I've been following Mitch Albom since Tuesdays with Morrie, and The Little Liar, his 2023 novel, tells the story of the Holocaust during World War II, focusing on the atrocities at Auschwitz.
First, the positives. Albom’s writing is always simple and easy to read. The story setting is compelling, using well-known historical events as a backdrop. The relationships between characters involve grand emotions, national hatred, and familial love and conflict, offering the potential for deep exploration of human nature.
However,
I feel Albom’s ambition is too great for this book. He stretches the timeline too long, attempting to cover 50-60 years of the 4 protagonists' experiences and intersections. His writing structure is ambitious, but his style and ability seem better suited for essays or inspirational works.
How to put it, the plot feels somewhat contrived, and the character development is more about serving the plot than adding depth. The story appears intricate but lacks the emotional impact. The characters have halos but lack depth.
The first protagonist, Nico, is given too much of a stage halo - extraordinary looks and intelligence, knowing 8 languages. He should be a smart and insightful child. However, influenced by his grandfather to be a "good person," he completely loses the necessary judgment at the age of 11, a time when he could think independently, leading to lifelong regret after being deceived.
Nico’s experiences - meeting a German officer, fleeing with gypsies, even encountering a movie star - develop too ideally. This setup makes her character seem superficial and unconvincing.
His brother is jealous and angry, but this emotion is expressed superficially and contradictorily, failing to delve into the complex relationship between good and evil, making his character seem flat.
Fanni’s character is also superficial, expressing love and hatred too bluntly.
While reading, I felt this work would be better as a screenplay, or perhaps Albom wrote it with a film adaptation in mind. The story is filled with dramatic conflict, which could give actors plenty of room to perform on screen. However, as a written work, it lacks depth and thought, leaving a somewhat bland impression.
If Albom could focus on a specific part of the story or use a reverse narrative, it might be more engaging. Combining an entire life with a single lie but lacking exceptional narrative skills results in insufficient appeal.
At the beginning, the story seems to follow a trope, exploring whether children should be taught to distinguish right from wrong. This is a trap: the root of the story's evil lies in the German officer exploiting the child's kindness. Without his manipulation, perhaps none of this would have happened. Therefore, kindness should indeed be preserved, but the key issue is identifying the source of evil.
3.4 / 5 stars