Neither God nor Master: Robert Bresson and Radical Politics

by Brian Price

The French auteur Robert Bresson, director of such classics as Diary of a Country Priest (1951), The Trial of Joan of Arc (1962), The Devil, Probably (1977), and L’Argent (1983), has long been thought of as a transcendental filmmaker preoccupied with questions of grace and predestination and little interested in the problems of the social world. This book is the first to view Bresson’s work in an altogether different context. Rather than a religious—or spiritual—filmmaker, Bresson is revealed as an artist steeped in radical, revolutionary politics.


Situating Bresson in radical and aesthetic political contexts, from surrealism to situationism, Neither God nor Master shows how his early style was a model for social resistance. We then see how, after May 1968, his films were in fact a series of reflections on the failure of revolution in France—especially as “failure” is understood in relation to Bresson’s chosen literary precursors, Dostoyevsky and Tolstoy, and Russian revolutionary culture of the nineteenth century.


Restoring Bresson to the radical political culture from which he emerged—and to which he remained faithful—Price offers a major revision of the reputation of one of the most celebrated figures in the history of French film. In doing so, he raises larger philosophical questions about the efficacy of revolutionary practices and questions about interpretation and metaphysical tendencies of film historical research that have, until now, gone largely untested.

Genres: Film, Nonfiction

264 pages, Paperback

First published January 1, 2011

About the author

Librarian Note: There are more than one author in the Goodreads database with this name.

I am a chemist and biologist. I worked for many years in the environmental field and as an Open University tutor. I am also an avid crime reader.

I turned from science to crime when I attended Crimefest in Bristol, in 2016. I found the crime writing community open and friendly so I resolved to use my knowledge of science to help authors get scientific details correct. I have advised a number of leading crime writers on scientific topics. In 2019 my website www.crimewriterscience.co.uk metamorphosed into the book Crime Writing: How to Write the Science.

In the same year, I won a competition, run by the Facebook group Crime Fiction Coach, to find the best opening line for a crime novel. I then had no option but to write the book to go with that line! The result was Fatal Trade, published on 14th September 2021 by Hobeck Books. Fatal Beginnings, a free novella introducing some of the characters, is available at www.hobeck.net

Fatal Hate followed in April 2022 and Fatal Dose in January 2023.

Several of my short stories are published in the Writers in Stone anthologies Cuckoo, Lock and Key and Seventy Three. One of my stories appears in The Dark Side of Christmas, a charity anthology produced by Hobeck Books, and another in the Crime Writers Association anthology Music of the Night. I also contributed a recipe and short story to the Hobeck 2022 charity collection Cooking the Books

Reviews

[John Ledingham · Rating 4 out of 5]

a great and well written resource on an unconventional but totally valid and understudied apsect of bresson. really loved the chapters on a man escaped, pickpocket, largent and the devil probably. others felt like reaching, especially when he starts getting into derrida and all that shit. so all your standard positives and negatives with this kind of academic writing. but a good read for bressonians interested in his relation to leftist politics.