Silhouettes

by Arthur Symons

Silhouettes is a collection of short stories written by Arthur Symons, first published in 1896. The book contains 12 stories, each exploring different aspects of human nature and the complexities of human relationships. The stories are set in various locations, including London, Paris, and Venice, and feature a diverse cast of characters, from artists and poets to aristocrats and socialites. Symons' writing style is characterized by his use of vivid imagery and his ability to capture the nuances of human emotion. The stories in Silhouettes range from the hauntingly beautiful to the darkly disturbing, and explore themes such as love, jealousy, betrayal, and the search for meaning in life. The book is considered a masterpiece of Victorian literature and has been praised for its lyrical prose and its ability to capture the essence of the era in which it was written. It is a must-read for anyone interested in exploring the complexities of human nature and the art of storytelling.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

108 pages, Paperback

First published October 4, 2009

About the author

Born in Milford Haven, Wales, of Cornish parents, Symons was educated privately, spending much of his time in France and Italy. Between 1884 and 1886 he edited four of Bernard Quaritch's Shakespeare Quarto Facsimiles, and in 1888 - 1889 seven plays of the "Henry Irving" Shakespeare. He became a member of the staff of the Athenaeum in 1891, and of the Saturday Review in 1894, but his major editorial feat was his work with the short-lived Savoy.

His first volume of verse, Days and Nights (1889), consisted of dramatic monologues. His later verse is influenced by a close study of modern French writers, of Charles Baudelaire, and especially of Paul Verlaine. He reflects French tendencies both in the subject-matter and style of his poems, in their eroticism and their vividness of description. Symons contributed poems and essays to the Yellow Book, including an important piece which was later expanded into The Symbolist Movement in Literature, which would have a major influence on William Butler Yeats and T. S. Eliot. From late 1895 through 1896 he edited, along with Aubrey Beardsley and Leonard Smithers, The Savoy, a literary magazine which published both art and literature. Noteworthy contributors included Yeats, George Bernard Shaw, and Joseph Conrad.

In 1892, The Minister's Call, Symons's first play, was produced by the Independent Theatre Society – a private club – to avoid censorship by the Lord Chamberlain's Office.

In 1902 Symons made a selection from his earlier verse, published as Poems. He translated from the Italian of Gabriele D'Annunzio The Dead City (1900) and The Child of Pleasure (1898), and from the French of Émile Verhaeren The Dawn (1898). To The Poems of Ernest Dowson (1905) he prefixed an essay on the deceased poet, who was a kind of English Verlaine and had many attractions for Symons. In 1909 Symons suffered a psychotic breakdown, and published very little new work for a period of more than twenty years. His Confessions: A Study in Pathology (1930), has a moving description of his breakdown and treatment.

Reviews

[Alyssa · Rating 2 out of 5]

Symons can write some truly stunning prose, but this book of poetry is rather lackluster. It's worth skimming through, because it's quite short and has a couple of little jewels in it, but Symons' biographical writing is far superior.