Linda Porter's "Katherine the Queen" is an engaging and disturbing look at Katherine Parr, the sixth and last wife of Henry VIII, the woman known to history as much for "surviving" marriage with the unpredictable king as for her increasingly pro-Protestant views at a time when Henry was determined to travel the path of moderation in his reformation of the Church. This, even as the struggle between the forces of religious conservatism and further reform was coming to a head. And so it was that Katherine, dancing too near the reformist flame "for the gospel's sake," came dangerously near losing her husband's affection . . . and her head.
Linda Porter portrays Katherine as an intelligent and loving stepmother to Henry's children, Mary (whose mother was Catherine of Aragon), Elizabeth (Anne Boleyn) and Edward (Jane Seymour). Naturally curious, Katherine is drawn deeper and deeper into the reformist movement until she realizes she must outwit the powerful men who mean to use her religious views to turn Henry against her and destroy her. Otherwise, she will most certainly find herself consigned to the Tower. Together, the bishop of Winchester, Stephen Gardiner, and the lord Chancellor and religious conservative, Thomas Wriothesley are her primary foes. . . but, in fact, all the familiar figures of the era prowl these pages.
Katherine has her admirers, too. Chief among these is Sir Thomas Seymour, that colorful "rascal" who wooed Katherine before her marriage to Henry and then married her—a love match, she believed—within a year of Henry's death. Earlier, I used the word "disturbing." Tis no matter that we know, if perhaps only in a general way, how these individual stories play out, a good biography carries the power to draw an emotional response from readers, and this one fits that category admirably. So, no spoilers here (I hope) when I say that when after all she has been through with Henry VIII and his three children, Katherine dies (in September 1548 when she was thirty-five) a few days after giving birth to her only child, a daughter, Lady Mary Seymour. And Katherine's husband? Within months of Katherine's death, Thomas Seymour is charged with treason and goes to the chopping block.
Charged with treason. Why? For romancing fifteen-year old Elizabeth Tudor, whose younger brother Edward (IV) is on the throne under the hawk eye of Thomas Seymour's brother, Edward Seymour, who has been named "Protector and Governor of the King's person" till his and Thomas's nephew Edward comes of age. (Note: one of the complexities of writing historical fiction and nonfiction alike is lighting the way through a cast of characters who often bear the same name.)
Why would Thomas Seymour romance Elizabeth Tudor? The Privy Council claims Seymour is a traitor who will reap all the rewards as Elizabeth's husband—because young Edward Tudor could die. And Mary Tudor could, too. And Elizabeth could become Queen of England. Don't forget, either, that Thomas Seymour's sister, Jane Seymour, was Henry VIII's third wife. And that when Henry died, he was buried alongside Jane.
Round and round we go. Circles. Chains.
There is a lot to enjoy in this book. The story of Katherine and Thomas's daughter, Lady Mary Seymour, fascinated me. Apparently, at about age two, the child disappeared from the pages of history, abandoned and unloved. BUT the author gives a nod to a nineteenth-century biography that suggests the child survived, cared for by her governess, and went on to marry an Elizabethan courtier. Also: Katharine Parr herself, honored in her day as an author ("Lamentation of a Sinner") and so much more, was largely "lost" to history for 200 years until in 1782 a group of women visiting Sudeley Castle in Gloucestershire, where Katherine was buried, stumbled across a lead envelope coffin bearing her name. When they opened it they discovered Queen Katherine perfectly preserved . . . till that moment, when decay set in. As Katherine's biographer writes, "when further investigations of the tomb took place a few years later, the face was worn to bone."