YOU is infuriating. (Please forgive me for the horrible grammar this title causes).
It’s is criminally hard to put down. There are no chapters. Only direct, shattering, prose, fast-paced and swift to read. I found myself telling myself to stop after five more pages, ten more pages, fifteen… Until I was halfway through in one sitting.
This is a novel that seems destined for discussion, not unlike a movie with one heck of a twist ending. In fact, I’m desperate to track down anyone who’s read it so I can let loose on that ending– it’s jaw dropping and unforgettable, and I’m starting to wonder if I’ve even interpreted it the right way. The story zips along at a lightning pace, and it’s the type that keeps you up late at night thinking “Just a few more pages…”.
Addicting is probably the right word for it. YOU tries to do something different. The angsty, troubled teen has been explored countless times in YA lit before, but second person is a narrative device that’s only slowly emerging, and it’s probably a good thing, lest I be kept awake all night by how unputdownable a book becomes (think about a second person voice as gripping as Stolen by Lucy Christopher).
Gripping, harrowing, haunting as it may be, the characters remained unbelievable, or at least not thoroughly fleshed out. This is pretty understandable, given that the style it’s written in can’t give us much backstory on external characters, but you can’t get very emotionally involved with them, and I think a lot of the things that Kyle did didn’t make much sense; it was almost as if the story was trying a little to hard to make him seem teenagerly that he just became unrealistic. Not all the teens of today are that moody and brooding… I’d like to think, anyways.
It’s alright to suspend your disbelief for the few hundred pages of YOU, however, because it’s an absolute rollercoaster ride of a plot that’s done all too soon. I was annoyed by the characters, but their actions were over-the-top and very dramatic. Which leads me to their motivations behind said actions; hard to decipher.
This is a book that you can’t simply finish and move on– the ending is something else. It ties back to the beginning, changes your primary viewpoint, and then it just -ends-. I finished it in utter shock and disbelief, and it wasn’t entirely because it was good– in fact, I’d go as far to say it was a little infuriating. There is no resolution, and it just leaves you hanging, and a little confused. I suppose it’s up to your interpretation, but it was a little like being taken for a jarring ride to a questionable destination.
If you’ve finished YOU, I really, really need to discuss it with someone. It kind of made me a little angry, that ending. Like I stayed up all night reading it for nothing. Cop-out? Or brilliant, meaningful semi-cliffhanger? I can’t decide.
In short, YOU is something very different, and it’s jarring to say the least. It just tries a little too hard to be edgy. Kyle doesn’t seem, (to me) an ‘ordinary’ teen, contrary to what his description may be. Coming from a teen herself. But his story is striking, and unique among the typical books lining your shelf.