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مجموعۀ آثار چخوف #06
نمایشنامهها ١
تمایل شدید چخوف برای دستیابی به یکسبک بزرگ ادبی، در درامنویسی تحققپیداکرد و در هویت نویسندگی او، نمایشنامه مشخصاً جای داستان و رمان را گرفت. در نمایشنامههایی که او در سالهای آخر دهۀ هشتاد نوشت خود بیشاز هرچیزی بر «اهمیت ادبی» آنها ارزش قائل میشد، اما در همانزمان هم خاطرنشان میکرد: «من نمایشنامهای را که روی صحنه، و درجریان تمرین بازیگرها حک و اصلاح نشدهباشد، نمایشنامهای نمیدانم که آمادۀ چاپ باشد…» این اعتماد کمسابقۀ نویسنده به صحنه، بهیمن احساس طبیعی تئاتر و درک اینحقیقت ساده و مهم آن که «نمایشنامه برای صحنه نوشته میشود و فقط آنجاستکه زندگی حقیقی خود را بازمییابد» در وجود چخوف زاده میشد.
568 pages, Hardcover
First published January 1, 1891
6 people are currently reading
85 people want to read
About the author
Anton Chekhov
5,964 books9,780 followers
Antón Chéjov
(Spanish)
Dramas, such as The Seagull (1896, revised 1898), and including "A Dreary Story" (1889) of Russian writer Anton Pavlovich Chekhov, also Chekov, concern the inability of humans to communicate.
Born ( Антон Павлович Чехов ) in the small southern seaport of Taganrog, the son of a grocer. His grandfather, a serf, bought his own freedom and that of his three sons in 1841. He also taught to read. A cloth merchant fathered Yevgenia Morozova, his mother.
"When I think back on my childhood," Chekhov recalled, "it all seems quite gloomy to me." Tyranny of his father, religious fanaticism, and long nights in the store, open from five in the morning till midnight, shadowed his early years. He attended a school for Greek boys in Taganrog from 1867 to 1868 and then Taganrog grammar school. Bankruptcy of his father compelled the family to move to Moscow. At the age of 16 years in 1876, independent Chekhov for some time alone in his native town supported through private tutoring.
In 1879, Chekhov left grammar school and entered the university medical school at Moscow. In the school, he began to publish hundreds of short comics to support his mother, sisters and brothers. Nicholas Leikin published him at this period and owned Oskolki (splinters), the journal of Saint Petersburg. His subjected silly social situations, marital problems, and farcical encounters among husbands, wives, mistresses, and lust; even after his marriage, Chekhov, the shy author, knew not much of whims of young women.
Nenunzhaya pobeda , first novel of Chekhov, set in 1882 in Hungary, parodied the novels of the popular Mór Jókai. People also mocked ideological optimism of Jókai as a politician.
Chekhov graduated in 1884 and practiced medicine. He worked from 1885 in Peterburskaia gazeta.
In 1886, Chekhov met H.S. Suvorin, who invited him, a regular contributor, to work for Novoe vremya, the daily paper of Saint Petersburg. He gained a wide fame before 1886. He authored The Shooting Party , his second full-length novel, later translated into English. Agatha Christie used its characters and atmosphere in later her mystery novel The Murder of Roger Ackroyd . First book of Chekhov in 1886 succeeded, and he gradually committed full time. The refusal of the author to join the ranks of social critics arose the wrath of liberal and radical intelligentsia, who criticized him for dealing with serious social and moral questions but avoiding giving answers. Such leaders as Leo Tolstoy and Nikolai Leskov, however, defended him. "I'm not a liberal, or a conservative, or a gradualist, or a monk, or an indifferentist. I should like to be a free artist and that's all..." Chekhov said in 1888.
The failure of The Wood Demon , play in 1889, and problems with novel made Chekhov to withdraw from literature for a period. In 1890, he traveled across Siberia to Sakhalin, remote prison island. He conducted a detailed census of ten thousand convicts and settlers, condemned to live on that harsh island. Chekhov expected to use the results of his research for his doctoral dissertation. Hard conditions on the island probably also weakened his own physical condition. From this journey came his famous travel book.
Chekhov practiced medicine until 1892. During these years, Chechov developed his concept of the dispassionate, non-judgmental author. He outlined his program in a letter to his brother Aleksandr: "1. Absence of lengthy verbiage of political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality; flee the stereotype; 6. compassion." Because he objected that the paper conducted against [a:Alfred Dreyfu
Dramas, such as The Seagull (1896, revised 1898), and including "A Dreary Story" (1889) of Russian writer Anton Pavlovich Chekhov, also Chekov, concern the inability of humans to communicate.
Born ( Антон Павлович Чехов ) in the small southern seaport of Taganrog, the son of a grocer. His grandfather, a serf, bought his own freedom and that of his three sons in 1841. He also taught to read. A cloth merchant fathered Yevgenia Morozova, his mother.
"When I think back on my childhood," Chekhov recalled, "it all seems quite gloomy to me." Tyranny of his father, religious fanaticism, and long nights in the store, open from five in the morning till midnight, shadowed his early years. He attended a school for Greek boys in Taganrog from 1867 to 1868 and then Taganrog grammar school. Bankruptcy of his father compelled the family to move to Moscow. At the age of 16 years in 1876, independent Chekhov for some time alone in his native town supported through private tutoring.
In 1879, Chekhov left grammar school and entered the university medical school at Moscow. In the school, he began to publish hundreds of short comics to support his mother, sisters and brothers. Nicholas Leikin published him at this period and owned Oskolki (splinters), the journal of Saint Petersburg. His subjected silly social situations, marital problems, and farcical encounters among husbands, wives, mistresses, and lust; even after his marriage, Chekhov, the shy author, knew not much of whims of young women.
Nenunzhaya pobeda , first novel of Chekhov, set in 1882 in Hungary, parodied the novels of the popular Mór Jókai. People also mocked ideological optimism of Jókai as a politician.
Chekhov graduated in 1884 and practiced medicine. He worked from 1885 in Peterburskaia gazeta.
In 1886, Chekhov met H.S. Suvorin, who invited him, a regular contributor, to work for Novoe vremya, the daily paper of Saint Petersburg. He gained a wide fame before 1886. He authored The Shooting Party , his second full-length novel, later translated into English. Agatha Christie used its characters and atmosphere in later her mystery novel The Murder of Roger Ackroyd . First book of Chekhov in 1886 succeeded, and he gradually committed full time. The refusal of the author to join the ranks of social critics arose the wrath of liberal and radical intelligentsia, who criticized him for dealing with serious social and moral questions but avoiding giving answers. Such leaders as Leo Tolstoy and Nikolai Leskov, however, defended him. "I'm not a liberal, or a conservative, or a gradualist, or a monk, or an indifferentist. I should like to be a free artist and that's all..." Chekhov said in 1888.
The failure of The Wood Demon , play in 1889, and problems with novel made Chekhov to withdraw from literature for a period. In 1890, he traveled across Siberia to Sakhalin, remote prison island. He conducted a detailed census of ten thousand convicts and settlers, condemned to live on that harsh island. Chekhov expected to use the results of his research for his doctoral dissertation. Hard conditions on the island probably also weakened his own physical condition. From this journey came his famous travel book.
Chekhov practiced medicine until 1892. During these years, Chechov developed his concept of the dispassionate, non-judgmental author. He outlined his program in a letter to his brother Aleksandr: "1. Absence of lengthy verbiage of political-social-economic nature; 2. total objectivity; 3. truthful descriptions of persons and objects; 4. extreme brevity; 5. audacity and originality; flee the stereotype; 6. compassion." Because he objected that the paper conducted against [a:Alfred Dreyfu
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Displaying 1 - 7 of 7 reviews
October 19, 2019
این کتاب شامل هفت نمایشنامه کوتاه و بلند چخوف است که بعضی از آنها کمدی و بعضی موضوعی درام و تلخ دارند...
و به نظرم نمایشنامه کمدی خرس، بهترین نمایشنامه این کتاب و نشان دهنده اوج هنر نویسندگی چخوف است...
و به نظرم نمایشنامه کمدی خرس، بهترین نمایشنامه این کتاب و نشان دهنده اوج هنر نویسندگی چخوف است...
August 26, 2022
ایوانف و خرس و در جادهی بزرگ رو دوستتر از همه داشتم. باقی رو نه خیلی.
(اینجا هم یادداشت کنم که قرار بود ایوانفِ درام رو بخونیم و من ایوانفِ کمدی رو خوندهبودم و تا آخر آخر جلسه فکر میکردم وای چقدر اون ترجمهای که بقیه خوندهن دستکاریشده ست و چطور ممکنه. :)) )
(اینجا هم یادداشت کنم که قرار بود ایوانفِ درام رو بخونیم و من ایوانفِ کمدی رو خوندهبودم و تا آخر آخر جلسه فکر میکردم وای چقدر اون ترجمهای که بقیه خوندهن دستکاریشده ست و چطور ممکنه. :)) )
May 16, 2023
هرکدوم از نمایشنامه های این آقا یه کلاس کامل نمایشنامه نویسی محسوب میشه.
____________
بمان ... کلی می خندیم ... ( می خندد و گریه میکند) آخر مگر می شود که گلها در بهاران تکرار شوند ولی شادیها نشوند؟ باشد ، برو.
[ایوانف /کمدی در چهار پرده ].
____________
بمان ... کلی می خندیم ... ( می خندد و گریه میکند) آخر مگر می شود که گلها در بهاران تکرار شوند ولی شادیها نشوند؟ باشد ، برو.
[ایوانف /کمدی در چهار پرده ].
May 5, 2013
ـ مجموعه ی آثار (5 جلد)، سروژ استپانیان، 4 ـ 1371
نظری در مورد آثار چخوف
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May 23, 2022
این کتاب شامل نمایشنامه های
بی پدری
در جاده ی بزرگ
آواز قو
ایوانف( کمدی در چهار پرده)
خرس
خواستگاری
و ایوانف (درام در چهار پرده )است.
بی پدری
در جاده ی بزرگ
آواز قو
ایوانف( کمدی در چهار پرده)
خرس
خواستگاری
و ایوانف (درام در چهار پرده )است.
July 1, 2018
خوشبختی شخصی خودخواهی است
March 9, 2025
برای من که عاشق خواندن نمایشنامه ام خواندن چخوف موهبتی است!این کتاب اکثر نمایشنامه های چخوف را دارد با یک ترجمه خوب؛نه زیادی عامیانه ترجمه شده و نه خیلی رسمی که فهمش سخت باشد،نمایشنامه ای که بیشتر از همه دوست داشتم نه باغ آلبالو بود و نه دایی وانیا،یک نمایشنامه تک پرده ای به اسم بازیگر تراژدی علیرغم میل خود که به اندازه این دو نمایشنامه معروف نیست. این نمایشنامه در عین ساده بودن و طنزی که تقریبا در تمام آثار چخوف میشود دید(البته اساس این نمایشنامه روی طنز است و طنز، بیشتر از دیگر نمایشنامه ها در این اثر کار می کند)در مورد موضوع عمیقی حرف می زند.
این نمایشنامه تقریبا با تمام نمایشنامه های چخوف تفاوت دارد نه خبری از اسم های زیاد و تلفظ ناشدنی! و نه خبری از دور میز نشستن و چای نوشیدن های خانوادگی! داستان در یک پرده با دو کاراکتر جلو می رود و هر دو کاراکتر هم درخشان آفریده شده اند داستان نقدی است بر زندگی مدرن امروزی و د مشغولی هایی ناچیز که اسمشان را گذاشته ایم زندگی!و در آخر پایان بی نظیرش.
این نمایشنامه تقریبا با تمام نمایشنامه های چخوف تفاوت دارد نه خبری از اسم های زیاد و تلفظ ناشدنی! و نه خبری از دور میز نشستن و چای نوشیدن های خانوادگی! داستان در یک پرده با دو کاراکتر جلو می رود و هر دو کاراکتر هم درخشان آفریده شده اند داستان نقدی است بر زندگی مدرن امروزی و د مشغولی هایی ناچیز که اسمشان را گذاشته ایم زندگی!و در آخر پایان بی نظیرش.
Displaying 1 - 7 of 7 reviews