This is a two-book volume
1. "Heaven to Betsy" --- Well, Betsy has certainly changed since "Downtown" when her life began to expand. In this book, she has become quite the twit --- idiotically boy crazy, shallow, boring, and, yes, actually a rather poor student. Tacy's effective absence from her life after the move to High Street certainly shows. Although Tacy still seems a bit star-struck by her childhood friend, Tacy's indifference to boys and the constancy of her life would perhaps have been a foil. (Goodness, I'm starting to think these are real people!)
But, really, what could one expect after the move and beginning high school? Betsy, who up till now has been the model of a wonderful girl for us readers, has to do a lot of growing up, just as all of us readers have/had to do. That Betsy stumbles into the Vapid Swamp is exactly what a lot of us do/did. So, Mrs. Lovelace, you have done it again: Truth prevails.
This book is quite different in tone from the previous books. I think the change of illustrators exemplifies this: The style of the pictures has changed from the "story book" style of the previous books to a more "action based" style. We are no longer in the world of childhood where experience is direct, uncomplicated, and daily. Now, we learn about housework, recipes for making coffee and fudge, planning one's school work, speculations about the "Greater World", desire to leave the nest. These are the how-to's and attitudes that make us autonomous and capable people.
One issue: I am surprised at how quickly the Rays became relatively well-to-do. My impression is that they lived in the yellow house on Hill Street because there was not just that much discretionary money in the family. But, in this book, the house is much grander and at least upper middle class. A symbol here is the brass bowl that Mrs. Ray covets for the front window. Indeed, Mrs. Ray has become quite house proud. Help me here. Has business picked up for Mr. Ray? Were Mr. and Mrs. Ray thrifty savers? Does it matter whether the reader knows? I, at least, feel that I should have some insight here as Mrs. Lovelace has changed the scene so much.
2. "Betsy in Spite of Herself" --- Betsy's high school history continues with her sophomore year. In this book, Betsy makes her first big foray into the great world: She foregoes Christmas at home (!) to visit Tib and her family in Milwaukee for about two weeks. It's like a trip to a foreign country given how German/Middle European Milwaukee is. Very interesting history for me. She also makes her first manipulative conquest of a boy as part of an effort to make herself more "interesting" and, in the course of the relationship, temporarily alienates her friends and finally learns that she should be herself. The boy, Phil, makes an excellent mirror for Betsy to see how internally ugly she can be. Actually, another big event is the high school graduation of Julia, Betsey older sister. This is and will be a big event in Betsy's life as Julia, at least as Betsy interprets her wisdom sayings, has not in the long run been a good influence on Betsy. Also, I note that, although Tacy remains very close, Betsy need not run to Tacy when the Phil dumps her: She stops at the park with the fountain on the way to Hill Street and works it out for herself. Brava, Betsy! Later, Tacy and she have no need to "talk details" as they have a more adult sympathy for each other's feelings such that details don't really matter.
There are two magnificent scenes in this book. Mrs. Lovelace at her artistic best. The first is the description of the Milwaukee train pulling out Deep Valley station and the gradual visual diminishment eventual disappearance of everyone Betsy knows. The second is the long nighttime conversation that Betsy and Tib have on New Year's night. Although Betsy and Tib express some foolish ideas, they are completely open with each other about short-run hopes and dreams. This is the longest conversation, I believe, in any of the books so far.
Brava, Mrs. Lovelace.