An intoxicating book which explores the Surrealism underlying the American Dream. Here the Hollywood dream is subverted, and the life of the characters' that inhabit this dream-scape (filled with culture-clashes, falling stage-props, dwarfs, paper sphinxes, rubber dead horses in pools) imitate art. Characters become inter-textual, stuck in a cycle of following out the American Novel, objectified as works of art: Goya, Rosa, Daumier, the Surrealists - everything is parodied in Hollywood. Even the Bible: the 'day of the locust', a biblical plague turned into a plague of consumerism and satire. West creates a nightmarish world where catastrophe and apocalyptic visions abound, where dreams are never fully realised but always on the brink of understanding, where characters are played about in the novel like the very symbolic props they are. What underpins this American dream, West asks? The answer is not a pretty one but one that hints at a deep psychoanalytic barbarism, an innate sexual violence that like the automobile, gold money, and the movie business permeates high and low society alike.