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Taurus Four
It is the year 2270 A.D.
A long time ago on Earth, our ancestors did not believe in the industrial-warfare society. They dropped out to live in freedom and do their thing, hated by all the uptight squares...
Thus begins a folk legend on Taurus Four, where, during the saurian Wars, a group of hippies had been transplanted forcibly.
Right now the only uptight square on the planet is a stranded Space Sociologist, Dorian Frank--who has reason to be uptight. The group is about to sacrifice a beautiful virgin to the god in charge of their hemp garden. And the planet is about to be colonized by a nonhuman race even more ruthless than mankind. But all Dorian can do is invent new footnotes to the Space Manual, like,
"For his own peace of mind, the Space Sociologist should sometimes kick the dirty savage on his bare butt."
A long time ago on Earth, our ancestors did not believe in the industrial-warfare society. They dropped out to live in freedom and do their thing, hated by all the uptight squares...
Thus begins a folk legend on Taurus Four, where, during the saurian Wars, a group of hippies had been transplanted forcibly.
Right now the only uptight square on the planet is a stranded Space Sociologist, Dorian Frank--who has reason to be uptight. The group is about to sacrifice a beautiful virgin to the god in charge of their hemp garden. And the planet is about to be colonized by a nonhuman race even more ruthless than mankind. But all Dorian can do is invent new footnotes to the Space Manual, like,
"For his own peace of mind, the Space Sociologist should sometimes kick the dirty savage on his bare butt."
- GenresScience Fiction
156 pages, Mass Market Paperback
First published January 1, 1970
18 people want to read
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Displaying 1 - 3 of 3 reviews
March 13, 2021
This book had obvious flaws, first and foremost among them was that Rena Vale took too many words to get her points across. That said, her writing technique was actually surprisingly fine. I mean she didn't make amateur mistakes of having unnecessary words in each sentence and a lot of passive voice. She just had the more unusual flaw of having too many sentences per paragraph. Her pace was excruciatingly slow. When I realized this was the way she wrote, I started reading topic sentences of each paragraph and skimming the rest for the last half of the book. There were only a few points at which I needed to slow down and read word for word.
The book is about a future Earth that is colonizing planets. Vale's setting could easily take place in the future envisioned by Star Trek, only we're seeing just a small slice. One man is sent down to a planet by shuttle, or some equivalent one-person craft, wrecks this craft right away, and has to wait two months until the starship is scheduled to return to the area when he can then be picked up. So we have this one lone protagonist from modern Earth on this world the entire novel.
At first, things are really dull. I suspect Rena Vale lost more than half her readers in the first forty pages of the book. The protagonist is all by himself exploring this largely unknown world. Not much chance for dialog, right? And who really cares about the pages and pages of description about what he found on this world?
After thirty or forty pages or so of this, the first fifth of the book, things finally pick up when he runs into dangerous extraterrestrial creatures considering colonizing the planet themselves. Then the protagonist encounters a lost tribe from Earth's American counter-culture movement of the late 1960s. Their language has changed--no talk of squares, recreational drugs, and things being groovy--but the values haven't. Free love and nudity are on the menu, but not emphasized. Essentially, this becomes a romance story and a story of survival, which finishes (in terms of interest level) stronger than it began. Recommended only if you're curious about Rena Vale's writing for some reason.
The book is about a future Earth that is colonizing planets. Vale's setting could easily take place in the future envisioned by Star Trek, only we're seeing just a small slice. One man is sent down to a planet by shuttle, or some equivalent one-person craft, wrecks this craft right away, and has to wait two months until the starship is scheduled to return to the area when he can then be picked up. So we have this one lone protagonist from modern Earth on this world the entire novel.
At first, things are really dull. I suspect Rena Vale lost more than half her readers in the first forty pages of the book. The protagonist is all by himself exploring this largely unknown world. Not much chance for dialog, right? And who really cares about the pages and pages of description about what he found on this world?
After thirty or forty pages or so of this, the first fifth of the book, things finally pick up when he runs into dangerous extraterrestrial creatures considering colonizing the planet themselves. Then the protagonist encounters a lost tribe from Earth's American counter-culture movement of the late 1960s. Their language has changed--no talk of squares, recreational drugs, and things being groovy--but the values haven't. Free love and nudity are on the menu, but not emphasized. Essentially, this becomes a romance story and a story of survival, which finishes (in terms of interest level) stronger than it began. Recommended only if you're curious about Rena Vale's writing for some reason.
December 18, 2020
[I read old fantasy and sci-fi novels written by women authors in search of forgotten gems. See more at forfemfan.com]
Dorian Frank XIV is a space sociologist and explorer, though he chose this career not out of a yearning to understand alien cultures or the thrilling call of the unknown. No, he's convinced that men on earth have lost their masculinity; they're weak-willed and under the thumbs of their mothers and wives. Thankfully, women don't like space or adventure(s), so exploration is an opportunity to break free and get that testosterone pumping.
Great start.
Then Dorian crash-lands on his first assignment. Without the ability to repair his solo ship, his freighter captain tells him to stay put and that they'll be back in two months with the necessary parts and evacuate him ... if he's still alive and there. There will be no scouting party or rescue mission. When they return, he has something like two days to respond to their messages or be abandoned on the planet forever.
Dorian explores, claiming that he hates to kill animals while killing every new animal he encounters because "it might be dangerous," and shuffles around close to the cave he made as home-base. The space-explorers manual strongly recommends staying out of the jungle, or deep water, or ... most places, it seems.
Also, Dorian is just cowardly and weak. He gets lonely and starts longing for companionship in about three hours flat. Within a day or two, he decides (essentially) he'd rather die than be alone for two months and stalks off for the jungle in search of other intelligent creatures that he has no reason to suspect exists.
The sexism in these chapters is absolutely absurd. I had to stop taking notes, or else I'd have never finished reading the book. I'd still be documenting all the sexism.
Here's the quote that made my brain make weird screeching/stabbing sounds like out of a horror movie when someone has finally cracked:
I cannot articulate the rage that paragraph instills within me. So why the fuck did I keep reading this cod-awful drivel?
Before I answer that, here's some backstory on the author: Rena Vale. She was born in 1898. In the early 1900s, she was a cowgirl and teacher before becoming a ballroom dancer. In 1916, she sold a screenplay to a motion picture company, then added technical writing to her repertoire. In the 1930s, she was a card-carrying member of the communist party. In 1941, she was the secretary for the California State Assembly Committee on Un-American Activities, where she eschewed her communism and threw countless people under the bus ... including Lucille Ball and John Steinbeck. Then, many years later, she became a science-fiction author.
Now, that backstory is ... bizarre, and let's ignore the unforgivable act of betraying Lucille Ball. What matters here is that Rena Vale lived a complicated life, full of incongruities. She was a cowgirl and a ballroom dancer and a communist and a career-woman. How on earth could she write such simple-mindedly sexist bullshit in earnest?
I hoped I read something between the lines of Dorian's machismo attitude yet pathetic and incompetent actions. It would be bold starting a book in the 1970s with overt and seemingly straight-forward sexism, then using the book to poke fun at how men can't live up to their own impossible standards, but it was possible. I had hope.
Eventually, Dorian does find sentient life. Implausibly, they're the descendants of a hippie commune transported by aliens to this paradise planet to live out their groovy lives without the man ruining everything. Due to perfect weather, food literally falling from the trees, and plenty of caves for sleeping, they have regressed to a primitive lifestyle. They have no village, no clothes, no material belongings.
And then Teeda appears. Described as "between 16 and 18" and "virgin-white," she's young and dumb and trusting and good-natured but also seems utterly devoid of thought.
Naturally, Dorian wants her.
Worse, he seems to want her more the more he infantilizes her. He regularly thinks of her as "this sweet child" in the same thought where he wants to "take her." At one point, her weakness and abject dependence on him turns him on. He wants her exclusively because of what she isn't (like the women back home) rather than what she is.
Unfortunately, she wants him, too. It feels like the unreasoned infatuation of a child, but this doesn't bother him. When he tells her he cannot take her back to earth with him because his ship will only accommodate one person, she literally starves herself for days to lose weight. And when he figures out that's why she hasn't been eating, he thinks it's sweet ... not definitely a sign that this would be the unhealthiest relationship ever.
There's a plot that goes all off the rails. Teeda's drug-crazed chieftain engages in human sacrifice to try to keep strangely sentient/intelligent carnivores from raiding his people ... though it appears he likes this ritual mostly because he gets first "dibs" on the virgin sacrifice. His drug-crazedness, btw? Entirely from chewing on hemp. Super realistic, that, but there are plot-holes aplenty.
As Teeda is the virgin sacrifice, Dorian gets entangled in the surprisingly brutal ways of this tribe of hippies. He's in over his head, and his ass is saved by women multiple times ... and always headstrong older women that buck the social norms of this patriarchal tribe. Despite this, he still mostly thinks about how disgusting their naked bodies are. The sexism just does not let up.
At one point, Dorian introduces Teeda to clothes. They're on a long walk, so their clothes need cleaning, and he shows Teeda how to do it. She watches for a second, giggles, grabs his clothes from him, and says, "I think I can do this better than you." Dorian chuckles at that womanly instinct that inherently makes women better at cleaning. So cute.
Later he talks to her about shoes, and she immediately has to know more—styles, colors, you name it. Now that she knows about shoes, she's a shoe-obsessed woman.
Eventually, Dorian contacts his freighter again. The captain is pissed that Dorian missed earlier hails, but whoo boy, there's even bigger news.
Dorian's fiancee and mother were furious that he'd been abandoned on some alien planet and raised every sort of bureaucratic hell they could manage to ensure Dorian would be rescued. Suited-up femme lawyers swarmed the freighter, promising every sort of lawsuit imaginable if Dorian didn't make it back to earth.
Here we go, I thought. Here's where Dorian realizes that strong-willed women get shit done, and without them he'd be stuck on this planet that he has said many times that he does not want to be stuck on any longer than necessary. He realizes that while Teeda has her own strengths and charms, they're not better than those of his fiancee or mother. Maybe he even feels bad about drooling over a teenager when his betrothed is moving heaven and earth to see him safely found.
This hope is proof that against all odds, I'm still an optimist.
Instead, he's embarrassed and furious at his mother and fiancee for causing such a stink and being such nags. If the company wanted to let him die on a strange planet due to the mechanical failures of their inadequate machinery, that's his business! Who are they to get involved?
If that sounds like sarcasm, like we—the readers—are supposed to laugh at Dorian for thinking that, then I portrayed it wrong. Those sentiments were made in earnest.
In part due to Teeda starving herself, Dorian is able to bring her with him to the freighter. Never mind that earlier in the novel, he rightly recognizes that going from "we sleep on the ground and have literally no possessions" to 23rd-century earth would probably break her. He plans to marry her instead of his fiancee. He even plans to rub his fiancee's face in it.
The freighter captain, mad that Dorian's fiancee and mother made him give a shit about Dorian, offers to officiate the marriage then-and-there as payback. Dorian grins wickedly at his revenge-marriage.
Taurus Four over.
There's so much more to it—it's racist, repeatedly, and specifically about folks of Native American descent. It's disgustingly ableist. It's sexist beyond comprehension. It's fatphobic—Dorian is struggling for survival against unreasonable odds and is mostly excited that he's lost weight...
There's an unexpected twinge of religious supremacy, where Dorian gets all high-and-mighty about his god, and it's clear he's talking a Catholic or Protestant god.
There's also some weird stuff going on with Dorian's thoughts about Teeda's tribe. They're white folk whose ancestors originated from San Francisco, so it's not exactly racism, but the number of times he thinks something like "I never expected primitive people to possess nobility" is off-putting.
Throw in some disgusting sexualized violence (told in an off-hand way) against women and children, and Taurus Four wraps up as one of the worst stories I've ever read. Amusingly, compared to Charlemagne's Champion , the technical writing was ... fine. But hell, everything else was awful. Put this up there with Song of the Pearl as a novel I would purchase if only to keep it out of circulation because it's that fucking awful. I would give it negative points if I could.
Dorian Frank XIV is a space sociologist and explorer, though he chose this career not out of a yearning to understand alien cultures or the thrilling call of the unknown. No, he's convinced that men on earth have lost their masculinity; they're weak-willed and under the thumbs of their mothers and wives. Thankfully, women don't like space or adventure(s), so exploration is an opportunity to break free and get that testosterone pumping.
Great start.
Then Dorian crash-lands on his first assignment. Without the ability to repair his solo ship, his freighter captain tells him to stay put and that they'll be back in two months with the necessary parts and evacuate him ... if he's still alive and there. There will be no scouting party or rescue mission. When they return, he has something like two days to respond to their messages or be abandoned on the planet forever.
Dorian explores, claiming that he hates to kill animals while killing every new animal he encounters because "it might be dangerous," and shuffles around close to the cave he made as home-base. The space-explorers manual strongly recommends staying out of the jungle, or deep water, or ... most places, it seems.
Also, Dorian is just cowardly and weak. He gets lonely and starts longing for companionship in about three hours flat. Within a day or two, he decides (essentially) he'd rather die than be alone for two months and stalks off for the jungle in search of other intelligent creatures that he has no reason to suspect exists.
The sexism in these chapters is absolutely absurd. I had to stop taking notes, or else I'd have never finished reading the book. I'd still be documenting all the sexism.
Here's the quote that made my brain make weird screeching/stabbing sounds like out of a horror movie when someone has finally cracked:
Dorian came to the conclusion that space explorers were the Vikings, the Conquistadores, the Indian fighters and gold rushers of the twenty-third century. They were Men; the women who came with them or to them were their slaves or playthings, or both in one. They were, in short, the "washing machines" of the ancient quip: Where Men are Men and women are washing machines.
I cannot articulate the rage that paragraph instills within me. So why the fuck did I keep reading this cod-awful drivel?
Before I answer that, here's some backstory on the author: Rena Vale. She was born in 1898. In the early 1900s, she was a cowgirl and teacher before becoming a ballroom dancer. In 1916, she sold a screenplay to a motion picture company, then added technical writing to her repertoire. In the 1930s, she was a card-carrying member of the communist party. In 1941, she was the secretary for the California State Assembly Committee on Un-American Activities, where she eschewed her communism and threw countless people under the bus ... including Lucille Ball and John Steinbeck. Then, many years later, she became a science-fiction author.
Now, that backstory is ... bizarre, and let's ignore the unforgivable act of betraying Lucille Ball. What matters here is that Rena Vale lived a complicated life, full of incongruities. She was a cowgirl and a ballroom dancer and a communist and a career-woman. How on earth could she write such simple-mindedly sexist bullshit in earnest?
I hoped I read something between the lines of Dorian's machismo attitude yet pathetic and incompetent actions. It would be bold starting a book in the 1970s with overt and seemingly straight-forward sexism, then using the book to poke fun at how men can't live up to their own impossible standards, but it was possible. I had hope.
Eventually, Dorian does find sentient life. Implausibly, they're the descendants of a hippie commune transported by aliens to this paradise planet to live out their groovy lives without the man ruining everything. Due to perfect weather, food literally falling from the trees, and plenty of caves for sleeping, they have regressed to a primitive lifestyle. They have no village, no clothes, no material belongings.
And then Teeda appears. Described as "between 16 and 18" and "virgin-white," she's young and dumb and trusting and good-natured but also seems utterly devoid of thought.
Naturally, Dorian wants her.
Worse, he seems to want her more the more he infantilizes her. He regularly thinks of her as "this sweet child" in the same thought where he wants to "take her." At one point, her weakness and abject dependence on him turns him on. He wants her exclusively because of what she isn't (like the women back home) rather than what she is.
Unfortunately, she wants him, too. It feels like the unreasoned infatuation of a child, but this doesn't bother him. When he tells her he cannot take her back to earth with him because his ship will only accommodate one person, she literally starves herself for days to lose weight. And when he figures out that's why she hasn't been eating, he thinks it's sweet ... not definitely a sign that this would be the unhealthiest relationship ever.
There's a plot that goes all off the rails. Teeda's drug-crazed chieftain engages in human sacrifice to try to keep strangely sentient/intelligent carnivores from raiding his people ... though it appears he likes this ritual mostly because he gets first "dibs" on the virgin sacrifice. His drug-crazedness, btw? Entirely from chewing on hemp. Super realistic, that, but there are plot-holes aplenty.
As Teeda is the virgin sacrifice, Dorian gets entangled in the surprisingly brutal ways of this tribe of hippies. He's in over his head, and his ass is saved by women multiple times ... and always headstrong older women that buck the social norms of this patriarchal tribe. Despite this, he still mostly thinks about how disgusting their naked bodies are. The sexism just does not let up.
At one point, Dorian introduces Teeda to clothes. They're on a long walk, so their clothes need cleaning, and he shows Teeda how to do it. She watches for a second, giggles, grabs his clothes from him, and says, "I think I can do this better than you." Dorian chuckles at that womanly instinct that inherently makes women better at cleaning. So cute.
Later he talks to her about shoes, and she immediately has to know more—styles, colors, you name it. Now that she knows about shoes, she's a shoe-obsessed woman.
Eventually, Dorian contacts his freighter again. The captain is pissed that Dorian missed earlier hails, but whoo boy, there's even bigger news.
Dorian's fiancee and mother were furious that he'd been abandoned on some alien planet and raised every sort of bureaucratic hell they could manage to ensure Dorian would be rescued. Suited-up femme lawyers swarmed the freighter, promising every sort of lawsuit imaginable if Dorian didn't make it back to earth.
Here we go, I thought. Here's where Dorian realizes that strong-willed women get shit done, and without them he'd be stuck on this planet that he has said many times that he does not want to be stuck on any longer than necessary. He realizes that while Teeda has her own strengths and charms, they're not better than those of his fiancee or mother. Maybe he even feels bad about drooling over a teenager when his betrothed is moving heaven and earth to see him safely found.
This hope is proof that against all odds, I'm still an optimist.
Instead, he's embarrassed and furious at his mother and fiancee for causing such a stink and being such nags. If the company wanted to let him die on a strange planet due to the mechanical failures of their inadequate machinery, that's his business! Who are they to get involved?
If that sounds like sarcasm, like we—the readers—are supposed to laugh at Dorian for thinking that, then I portrayed it wrong. Those sentiments were made in earnest.
In part due to Teeda starving herself, Dorian is able to bring her with him to the freighter. Never mind that earlier in the novel, he rightly recognizes that going from "we sleep on the ground and have literally no possessions" to 23rd-century earth would probably break her. He plans to marry her instead of his fiancee. He even plans to rub his fiancee's face in it.
The freighter captain, mad that Dorian's fiancee and mother made him give a shit about Dorian, offers to officiate the marriage then-and-there as payback. Dorian grins wickedly at his revenge-marriage.
Taurus Four over.
There's so much more to it—it's racist, repeatedly, and specifically about folks of Native American descent. It's disgustingly ableist. It's sexist beyond comprehension. It's fatphobic—Dorian is struggling for survival against unreasonable odds and is mostly excited that he's lost weight...
There's an unexpected twinge of religious supremacy, where Dorian gets all high-and-mighty about his god, and it's clear he's talking a Catholic or Protestant god.
There's also some weird stuff going on with Dorian's thoughts about Teeda's tribe. They're white folk whose ancestors originated from San Francisco, so it's not exactly racism, but the number of times he thinks something like "I never expected primitive people to possess nobility" is off-putting.
Throw in some disgusting sexualized violence (told in an off-hand way) against women and children, and Taurus Four wraps up as one of the worst stories I've ever read. Amusingly, compared to Charlemagne's Champion , the technical writing was ... fine. But hell, everything else was awful. Put this up there with Song of the Pearl as a novel I would purchase if only to keep it out of circulation because it's that fucking awful. I would give it negative points if I could.
Want to read
October 20, 2024written in 1970. strangely how I felt at 5 in 1967.... never heard of this title until 2024.........seems like my life story BUT before I even lived much. should be MUCH better than dude, where's my car or the Truman show... I shall let you know If in my lifetime I get a chance to read and compare and contrast as a HARD science guy (physics/biology/chemistry) rather than a SOFT aka ART "science" of sociology like the main character. should be very contrasting.......
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