I love genre fiction, especially horror that includes the two more famous archetypes: the vampire and the werewolf. Now, you have to read that sentence again before you read the rest of this review. There's a single key word up there.
Horror.
Nightface is not Twilight. Nightface is not the Vampire Diaries. Nightface isn't even your daddy's Dracula. No, Nightface is something completely different. And that's a great thing for this tired, worn out archetype. You see, vampires are monsters. They're transformed humans, or former humans, or never been humans... who eat humans. They eat us to survive; kind of like we eat beef, or plants, or fruits, or... you get the picture. Vampires kill. They have to. These are all things current vampire writers have forgotten. This includes horror writers and urban fantasy writers.
But not Lydia Peever.
She uses mystery, suspense, and fear to drive Gunnar (and the reader) forward. Who is he? What's he done? What's up the lemon and the bonsai set? It's a classic hook used to great advantage here. New elements (or clues, if you will) are introduced casually but with enough speed that the reader never gets bored. You'll find yourself asking just what the hell is going on right along with Gunnar.
Peever's use of dark imagery is spot on, giving the entire book a bleak tone. You know that the light at the end of the tunnel is a freight train but you just can't help rushing toward it. You'll want to run head long into this locomotive.
When you get to the climax and you realize exactly where Lydia Peever has taken the vampire, you're going to be impressed. She drops enough hints along the way that you can figure it out before you get there, but I guarantee you won't have all the answers.
My only complaint with this book was the waiting for the gore. Oh, it's there, don't worry about that, it's just later in the narrative. But it's placed right where it's supposed to be so I'm willing to overlook it. Just don't think the fangs and the blood show up right away because they don't. There's a bit in the early goings, then it's pretty dry, but you get your money's worth at the end.
All in all, Nightface is an excellent start in redefining what vampire fiction should be. Mysterious, bloody, and non-sparkly. Bring back the blood!
(Note: I read a 1st edition copy of this book.)