One thing you can say about Mary Balogh's writing: It consistently delivers that PBS/BBC period film feel! "Slightly Married" was no exception. I certainly envisioned the panoramic shots of England's town and country of the early 1800's without a problem, as well as the pacing of the story - flowing out like a nice, captivating BBC production. I think a lot of that feel can be attributed to her trademark "emotion-centered" romances that give a consistent viewpoint from both the hero and heroine of the story.
No secret that I'm a big fan of Balogh and usually pick up her books for a sure bet of both a comforting story and emotional engagement with the characters. I've had her Slightly series on the TBR for quite a long time, and finally got around to picking up the first book, "Slightly Married." For the 4 or 5 romance readers on the planet that still remain who've either not read the series or heard of the family, quickly -- it evolves around the aristocratic Bedwyn family consisting of 6 children, 4 boys and 2 girls, each book of the series focusing on each of their love stories.
"Slightly Married" is Aiden, the second son's story, featuring our heroine, "Eve," a Welsh coal miner's daughter whose father aspired to get as close to "gentry" as he possibly could. Alas, although her father died a landowner with a decent enough estate, they remained on the "fringe" of true gentry, and her father was never able to secure an aristocratic marriage offer for her hand.
Colonel Lord Aiden Bedwyn happens into Eve's life by way of coming upon one of his men dying on the battlefield - her brother, Captain Percy Morris. With his dying breath, Percy secures his colonel's promise that he will protect his sister, Eve, "No matter what!" Percy, having once saved Aiden's life in another skirmish, and Aiden naturally being a gentleman of the highest honor, he seeks out Eve to deliver the tragic news of her brother's death, and of course see how he might assist in any "protection" required, fulfilling his promise. He finds Eve on the brink of destitution, and quickly comes to understand the urgency of Percy's dying concerns. Eve and Percy's father bequeathed his estate to Eve for one year, to pass onto her brother Percy if she failed to marry a titled gentleman within that time period. Alas, circumstances didn't happen that Eve was able to fulfill the terms of the will, but she continued to have faith in Percy's remaining alive, and her continued welcome in her childhood home by her beloved brother should he inherit by default. With his death however, the estate became entailed to her truly evil cousin, whose given her collected "menagerie" of a family/household, until noon on the 1 year deadline to vacate the premises. Aiden finds her in this state upon his arrival and, one thing leading to another, offers her marriage in order to fulfill his bargain with her brother, "No matter what."
Balogh launches the hero and heroine into a series of unfolding events that allow each of them to get to know the other better, yet each remains under the premise that they maintain a marriage of convenience where the other participant would rather they part and never interfere in the other's life again. The story is filled with pangs of the heart, as the protagonists fall deeply, yet secretly from each other, in love with one another. Balogh writes one of the most tender and romantic culminating love scenes between the two that any true romantic "period film" lover could ask for. *deep sigh* The dialogue and setting of their encounter is truly emotional and captivating!
Any romance reader needing a lazy trip down a poignant and subtle path to two people discovering love where they never expected it . . . oh . . .and also being fresh out of BBC period productions to watch, will be satisfied with "Slightly Married." If that sounds about right for your particular taste, don't hesitate to pick this one up!
K.
[Note: No graphic love scenes, but not "closed bedroom door"; no violence; no graphic language.]/