"The Last of the Sky Pirates" (Edge Chronicles #5) is Twig, who flew beyond the sickness that ate all the great stone ships, then was grounded when the last uncontaminated crew died from bad water. Library mislabeled this as #1 when #5, explains my confusion.
Paul Stewart writes, and Chris Riddell draws, a fantastical world. Names are redundant, reminiscent, or whimsical: leadwood, ironwood; woodbee, woodmoth, woodpear, woodmidge, woodcat, woodfowl, woodhog, woodwolf, woodtroll; lullabee wood; pinegrape; wig-wig, tilder, muglump. The author kills people gruesomely without compunction, at odds with the otherwise Family rating and light humor of language.
Librarian knights choose three apprentices at a time to leave the hidden sewers of Undertown and sneak past evil Guardians of the Night. Guided by a grokgoblin then a nightwaif, they ride prowlgrins past shrykes to the Free Glades. In Lake Landing, they build individual flyers to explore. The carved wooden ship shapes are lifeforms: Stormhornet, Ratbird, Hammelhorn. When research is complete, students fly home and contribute papers.
After an introduction fills in the history of the Edge Chronicles, we follow tiny overly curious Rook Barkwater. His fellow questers are one-dimensional. Stob is always loud, rude, and arrogant. Magda is always quiet, kind, and conciliatory. The sudden insertion of sallow withdrawn skinny traitor Xanth into the Announcement Ceremony Chapter Three, without any line or page demarcation, feels out of place. At least the enemy tower line drawing page could have been put first.
Spoilers & Whyning (sic):
They get three gifts upon departing. The bloodoak tooth is just the symbol recognized by their Underground Railroad, easily mistaken, for example by booksmart Stob. The invisibility cloak is only used unnecessarily some nights over their hammocks. The spark-stones are not used: light, fire, nought. Potential so valuable, unusual, powerful, sits useless. A single changeable recognition word could have prevented the network destruction. All those loyal hard workers endangering themselves constantly, betrayed? tortured? On the subject of prisoners, why does not Rook unlock all the cells he passes? Diversion, blockades, ending auffering: anything is better than leaving them.
The orphan protegé of a famous female (another book) thought his best friend Felix would be chosen; I thought at the very least the brave son of their leader would tag along, or follow later. The callous killing of the next three groups, no further thought of a lifelong BFF, puzzles me. If Felix is another book, shouldn't we get a clue? The valiant lad generously donates his special sword, and poof ... forgotten?
When Rook sneaks nourishment to a prisoner, the outcome seems obvious. That a lost boy aka professor motivate a battle finale, seems to bloat minor plot details out of proportion. Is not the main thread our persistent lad finding his banderbears? Two valiant air-crews killed right after their introduction seems excessively blunt violence. I would rather have a small cast I care for strongly, than an abundance of incomprehensible names.
When Rook's opening recurring childhood nightmare resolves at the end, I was surprised. I was overloaded in between, and failed to see significance in the huge shape leaning down before he awakes terrified.