
Just have to acknowledge what a great series the "World of Art" is for novices (like scientists) who want to learn about art (like Abstract Art or Modern European Art: Impressionism to Abstract Art) but don't have clue one about it. Scholarly, but readable.
i had to return this one to the library, and have yet to finish it, but it is an excellent book for outlining the history of art. i was taking notes from this book on different art movements to better articulate where my own work was coming from, only to get wrapped up in life in general. this book is none the less a valuable resource. A++
Very comprehensive - was part of my fine art degree recommended reading, although never read it then. It's great if you are looking up a specific movement