Reasons for Moving was Mark Strand's first book, and on its publication in 1968 Donald Justice called him "maybe the very best of the new poets." Darker followed, and Robert Penn Warren said, "the moment is always exciting when a true poet finds the secret self that is the wellspring of his inspiration." And Harold Bloom wrote, "these poems instantly touch a universal anguish as no confessional poems can, for Strand has the fortune of writing naturally and almost simply (though this must he supreme artifice) out of the involuntary near solipsism that always marks a central poetic imagination in America."
Mark Strand was a Pulitzer Prize-winning American poet, essayist, and translator. He was appointed Poet Laureate Consultant in Poetry to the Library of Congress in 1990. He was a professor of English at Columbia University and also taught at numerous other colleges and universities.
Strand also wrote children's books and art criticism, helped edit several poetry anthologies and translated Spanish poet Rafael Alberti.
Here is one of my favorites by the great poet Mark Strand:
Eating Poetry by Mark Strand
Ink runs from the corners of my mouth. There is no happiness like mine. I have been eating poetry.
The librarian does not believe what she sees. Her eyes are sad and she walks with her hands in her dress.
The poems are gone. The light is dim. The dogs are on the basement stairs and coming up.
Their eyeballs roll, their blond legs burn like brush. The poor librarian begins to stamp her feet and weep.
She does not understand. When I get on my knees and lick her hand, she screams.
I am a new man. I snarl at her and bark. I romp with joy in the bookish dark.
In "The Accident," he speaks of getting run over by a train. In "The Mailman," he gets a letter at midnight and has to comfort the mailman who feels bad about bringing bad news. In "The Man in the Tree," the speaker is sitting in a tree. Those are some typical examples of Strand poems.
Great imagery. A bit gloomy but not without hope. Like when a creepy tree scratches on the window but you comfort yourself remember it's just a tree. Loved it!
I sat in the cold limbs of a tree. I wore no clothes and the wind was blowing. You stood below in a heavy coat, the coat you are wearing.
And when you opened it, baring your chest, white moths flew out, and whatever you said at that moment fell quietly onto the ground, the ground at your feet.
Snow floated down from the clouds into my ears. The moths from your coat flew into the snow. And the wind as it moved under my arms, under my chin, whined like a child.
I shall never know why our lives took a turn for the worse, nor will you. Clouds sank into my arms and my arms rose. They are rising now.
I sway in the white air of winter and the starling’s cry lies down on my skin. A field of ferns covers my glasses; I wipe them away in order to see you.
I turn and the tree turns with me. Things are not only themselves in this light. You close your eyes and your coat falls from your shoulders,
and tree withdraws like a hand, the wind fits into my breath, yet nothing is certain. The poem that has stolen these words from my mouth may not be this poem.
"And when you opened it, baring your chest, white moths flew out, and whatever you said at the moment fell quietly onto the ground, the ground at your feet."
"He talks until the beam from someone's flashlight turns us white... A pale light shines in his eyes."
"flowers swing back and forth like small balloons"
"He looked... It was summer. The night was full of stars"
"your face lost under layers of heavy skin,"
"I move to keep things whole."
This entire review has been hidden because of spoilers.
Strand is a well-known poet whom I did not know, and I am glad to have met his work. This is an early collection, and the pieces are more given to the surreal than his later work, but the surreal described in very precise, everyday language. These are not lyrical poems, not 'beautiful' poems, but they are evocative and effective in reminding the reader how very strange ordinary reality can be if one allows it.
He makes you ponder every word--there are so few words, but each one its like you are relearning the definition of a "chair" or "backwards" over again.