Fiddler on the Move: Exploring the Klezmer World

by Mark Slobin

"Klezmer" is a Yiddish word for professional folk instrumentalist-the flutist, fiddler, and bass player that made brides weep and guests dance at weddings throughout Jewish eastern Europe before the culture was destroyed in the Holocaust, silenced under Stalin, and lost out to assimilation in America. Klezmer music is now experiencing a tremendous new spurt of interest worldwide with both Jews and non-Jews recreating this restless volatile, and vibrant musical culture. Firmly centered in the United States, klezmer has paradoxically moved back across the Atlantic as a distinctly "American" music, played throughout central and eastern Europe, as well as in many other parts of the world.
Fiddler on the Move places klezmer music squarely within American music studies, cultural studies, and ethnomusicology. Neither a chronology nor a comprehensive survey, the book describes a variety of approaches and perspectives for coming to terms with the highly diverse array of activities found under the klezmer umbrella. Bringing to his subject the insights of an accomplished ethnomusicologist, Slobin addresses such questions How does klezmer overlap with, and differ from, the many other contemporary "heritage" musics based on an assumed connection with a group identity and links to a tradition? How do economics, artistic expression, and the evocation of the past interact in motivating klezmer performers and audiences? In what kinds of environment does klezmer flourish? How do stylistic features such as genre, form, and ornamentation help to define the technique, affect, and aesthetic of klezmer? Featuring a music CD with many of the archival and contemporary recordings
discussed in the text, this fascinating study will interest scholars, students, musicians, and music lovers

Genres: Music, Jewish

168 pages, Paperback

First published January 1, 2000

About the author

Mark Slobin was a professor at Wesleyan University for 45 years in its renowned ethnomusicology program.
He wrote books on music in Afghanistan and Central Asia, the Eastern European Jews (immigrants, cantors, klezmer), 2 of which won the prestigious ASCAP-Deems Taylor Award, global film music, and folk music.
A native Detroiter, he has written the first-ever survey of a major American city's musics, from the European, Appalachian, and African American immigrants to the worlds of classical music, the auto industry, the unions, the counterculture, and the media. His own memoirs and his family's music set the tone for the writing of "Motor City Music: A Detroiter Looks Back," published by Oxford University Press in November, 2018.